Sentences with phrase «with curatorial associate»

Curated by ICA Senior Curator Dan Byers along with Curatorial Associate Jeffrey De Blois, the 2017 Foster Prize engages Donald Judd's 1975 supposition in «Imperialism, Nationalism, and Regionalism» that «for local art, you need a whole culture.»

Not exact matches

The show is organized by Bennett Simpson, senior curator, with Rebecca Matalon, curatorial associate, The Museum of Contemporary Art, Los Angeles.

The Artist's Museum is organized by Dan Byers, Mannion Family Senior Curator, with Jeffrey De Blois, Curatorial Associate.

«Fast Forward: Painting from the 1980s» is organized by Jane Panetta, associate curator, with Melinda Lang, curatorial assistant of The Whitney.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

The exhibition is co-organized by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and curated by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller, Curatorial Assistant, MoMA PS1; and Javier Rivero, Curatorial Assistant, Fundación Jumex Arte Contemporáneo.

The Art Amnesty is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller, Curatorial Assistant.

Made in L.A. 2016: a, the, though, only is organized by Hammer curator Aram Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society, with January Parkos Arnall, curatorial assistant, Public Engagement and MacKenzie Stevens, curatorial assistant.

VW Sunday Sessions is organized by Taja Cheek, Curatorial Assistant, MoMA PS1; and Alex Sloane, Curatorial Assistant, MoMA PS1; with Alexandra Rosenberg, Associate Producer; Lucy Lie, Production Coordinator; Chris Roberts, Production Coordinator; and Kenzo Perron, Production Assistant.

This exhibition is organized by ICA's curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial Curatorial Associate.

Simmons explains the curatorial balance required when presenting queer artists that do not make art associated with gay issues.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

The exhibition is curated by Allegra Pesenti, curator at large, Menil Drawing Institute and former curator of the Grunwald Center for the Graphic Arts, with Leslie Cozzi, curatorial associate.

This exhibition is organized by curator Ali Subotnick with Emily Gonzalez - Jarrett, curatorial associate.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklcuratorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, BrooklCuratorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Dr. Mitchell Merling, VMFA's Paul Mellon Curator and Head of the Department of European Art, curated the exhibition with Kristie Couser, Curatorial Associate for the Mellon Collections.

The exhibition is organised by Kathy Halbreich, Associate Director, the Museum of Modern Art, with Mark Godfrey, Curator, International Art, Tate Modern, and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, the Museum of Modern Art.

The show is organized by Lanka Tattersall, Assistant Curator, with Rebecca Matalon, Curatorial Associate, The Museum of Contemporary Art, Los Angeles.

Now Here is also Nowhere is curated by Luis Croquer, Deputy Director of Art and Education with assistance from Merith Bennett, Senior Curatorial Associate.

As LACMA employees, Booker and Fergerson used LACMA councils associated with curatorial departments as an organizational model for the newly founded group.

We spoke with the Ohio Committee's collaborating curator Reto Thüring, Associate Curator of Contemporary Art at the Cleveland Museum of Art, and the United Kingdom's Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, to hear about the exhibition and its flora and fauna theme as well as their curatorial process.

Made in L.A. 2018 is organized by Anne Ellegood, senior curator, and Erin Christovale, assistant curator, with MacKenzie Stevens, curatorial associate.

In Conversation: LaToya Ruby Frazier with Curator Dean Daderko, Contemporary Arts Museum, Houston, and Curatorial Associate Anna Stothart, ICA, Boston Thursday, January 16, 5:30 p.m. Grace Street Theater, 934 W Grace St Cosponsored by VCUarts Department of Photography & Film

A Creative Team with Karen Kelly and Barbara Schroeder (of Dancing Foxes) and Prem Krishnamurthy (of Wkshps) will help Schaffner, associate curator Liz Park, and curatorial assistant Allison Miller form editorial and design through - lines for the International's identity and publications.

Series II: Other Curatorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project oCuratorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project ocuratorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or writing.

States of Incarceration is organized for the Tang Teaching Museum by Rachel Seligman, Assistant Director for Curatorial Affairs, Tang Teaching Museum, and Eric Morser, Associate Professor of History, Skidmore College with Skidmore College students from the course «Adventures in Public History: The Prison Project.»

Sunday Sessions is organized by Jenny Schlenzka, Associate Curator with Alex Sloane, Curatorial Assistant and Rosey Selig - Addiss, Associate Producer.

Organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with Jocelyn Miller, Curatorial Associate, MoMA PS1.

Recent projects at YBCA include, among others, Tania Bruguera: Talking to Power / Hablándole al Poder (2017)(co-curated with Susie Kantor, curatorial associate at YBCA), and the upcoming Futurefarmers: Out of Place, in Place opening on April 20, 2018.

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spaceCuratorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spacecuratorial beyond exhibition space - proper.

Carlos Garaicoa, artist, in conversation with Michelle Bird, curatorial assistant, department of French paintings, National Gallery of Art, and Andrea Nelson, associate curator, department of photographs, National Gallery of Art.

