Sentences with phrase «with abattoir»

Darren Lynn Bousman is building a new kind of horror with Abattoir, which will premiere at the upcoming Los Angeles Film Festival on...

Not exact matches

The processing sector has also been hot with the mammoth $ 1.45 billion takeover of Primo Smallgoods by Brazil's JBS while British Billionaire Joe Lewis, whose investment company owns 32 per cent of AACo, has been AACo's main backer during construction of its Darwin abattoir.

For a meat product to be certified organic it must also have been processed at a certified organic abattoirs which keeps cattle in their social groups, provides comfortable holding pens with feed, water and bedding, don't kill animals in the line of sight of other animals and render animals unconscious before they're killed.

There are at least four ports, quarantine facilities and abattoirs along China's east coast that have been constructed especially for the live trade with Australia.

The fund was expecting additional returns because of the expectation that a new abattoir was to be built on the island with plans lodged by the EAT Group.

Farms and abattoirs are routinely and randomly audited each year to make sure they comply with organic standards.

Dr Abdelwahab is a veterinarian with seven years experience in Egyptian abattoirs.

The export abattoirs are certified halal, although Gulf officials with business interests in subsidised local industries can create difficulties about credentials.

Certified organic abattoirs keep cattle in their social groups, provide comfortable holding pens with feed, water and bedding, don't kill animals in the line of sight of other animals and render animals unconscious before they're killed.

The Australian Meat Industry Council and the Meat Industry Employees» Union have accused the government of subsiding foreign workers who compete directly with Australian meatworkers for jobs with its five - year commitment to an initiative, Managing Abattoir, Training and Exchange of Skills, or MATES.

Evidence lodged with the Department of Agriculture this month revealed sheep being beaten with poles, dragged and thrown in the lairage outside the abattoir of Qatari importer, Widam Foods.

For example, after our investigators exposed horrendous treatment of animals in Jordan, Animals Australia's work in collaboration with the Princess Alia Foundation has now been responsible for the uptake of pre-slaughter stunning in Jordanian abattoirs — for both cattle and sheep.

Instead, the abattoir owners and several workers were issued with formal warnings by DPI.

The statement read: «Our dear brothers and sisters, it is with heavy hearts that the state government received reports of the unfortunate incident at Aba abattoir today (Thursday).

There is altogether too much time spent in wrestling with a script that simply has no secrets hiding behind its incoherence and too little time exploring the possibilities of its archetypal abattoir.

Momentum Pictures shared with Bloody the official U.S. trailer for Abattoir, which is set to release in theaters, VOD and Digital...

Momentum Pictures shared with Bloody a handful of new images from Abattoir, which is set to release in theaters, VOD and Digital...

Abattoir, his latest, may at heart be a haunted house movie, but it also disassembles and reconstructs that sub-genre with reflexive relish, and refurnishes those well - trodden hallways and basements with genuine invention.

This story about two abattoir workers who discover they share the same dream every night is both an offbeat romance and a sensitive study of autism, with a distinct visual sensibility that has been acknowledged with a nomination from the American Society of Cinematographers.

Let's start with some your prints from Haïti and the abattoir [slaughterhouse] series.

ENVIRONMENTS: The artist has returned to the idea of her early New York experiments with total sculptures occupying entire spaces (floor, walls and ceiling), now playing with infinite repetitions of the dot though the use of mirrors and endless reflections (Dots Obsession, 1998, Les Abattoirs, Toulouse; Infinity Mirror Room, 2011, collection of the artist).

Collection, 1955 - 1965 To coincide with the exhibition of the fonds of Les Abattoirs in Toulouse, Documents of Action.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Solo Exhibitions 2016 «Drunk Brown House», Serpentine Sackler Gallery, London 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlin 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, London 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, London 2012 «Evian Disease», Palais de Tokyo, Paris 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurich 2011 «Park Nights», Serpentine Gallery, London 2011 «Fruits, Flowers, and Clouds» (with T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlin 2010 «I like my heroes marble chested», Carl Kostyál, London 2010 «Wicked patterns», T293, Naples Group exhibitions 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Toulose 2017 «made on the table», Sadie Coles HQ, London 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, London 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20th Biennale of Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

The exhibition will be split between the park and the Toulouse exhibition space Les Abattoirs — the latter (on view through August 31) showing preparatory work along with projects by the artists referring to the Paleolithic caverns in which the final works will be sited — creating a spatial connection between the rural and the urban that echoes the show's proposed temporal bridge between past and present.

There have been maggots feasting on the remains of a cow's putrefied brains and the bloody swath Damien Hirst cut through a Surrey abattoir with a chainsaw.

The nightmarish painting Krankenhaus portrays ailing subjects treated with arcane medical instruments in a makeshift surgery, uncannily juxtaposing paraphernalia from the abattoir and misplaced players from a military band.