Three years later, Gutai was exhibiting at the Stedelijk Museum in Amsterdam along
with the NUL and Zero movements, and it was then that they truly burst onto the scene.
Kusama exhibited widely in Italy, Germany and the Netherlands in the mid -»60s, participating in exhibitions with artists associated
with Nul, Zero and the New Tendency in Europe, where she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound and kinetics.
Not exact matches
Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the
Nul - groep (
Nul Group)-- which were affiliated
with the European Informel movement and the ZERO Group respectively.
Part of the international art scene in the early «60s, she exhibited in New York
with Andy Warhol, Donald Judd, Claes Oldenburg, and other Pop and Minimalist artist and in Europe
with the Dutch
Nul and the German Zero artist groups.
For almost seventy years Yayoi Kusama has developed a practice, which, though it shares affiliations
with Surrealism, Minimalism, Pop art, Eccentric Abstraction, the Zero and
Nul movements, resists any singular classification.
This constellation is given form by Heinz Mack's 1971 diagram which connects Zero
with the Milanese Azimut and Gruppo MID, the Parisian Nouveau Réalisme, the Frankreich - based Group de Research d'Art Visuel, the Dutch
Nul group, as well as other major and minor contemporaries.
His publications include monographs on the Dutch
Nul artists Jan Henderikse (
with Renate Wiehager; 2010) and Armando (2015) as well as catalogue texts on the international ZERO movement for the Stedelijk Museum, Amsterdam; Martin - Gropius - Bau, Berlin; and the Peggy Guggenheim Collection, Venice, among others.
Yayoi Kusama has developed a practice which, though it shares affiliations
with Surrealism, Minimalism, Pop art, the Zero and
Nul movements, Eccentric Abstraction and Feminist art, resists any singular classification.
Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informel Group) and the
Nul - groep (
Nul Group)-- which were affiliated
with the European Informel movement and the Zero Group, respectively — and was included in numerous important and related group exhibitions including Zero - O -
Nul at the Gemeentemuseum Den Haag, The Hague, in 1964, and Amsterdam, Paris, Düsseldorf at the Solomon R. Guggenheim Museum, New York, in 1972.