Organized by Alanna Heiss, Founding Director, MoMA PS1, and Director, Clocktower Productions, with Beatrice Johnson, Associate Curator, Clocktower Productions; and Oliver Shultz, Curatorial Assistant, MoMA PS1.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

The exhibition is curated by Cynthia Burlingham, deputy director, curatorial affairs and Allegra Pesenti, senior curator and associate director, Grunwald Center for the Graphic Arts, Hammer Museum, in collaboration with independent scholar Florian Rodari.

Panetta is an Associate Curator with the Whitney and joined the museum's curatorial department in 2010.

Organized by Stuart Comer, Chief Curator, and Thomas J. Lax, Associate Curator, with Martha Joseph, Curatorial Assistant, Department of Media and Performance Art.

The Hammer's presentation is organized by Cynthia Burlingham, deputy director, curatorial affairs, with Leslie Cozzi, curatorial associate, Grunwald Center for the Graphic Arts.

ANNANDALE - ON - HUDSON, NY, March 2, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) commences its 20th anniversary year schedule of exhibitions with Matters of Fact, a collaborative project organized by CCS Bard Executive Director Tom Eccles; CCS Bard Curatorial and Program Associate Nathan Lee; and CCS Bard graduate students Suzy M. Halajian and Alicia Ritson, with reinstallations of historic exhibitions by CCS Bard alumnus Kelly Taxter and CCS Bard co-founder, Marieluise Hessel.

In her role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of Curatorial Affairs / Senior Curator of Collections, on the reinstallation of the permanent galleries at the Davis, scheduled to open in fall 2016.

Following the screening, Syms will join a conversation with some of her collaborators, moderated by Jocelyn Miller, Curatorial Associate, MoMA PS1.

Organized by Stuart Comer, Chief Curator, and Ana Janevski, Associate Curator, with Leora Morinis, Curatorial Assistant, Department of Media and Performance Art.

Here, we discuss the physical and curatorial demands of installing Ghost Ship and Twin Quasi-Legal Skyscrapers with Joshua R. Edwards, Director of Exhibitions Management, Margot Norton, Assistant Curator, and Bevin Savage - Yamazaki, Associate at Gensler, the New Museum's Architect of Record.

Kery James Marshall's «Mastry «exhibit, is co-organized with The Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, and cocurated by former Manilow Senior Curator Dieter Roelstraete; Helen Molesworth, Chief Curator at LAMOCA; and Ian Alteveer, Associate Curator at The Met; with the assistance of Karsten Lund, former Curatorial Assistant, and Abigail Winograd, former Research Associate at the MCA.

The 22 works in The Sympathetic Imagination exhibit, one of her first comprehensive museum exhibition in the US, spans from her work in the early»90s through 2015 was co-curated by Lynee Cooke, Senior Curator for Special Projects in Modern Art at the National Gallery of Art in DC and Christine Y. Kim, Associate Curator of Contemporary Art at LACMA with the Chicago exhibit coordinated by MCA's Chief Curator Michael Darling and Curatorial fellow Joey Orr.

The exhibition is accompanied by a fully illustrated catalogue distributed by Yale University Press with contributions by the exhibition's curators and other invited scholars, including Audrey Gay - Mazuel, Curator, Department of the Nineteenth Century at the Musée des Arts décoratifs, Paris; Olivier Meslay, Associate Director of Curatorial Affairs and Barbara Thomas Lemmon Curator of European Art at the Dallas Museum of Art; and Sylvie Patry, Chief Curator of Impressionist and Post-Impressionist Paintings at the Musée d'Orsay, Paris.

The Associate Curator is responsible for the supervision of the curatorial staff, interns, volunteers, and contract workers, as directed, and for the productive interaction of the Curatorial Staff with other departments vis a vis thesecuratorial staff, interns, volunteers, and contract workers, as directed, and for the productive interaction of the Curatorial Staff with other departments vis a vis theseCuratorial Staff with other departments vis a vis these projects.

Iva Olah (University of Chicago PhD 2013), Mellon Foundation Curatorial Intern at the Smart Museum, in consultation with Anne Leonard, Smart Museum Curator and Associate Director of Academic Initiatives.

For Beyond The White Cube four curators associated with CCS Bard organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

Organized by Stuart Comer, Chief Curator, Department of Media and Performance Art; Roxana Marcoci, Senior Curator, Department of Photography; and Christian Rattemeyer, Associate Curator, Department of Drawings and Prints; with Giampaolo Bianconi and Martha Joseph, Curatorial Assistants, Department of Media and Performance Art.

This symposium is conceived by Defne Ayas (Director, Witte de With) and Adam Kleinman (Chief Editor, WDWReview) and organized by Associate Curator Amira Gad with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary With) and Adam Kleinman (Chief Editor, WDWReview) and organized by Associate Curator Amira Gad with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary With Center for Contemporary Art.