To be fair, Forster «was not allowed to bring on his usual team», because the production felt he needed more seasoned supporting players like line producer Colin Wilson (Avatar) and Oscar -
winning effects man John Nelson (Gladiator), and Oscar - winning cinematographer Robert Richardson (Hugo), all of whom were eventually replaced.
Not exact matches
The young Spaniard put in the sort of energetic and dynamic performance that us Gooners have got used to, and with La Rojita
winning the game at a canter against Estonia I think we can be safe in the knowledge that the Arsenal
man is carrying no after
effects from that knock or the manager would surely not have kept him on the pitch for the whole 90 minutes.
The truth is that the
win away to
Man City a few games ago has shown that Arsenal can defend as a team and use this tactic to good
effect.
Devastated when he discovers the
effects of the infant formula he's peddling, a young salesman challenges the system and the powers that be, in this based - on - fact drama from Academy Award -
winning director Danis Tanovic (No
Man's Land).
The 1968 Rachel, Rachel was the outcome of Woodward's exile; she and Newman admitted it was carefully designed as a vehicle to resuscitate her career, and the ploy worked brilliantly — he directed, she starred, and together they led the film to four Oscar nominations, including Best Actress and Best Picture.The following year Woodward and Newman reunited onscreen for the auto - racing drama
Winning, and again starred together in 1970s politically charged W.U.S.A., a reflection of the couple's high - profile support of liberal causes; when 1971's They Might Be Giants proved unsuccessful, Newman directed Woodward to Best Actress honors at the 1972 Cannes Film Festival for The
Effect of Gamma Rays on
Man - in - the - Moon Marigolds.
Director Peyton Reed's creative team also includes Oscar ®
winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual
effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron
Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special
effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
Iron
Man's secret weapon dwells underneath the high - tech robot suit and the whiz - bang special
effects: We can
win the war on terror, the movie suggests, with the force of Robert Downey Jr.'s personality alone.
Reed's creative team also includes Oscar -
winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual
effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron
Man 3») and six - time Oscar nominee, special
effects supervisor Dan Sudik («Marvel's The Avengers»).
He continued his rise still very much a TV
man, though now headlining a number of promising shows that ended after typically British short runs; there was Hardware (for which he
won the prestigious Rose d'Or), The Robinsons, Boy Meets Girl (in which he played a
man trapped in a woman's body, played to great comedic
effect by Rachael Stirling), and more recently that little show he got an Emmy nomination for... oh what's it called... Smauglock?
Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® —
winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® -
winning film editor Bob Murawski («The Hurt Locker,» the «Spider -
Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider -
Man 2,» «The Talented Mr. Ripley»), visual
effects Oscar ® winner Scott Stokdyk («Spider -
Man 2,» «Spider -
Man») and Academy Award ® —
winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.
A surprising
effect also present in the Le
Mans -
winning Audi R10 and R15 race cars, which are also powered by TDI engines.
He
won the best visual
effects award in 2006 for the movie Pirates of the Caribbean: Dead
Man's Chest.