Sentences with phrase «with arte»

In order to describe their work, Oliva coined the term transavanguardia, or trans - avant - garde, announcing the beginning of an international phenomenon which took place in the late 1970s and throughout the 1980s, and became one of the most influential movements of Post-war Italian art along with Arte povera.

Sperone knew Ileana Sonnabend, a prominent Paris - based gallerist and the ex-wife of mega-dealer Leo Castelli, and by the late «60s, both Sonnabend and Sperone would each host nearly every artist associated with Arte Povera at their respective galleries.

But Celant was not alone in his support of the artists associated with Arte Povera.

Associated with the Arte Povera and Concep...

Segre's organic works are an eclectic amalgam of new age naturalism joined with Arte Povera.

The artist Jannis Kounellis, who was best known for his association with the Arte Povera movement has died in Rome, aged 80.

Conceptual artist Alighiero e Boetti was associated with the Arte Povera movement.

I think I empathized with Arte Povera because my own family was extremely poor.

Piacentino first exhibited with Arte Povera artists at Galleria Sperone, Turin in 1966 and then in Milan the following year.

This transformation solidified his differences with other Arte Povera artists, whose works have been described as «rough - hewn» to Piacentino's «ultra-refined» surfaces, and in 1969 Piacentino began his «Vehicles» and «Wings» series which would not be associated with the Arte Povera movement.

Italian sculptor and conceptual artist associated with the arte povera group (an Italian movement centered around a return to the environment and the natural world).

While involved with the Arte Povera movement in its infancy and cited as one of its founders, he abandoned it early on.

Associated with Arte Povera; he participated in the «Arte povera - Im spazio» exhibition in Genoa in 1967.

In spite of (often inadvertently) sharing ground with Minimalism and Pop art, Piacentino's practice has defied categorization since his early, fraught association with Arte Povera in the 1960s.

They are currently showing some beautiful work by Italian artist Pier Paolo Calzolari who has been loosely associated with the Arte Povera movement but departs from that movement's philosophy in his engagement with the history of art.

He is associated with the Arte Povera generation, which originated in Italy during the mid-1960s.

Opening: «Mario Merz: Works from the 1980s» at Sperone Westwater An Italian artist associated with the Arte Povera movement, Mario Merz explored the relationship between man and the environment in his work from the time of his first exhibitions in Turin in the 1950s until his death in Milan in 2003.

With their emphatically horizontal spatial development, lack of internal armatures, and embrace of empty space as a physical platform, these works were clearly connected to those of approximate peets like Richard Serra, Keith Sonnier, and Bill Bollinger, and to European artists, particularly those associated with arte povera, such as Luciano Fabro and Mario Merz.

Pino Pascali (1935 - 68) culptor, painter, graphic designer, influenced by Rauschenberg and Pop - Art, before becoming associated with Arte Povera.

Penone, Giuseppe (b. 1947) Postmodernist sculptor, conceptual and land artist associated with the Arte Povera movement.

During the 1950s his celebration of humble materials such as sacking and tar created a new aesthetic, rich in expressive power, that was later to prove decisive for artists associated with the Arte Povera movement.

One of the most respected artists involved with Arte Povera, this is the first major UK...

One of the most respected artists involved with Arte Povera, this is the first major UK exhibition of his sculpture.

Initially associated with the Arte Povera movement, he went on to develop a vocabulary of his own that is constantly probing the boundaries and the complexity of the links between art and design.

This is the first traveling U.S. retrospective of the Italian painter, sculptor and installation artist, covering five decades of innovative work — from her early experiments with Arte Povera (the only female member of the movement) to the enigmatic heads she created in the 1980s and»90s.

Linking materials of typically feminine creativity with Arte Povera's call to embrace poor, she created a variety of ingenious sculptures, paintings and installations from humble domestic items and traditional craft techniques.

The prominent Italian painter, sculptor, and installation artist who was awarded the Golden Lion for lifetime achievement at the 2013 Venice Biennale, Marisa Merz was the only woman actively involved with the Arte Povera movement.

She's opening a gallery in Aspen next month, her first outside of New York City, while also mounting her third show with Arte Povera pioneer Pier Paolo Calzolari, an artist she essentially brought back to the art world's notice after his decades - long self - imposed exile.

In a number of his later works he used reclaimed waste materials, aligning himself conceptually with an Arte Povera approach: La Venere degli stracci (1967) is one such example.

«It was a thrilling time, with Arte Povera and Pop Art bursting through,» she recalls.

Covering all periods of Boetti's broad oeuvre — including early sculptural experiments associated with the Arte Povera movement, conceptual and ephemeral projects of the 1970s and the monumental embroideries and tapestries he fabricated up to his death — this richly illustrated catalogue is structured as a typology of the artist's body of work rather than a chronological progression.

For our latest STREET ATELIER episode in collaboration with ARTE CREATIVE we followed Berlin based artist collective ROCCO AND HIS BROTHERS.

When you say «we, «do you mean you and the other artists associated with Arte Povera?

Produced by Dan Janvey, Laurie Anderson Co-producers: Cooper Haloweski, Noah Stahl, Jim Cass, Shaun MacDonald, Jake Perlin in association with ARTE France — La Lucarne

Wallcovering design by Moooi in collaboration with Arte for Moooi's Museum Of Extinct Animals Exhibition.

Tàpies had worked intensively with the object world since the 50's, but now it does so renewed, coinciding with the Arte Povera.

Starting April 28, 2015, in collaboration with Arte Creative the SCHIRN will be presenting the web series «Translantics» by the Berlin - based artist Britta Thie

Starting April 28, 2015, in collaboration with Arte Creative the SCHIRN will be presenting the web series «Translantics» by the Berlin - based artist Britta Thie at SCHIRN.DE / TRANSLANTICS

Born in Bologna in 1943, Pier Paolo Calzolari was initially associated with the Arte Povera group.

Photo credits clockwise from left: Courtesy of Galerie Bernard Bischoff & Partner, Berlin; Courtesy of Martin Kohout and The Future Gallery, Berlin; Elena del Rivero; Courtesy of Illuminations Films in association with More4 and ZDF in cooperation with ARTE; Joan Rabascall; and Collection of Mr. and Mrs. Paul Orwicz, Connecticut.

And what has it actually got to do with arte povera?

These films, produced by Folimage with ARTE and the support of the Rhône - Alpes region, include the resulting film Camera Obscura a film by Izú Troin with artwork by Claude Troin.

It will also highlight the special and long - lasting relationship Castello di Rivoli has with the Arte Povera.

Castello di Rivoli's director, Carolyn Christov - Bakargiev, did not fail to emphasize how important this show is to the institution due to its well - known bond with Arte Povera:

For our latest STREET ATELIER episode in collaboration with ARTE CREATIVE we followed Berlin based artist collective ROCCO AND HIS... [more]

Luciano Fabro, born in 1936, was an Italian sculptor, conceptual artist and writer associated with the Arte Povera movement.

From 1967 he became associated with Arte Povera, and his work was characterised by the juxtaposition of objects, materials, and actions that were both physically and culturally antithetical to one another.

The exhibition includes art objects that are situated as «interventions» in the galleries of Byzantine, African and Surrealist art, culminating in a haunting set of works in dialogue with Arte Povera works from his native Italy.

Pistoletto's employment of everyday materials, as in the «Muretto di straci» and «Venere degli stracci» (1967) aligned him with Arte Povera.

In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations.