Sentences with phrase «with ikon»

In conjunction with Ikon's exhibition, Korean Cultural Centre (KCC) UK in London presents a large - scale floor installation entitled Diluvium (12 September — 1 November 2014).
Through a variety of talks, tours, workshops and seminars, our Learning team aims to build a meaningful relationship with Ikon's audience that enables visitors to engage with, discuss and reflect on contemporary art.
In cooperation with Ikon Gallery and with the support of the Henry Moore Foundation and British Council a catalogue will be published.
Plinth's pieces by Beatriz Milhazes and Cornelia Parker, released February 2016 in collaboration with Ikon Gallery, are now running to the end of their editions — this will be a last chance to buy these sought - after pieces.
Located here is a small but significant gallery, Eastside Projects which along with Ikon attracts both British and international contemporary artists to exhibit in the city.
As Exciting As We Can Make It: Ikon in the 1980s, currently on display at Ikon Gallery, Birmingham, is a departure from the solo and two - person exhibitions that have become synonymous with Ikon's programme.
Fruitmarket, Edinburgh, Exhibition: Sara Barker, CHANGE - THE - SETTING, 12 March - 5 June 2016 in collaboration with Ikon Gallery, Birmingham (21 September - 21 November 2016)- # 5,000
Chisenhale Gallery, London in collaboration with Ikon Gallery, Birmingham: Florian Hecker, 12 February - 28 March 2010 - # 3,000
Creed's relationship with the Ikon Gallery began when he crafted an earlier musical piece for the museum: Work No 409, better known to its fans on YouTube as the «Singing Lift».
It's the largest solo exhibition of works by Sofia Hultén to date and is showing in cooperation with Ikon Gallery, Birmingham (13 September — 26 November 2017).
She has previously shown with Deitch Projects, New York and recently has had solo shows with the Ikon Gallery, Birmingham, UK and the Museum of Craft & Folk Art, San Francisco.
Set in an 18th century listed Georgian house, the show features a wide range of artists editions and products, including new editions by Cornelia Parker, Beatrice Milhazes, Richard Deacon, Richard Wilson and Ding Yi; the proceeds of the new editions (launched jointly with Ikon Gallery, Birmingham) will go towards supporting Ikon's 50th anniversary investment fund.

