Sentences with phrase «with research curator»

Villa Vassilieff presents «Punascha Parry» (14 October — 23 December 2017), an exhibition curated by Pernod Ricard Fellow 2017 Samit Das, with Research Curator Sumesh Sharma.

Not exact matches

The job came with an annual salary of $ 64,650, and curator Paula Johnson told the paper that «the museum is seeking someone who can «focus and dedicate efforts towards research, documentation, and collecting American brewing history.»»

Proffitt conducted the research with Julia Clarke, a professor in the Jackson School's Department of Geological Sciences, and Paul Scofield, the senior curator of Natural History at the Canterbury Museum in Christchurch, New Zealand, where the skull fossil is from.

«Evan's research shows alligators didn't evolve in a vacuum with no other crocodilians around,» said co-author David Steadman, ornithology curator at the Florida Museum of Natural History at the University of Florida.

Students, assisted by MU Curators» Professor James Carrel and Research Entomologist Mark Deyrup with the Archbold Biological Station in Florida, identified each prey item to the lowest taxonomic level and calculated its mass.

«We expected to find similar trends across all primate radiations — that is, that the faces of highly social species would have more complex patterning,» said Santana, who conducted the research as a postdoctoral fellow with the UCLA Department of Ecology and Evolutionary Biology and UCLA's Institute for Society and Genetics and who is now an assistant professor at the University of Washington and curator of mammals at the Burke Museum of Natural History and Culture.

Darwin as a botanist with David Kohn, curator of an exhibit on that subject at the New York Botanical Garden and Origins of Life Research with Harvard Medical School's Jack Szostak.

«We grew teosinte in the conditions that it encountered 10,000 years ago during the early Holocene period: temperatures 2 - 3 degrees Celsius cooler than today's with atmospheric carbon dioxide levels at around 260 parts per million,» said Dolores Piperno, senior scientist and curator of archaeobotany and South American archaeology at the Smithsonian's National Museum of Natural History and the Smithsonian Tropical Research Institute, who led the project.

Holden conducted the study with paleontologist Dr. John M. Harris, Chief Curator of the Page Museum at the La Brea Tar Pits, and Robert M. Timm, from Kansas University, who manages a dermestid beetle colony for research specimen preparation.

Based on the expertise and analysis of our best curators and research team, we emerge with the selection of 20 good quality paintings by 10 - 12 best Balinese rising and promising painters.

Content researched and posted by Nancy Nelson - Duac, Curator of the good Stuff for the Family Travel Files with images courtesy McDonald Observatory, Kit Peak Observatory, and Bryce Canyon National Park.

To make it as explainable as they did, the pair researched a great deal, even attending a bronze - casting workshop, and was in constant communication with the exhibit curator and museum restoration department.

A curator and professor of art history and archeology at Columbia University, Kellie Jones spent the past decade researching and connecting with African American artists who got their start in Los Angeles half a century ago.

Ruya Foundation's chairman Tamara Chalabi writes about her research trip in Baghdad with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012,...

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

In addition to presenting a dynamic schedule of exhibitions, the gallery collaborates with renowned curators to present museum quality surveys and invests considerable resources in new scholarship and research.

A key aim of the scheme is to draw together the knowledge, experience and expertise of private collectors with that of museum curators in a programme of research leading to an acquisition.

The scheme provides curators with a framework for research, including studio visits and discussion with the committee members of the Collections Fund.

The scheme provides curators with a framework for research, including studio visits and discussion with the members of the Collections Fund Committee.

On the other hand, the Blanton, which in 2010 divvied up the responsibilities for works on paper to various curators «according to their specific expertise and research areas,» has reconsidered, reinstating the position of Senior Curator of Prints, Drawings and European Paintings in 2012 with the appointment of Francesca Consagra.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Mutumba is research curator for Africa at the Weltkulturen Museum, Frankfurt am Main; her most recent exhibition, A Labour of Love (with Gabi Ngcobo) will open December 2, 2015.

Transnational Belonging and Subjectivity - in - Process: Contemporary Women Artists» Encounters with Space Chairs: Catherine Dormor, Ph.D., Head of Research Programmes, Royal College of Art and Basia Sliwinska, Ph.D., Senior Lecturer, Critical & Historical Studies, London College of Fashion Speakers: Kathy Battista, Sotheby's Institute of Art, Jane Chin Davidson, California State University, and Aliza Edelman, Independent Curator

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

A key aim of the scheme is to draw together the knowledge, experience and expertise of private collectors with that of museum curators in a program of research leading to an acquisition.

The evening will include a discussion about collecting and exhibiting this remarkable lineage of black artists with collector Pamela Joyner, artist Shinique Smith and exhibition co-curators Christopher Bedford, Dorothy Wagner Wallis Director of the Baltimore Museum of Art, and Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art at Stony Brook University and senior curator for research and programming at the Baltimore Museum of Art.

