Sentences with phrase «with flashe»

Their flash performs in concert with the Flashe.

The paintings become gauzy mindscapes (not landscapes, mind you, but something much more vulnerable and cerebral), rendered with Flashe vinyl - based acrylic paint that stains and swirls on the canvas in color fields, before being lyrically interrupted by thin vines of colored neon light.

The Nashville - born, New York - based artist plays with our ever - shifting opinions and perceptions of reality in optical, textural paintings made with flashe and gesso and undulating figurative sculptures — squashed heads, couples jogging — made in foam with such precision that Sayer's hand is almost imperceptible.

Not exact matches

Peter Pezzimenti, Really Having Fun Like Jobless Fucking People, 2008 Flashe on wood, 27 x 24 inches May 9 — July 3, 2008 Tobey Fine Arts presents No Thing Impossible, a group exhibition of non-objective works made with non-art materials.

Yum II by artist Brenda Zappitell is a pink and light ingigo contemporary abstract made of flashe and Acrylic with cold wax on panel 50 x 50 and is priced at $ 14,000.

For her elegant exhibition «Time Being,» abstract artist Sky Pape created expressive works on paper using a combination of Sumi ink, water, gouache, and Flashe acrylic paint, applied with homemade brushes and palm fronds.

Flashe paint on linen with neon lights and transformer, 8» 7» x 6» 11» (261.6 x 210.8 cm).

Flashe and acrylic with cold wax on panel Brenda Zappitell is an American abstract painter known for her colorful, gestural action paintings.

Each painting in «Los Angeles» begins with a gestural abstraction made in thin layers of Flashe paint.

Laura Owens Untitled 2016 Oil paint on linen, Flashe, wool 2743 x 2134 x 41 mm Purchased with assistance from the Tate Americas Foundation, courtesy of North American Acquisition Committee, and with funds provided by Alireza Abrishamchi and Komal Shah 2017

This exhibit merges new technologies and materials in printmaking with oil paint, gouache, flashe, and the ancient art of encaustic.

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foreground).

While this is a common strategy when using oil paints, Weatherford uses the vinyl - based Flashe medium; since its weight and viscosity can be altered with water, darker tones are usually applied after lighter ones.