Not exact matches

Dostoevsky's Christ is an ikon, an ascetic who has lost touch with the real world of ordinary men.
Buy «Steak Sets» products like Wusthof ® Classic Ikon 4 - Piece Steak Knife Set, REO ™ 14 - Piece Cutlery Set, Oneida ® Pro Series 14 - Piece Stainless Steel Knife Block Set, Oneida ® Pro Series 18 - Piece Stainless Steel Knife Block Set, BergHOFF ® Bistro Steak Knife with Case (Set of 6), BergHOFF ® Classico Steak Knife with Case (Set of 6)
Read the upcoming cup secret - action ford ikon 1.3 rocam manual free ideal online in their welfare issues online dating a legal secretary with.
Ruya Foundation's chairman Tamara Chalabi writes about her research trip in Baghdad with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012,...
At Birmingham's Ikon Gallery (to 25 Jan), Imran Qureshi infiltrates exquisite miniature paintings with a topical aura of all - pervading political dread.
The Welcome to Iraq catalogue with texts by curator Jonathan Watkins and RUYA chairman Tamara Chalabi is available to purchase online through the Ikon Gallery.
During the 1980's my early work was associated with «New Image Painting» and significant exhibitions during this period include a solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.
Among the exhibitors in the main section, AWAD's Anise Gallery and Gallery Elena Shchukina while Joanna Bryant Projects (exhibiting with Julian Page) will be featured in Emerge, a section dedicated to supporting young galleries and curated by Jonathan Watkins (Director Ikon Gallery, Birmingham).
Inspired by an exhibition at Birmingham's Ikon Gallery, The Piper Gallery's distinctive agenda was to show the work of mature artists with a career of 40 years or longer.
Ikon Solutions is a full - service licensed recruitment agency with offices in Manila, Cebu, Macau and Hong Kong.
The new film Zamach was commissioned by Artangel, Outset Contemporary Art Fund, Louisiana Museum of Modern Art, The Netherlands Foundation for Visual Arts, Design and Architecture and Zachęta National Gallery of Art in association with Annet Gelink Gallery, Sommer Contemporary Art, Ikon Gallery, Netherlands Film Fund, Australian Centre for Contemporary Art and Artis and produced by My - i Productions in association with Artangel.
João Maria Gusmão (b. 1979, Portugal) & Pedro Paiva (b. 1977, Portugal) live and work in Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallery.
About Ikon Arts Foundation Linda Mateljan and Katarina Milicevic established Ikon Arts Foundation in 2013 with a vision to inspire engagement with Croatian creative culture in the USA.
About Ikon Arts Foundation Ikon Arts Foundation was established in 2013 with a vision to inspire engagement with Croatian creative culture in the USA.
With the support of Art14 London and its sponsors, University of the Arts London, Ikon Gallery and Delfina Foundation will all present works by selected artists who are closely associated with -LSB-With the support of Art14 London and its sponsors, University of the Arts London, Ikon Gallery and Delfina Foundation will all present works by selected artists who are closely associated with -LSB-with -LSB-...]
The last room in Ikon's exhibition is devoted to Flavin's Tatlin «monuments,» reiterating the integration of Flavin's work with the environment it occupies.
Ikon Gallery curator Nigel Prince, whose Shearer solo show travels to Toronto's Power Plant in December, spoke fondly of working with the artist, who graciously accepted accolades from all manner of well - wishers.
Ikon at Plinth @ 44 Great Russell Street Birmingham's Ikon gallery visit london with a pop up exhibition taking over several floors of a Georgian house across the road from The British Museum.
Traveled to Firstsite, The Minories Art Gallery, Colchester; Arnolfini, Bristol; Ikon Gallery, Birmingham; Middlesborough Art Gallery, Middlesborough; Armand Hammer Museum of Art, University of California, Los Angeles; The Fabric Workshop and Museum, Philadelphia (this last presentation was organized directly by the curators with some variation in the checklist).
Ikon Gallery followed up with the current Adrian Piper retrospective and now, following closely behind, is this Alfredo Jaar offering.
2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT
FIELD FOR THE BRITISH ISLES, touring: Oriel Mostyn, Llandudno, Wales / Scottish Museum of Modern Art, Edinburgh, Scotland / 1995: Orchard Gallery, Derry, Ireland / Ikon Gallery, Birmingham [with concrete works], England / National Gallery of Wales, Cardiff, Wales [cat.]
British artist David Tremlett, best known for his site - specific wall drawings, makes a vast new work for Ikon, transforming the second floor galleries with geometric shapes, applied directly to the walls using pastel pigment and engine grease... more
Published to coincide with the exhibition at Ikon Gallery, Birmingham 7 October - 22 November 1998 and Kunsthalle, Bern 6 February — 28 March 1999.
The latter was represented at Ikon with major exhibitions by Peter Sedgley, Jeremy Moon, Barrie Cook and John Walker.
This exhibition is accompanied by a catalogue with essay by Ruth Noack — available from Ikon Shop.
Based on a touring exhibition organized by Espai d'art contemporani de Castelló, Castellon; Musée d'art moderne et contemporain Saint - Étienne Métropole; and Ikon Gallery, Birmingham, with Coordinating Curator Daina Augaitis, Chief Curator / Associate Director, Vancouver Art Gallery.
Recent solo exhibitions and public projects: We Are Shipwrecked and Landlocked, Kaldor Art Projects, Melbourne (2008); Ikon Gallery, Birmingham (2008); Münster Sculpture Project, Münster (2008); We Burn, We Shiver (with Ugo Rondinone), Sculpture Centre, New York (2008)
The final room in Ikon's exhibition is devoted to Flavin's Tatlin «monuments», reiterating the integration of Flavin's work with the environment it occupies.
Join artist Edmund Clark as he discusses with Jonathan Watkins, Director of Ikon Gallery, his artistic practice, which combines a range of reference and forms including photography, video, found image, text and installation.
He has exhibited his work nationally and internationally in solo exhibitions at Kaldor Art Projects, Melbourne, Australia; Kunstverein Munster, Germany; Ikon Gallery, Birmingham, England; Sculpture Centre, New York (with Ugo Rondinone); The Modern Institute, Glasgow; Centre d'Art Contemporain, Geneva; Tanya Bonakdar Gallery, New York; FRAC Pays de la Loire, Carquefou, France; Johnen Galerie, Berlin; Galerie Eva Presenhuber, Zurich; Tramway, Glasgow.
A catalogue will accompany the exhibition, with an introduction by Ikon Director Jonathan Watkins and essay by Marie Jager.
At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.
In 2007, along with Birmingham Museum and Art Gallery and Ikon Gallery, Birmingham who joined together to become the West Midlands Consortium they are one of 5 consortium's in the UK to be awarded the # 1 million Art Fund International award to purchase international contemporary art over the following 5 years, under the theme of the Metropolis - an interim exhibition Metropolis of acquisitions was launched in the Autumn of 2010.
Ikon is a contemporary art venue and an educational charity established in 1964 in Birmingham, working to promote public engagement with contemporary art.
Paesaggio e appropriazione, MART, Rovereto (2014), Studio Matters, Fuitmarket Gallery, Edinburgh and SMAK, Gent (2013), HUM, MARCO, Vigo and Auditorium Parco della Musica, Rome (2012), Il cuore in mano, Center of Contemporary Art Znaki Czasu, Torun, Poland; Dialoghi Con La Città, curated by Laura Cherubini, MAXXI, Roma (2008); Massimo Bartolini: Concert Room with Voice», D'Amelio Terras, New York (2008); Triple Loop, Ikon Gallery, Birmingham, UK (2007) Massimo Bartolini, Museu Serralves, Oporto (2007).
In honour of this occasion, Cornelia Parker will be joining us, and she will discuss her work in conversation with Jonathan Watkins, Director of the Ikon Gallery in Birmingham who has written extensively about Parker.
His work has been widely exhibited in solo shows, among them «Studio Matters», Fuitmarket Gallery, Edinburgh and SMAK, Gent (2013), HUM, MARCO, Vigo e Auditorium Parco della Musica, Rome (2012), «Il cuore in mano», Center of Contemporary Art Znaki Czasu, Torun, Poland; «Dialoghi Con La Città», curated by Laura Cherubini, MAXXI, Roma (2008); «Massimo Bartolini: Concert room with voices», D'Amelio Terras, New York (2008); «Triple loop», Ikon Gallery, Birmingham, UK (2007) «Massimo Bartolini», Museu Serralves, Oporto (2007).
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