Abstract (2012) was purchased through the Contemporary Art Society's Collections Fund, an annual # 25,000 scheme that draw together the expertise of the Contemporary Art Society's Patrons with that of museum curators in an intense programme of research leading to an acquisition.

Carrying the accolades of a Masters of Contemporary Art (with honors) from Sotheby's, recognized by the Robert Rauschenberg Foundation with an Emerging Curator Fellowship in 2015, and recently awarded a Curator - In - Residence Fellowship with the Curatorial Program for Research in Mexico City, Nicole Bray comes to the industry with a wealth of knowledge and the quick wits and intelligence to know how to use it.

Surface / Depth: The Decorative After Miriam Schapiro is curated by Elissa Auther, MAD's Windgate Research and Collections Curator with the support of Assistant Manager of Curatorial Affairs, Angelik Vizcarrondo - Laboy.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

A fully - illustrated, hardcover catalogue was published to accompany the exhibition with newly commissioned essays on the subject by Ann Dumas (curator, Royal Academy of Art, London) and Marina Ferretti Bocquillon (Director of Research and Exhibitions, Musée des Impressionnismes, Giverny).

For «Form in Translation: Sculptors Making Prints and Drawings,» assistant curator Eric Lutz of the St. Louis Art Museum (along with research assistant Ann - Maree Walker) has again brought together works that show the strengths of the museum's permanent collection while giving insight into a vital mode of artmaking that deserves more exposure.

As Curator - at - Large, she will work with the Tang's team to plan and implement exhibitions and artist projects, produce inventive programs at the Tang and in New York City, expand interdisciplinary research and scholarship, advise the Museum on key acquisitions, and share her expertise with Skidmore faculty, staff, and students.

The programs offer students opportunities to meet and work with exhibiting artists, visiting curators and invited critics as well as to participate in the gallery program working on research, administrative, and installation projects.

A fully illustrated catalogue will accompany the exhibition, with essays by Albright - Knox Chief Curator Douglas Dreishpoon and Head of Research Resources Susana Tejada, texts on each of the works by Curator of Education Mariann W. Smith, and a timeline of the Gallery's 150 - year history by Curator for the Collection Holly E. Hughes.

The DMA also appointed Fran Baas associate curator of objects to support chief conservator Mark Leonard and said it is collaborating with the University of Texas at Dallas and the University of North Texas in Denton on three long - term research projects that focus on new analytical techniques and technologies for the study of artists» materials.

These research projects have brought together artists including Leo Asemota, Kader Attia, Camille Henrot, and Lawrence Abu Hamdan, with curators from Bétonsalon (Paris), MACBA (Barcelona), Whitechapel (London), and Stedelijk Museum (Amsterdam).

It was great to share our research with curators like Philippe Pirotte, Trevor Schoonmaker, Naomi Beckwith, Tobias Berger, Dan Leers and Rita Kersting, all of whom have played important roles in Langa's career.»

Curated by four second - year students who have worked extensively with the collection, the exhibition runs parallel to the curators» study of current research from the Levy Economics Institute of Bard College.

Curator Courtney Malick has setup an exhibition revolving around neuromarketing, a relatively new field that fuses neuroscience research with marketing to further enhance capitalism's penetration into the human psyche.

In conjunction with the exhibition A to Z: Abracadabra to Zombies at SMU's Pollock Gallery, new media artist, art activist, educator, and curator Morehshin Allahyari will talk about her recent research and art projects, with a particular focus on the poetic relationship between 3 - D printing, plastic, oil, jihad, and technocapitalism.

Her 2010 tweaked reinterpretation emerges out of conversations and collaborative research with the curator, who was eager to know and use what came before.

Schaffner's process started with a series of research trips with five curator colleagues as her traveling and thinking Companions: Magalí Arriola, Doryun Chong, Ruba Katrib, Carin Kuoni, and Bisi Silva.

Today she's an independent curator, writer and Phd candidate at NYU, with a research focus on bringing work by black Brazilian artists to a wider audience.

Liverpool Biennial 2018 is curated by Kitty Scott (Carol and Morton Rapp Curator, Modern and Contemporary Art at the Art Gallery of Ontario) and Sally Tallant (Director, Liverpool Biennial) with the Liverpool Biennial team: Francesca Bertolotti - Bailey (Head of Production and International Projects), Sinéad McCarthy (Curator), Polly Brannan (Education Curator), and Joasia Krysa (Head of Research).

UMFA curators are unable to assist with appraisals of artwork and external research inquiries.

PAHC / studio · lab will also invite two curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators Curators Program.

Emmanuel Iduma's Travelogue is based on the 14 - day research trip Curator Ingrid Schaffner conducted with Companion Carin Kuoni to Morocco for the closing of the Marrakesh Biennial, Senegal for the opening of the Dakar Biennial, and Lagos, Nigeria in May 2016.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.