Sentences with phrase «with noble savage»

I agree with Noble Savage.

Not exact matches

As long as women remain the gender most responsible for children, we are the ones who have the most to lose by accepting the «noble savage» view of parenting, with its ideals of attachment and naturalness.

A chase through an abandoned cafeteria kitchen is an obvious ape of the previous year's Jurassic Park, while a visit with a band of twinkly - eyed monks underscores everything that's wrong with the particular noble - savage stereotype to which Miyagi belongs.

The loginess commences with a framing device that finds Depp's elderly Tonto as «The Noble Savage» in a circus - tent exhibit in 1930s San Francisco, relaying the story of his life to a little boy who fancies himself a masked bandit.

By contrast with his fellow noble savage, this Newman has had the benefit of reading Clement Greenberg and working through Surrealism.

Brunias painted plantation owners as well as noble savages, not to mention soldiers intent on «pacification,» as a very different ideal, and El Museo del Barrio continues with a brutal taste of the slave trade's real gold.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

He argues convincingly that their numbers were far higher than previously thought; that, contrary to the Rousseauian picture of the isolated «noble savage» roaming the virgin forests with bow and arrow, the Indians practiced a great deal of intensive land and forest management, both in the temperate forests of North America, and in the tropical ones of Central America and Amazonia; and that, the genetic homogeneity of the Indians made them almost universally vulnerable to European diseases, particularly those that originated with the livestock that the Europeans brought with them (and to which the Europeans had relative immunity).

These tribes are not portrayed as noble savages living in harmony with nature, whose livelihoods or very existence is under threat from encroaching western civilisation or climate change, but as fellow humans whom it might be interesting to get to know.