Sentences with phrase «with abjection»

The mundane collides with the sublime, seduction combines with abjection, seriousness pushes against humor.

Set during Scotland's national garbage strike of the mid-1970s, Ratcatcher explores the experiences of a poor adolescent boy as he struggles to reconcile his dreams and his guilt with the abjection that surrounds him.

Not exact matches

A neighbor takes her to the hospital and she returns hours later with her wrists wrapped as dazzling white emblems of her abjection.

«Again, and more radically,» she continues with reference to Real violence, «the viewer is disgusted by the abjection and attracted by its formal, technically complex artificial quality.»

From being greeted by Katharina Fritsch's disturbingly hip, pony - tailed Händler (Dealer)(2001), with his one cloven - hoof, to Richard Prince's appropriated Marlboro Man photograph Cowboys, to David Hammons's arcing circle of glued together liquor bottles Untitled, to a huge room - full of Jim Shaw's profoundly weird collection of Thrift Store Paintings (1970 - ongoing), Unexchangeable does the remarkable task of restating the problem of art's paradoxical position between exclusivity and ordinary life, poised between rarity and abjection.

Mana Contemporary's Middle East Center for the Arts (MECA) and Umm el — Fahem Gallery are pleased to present a private viewing of Textile — Territory — Text, a group exhibition that examines concepts of identity, belonging, abjection, and exile in contemporary textile art works by Middle Eastern artists, with a special one - night only performance.

But Hershman Leeson's avant - garde technologism is cut with camp, horror, and feminized abjection, undergirding an eerie feeling that interactivity is as much about capture and control as it is about activation and agency.

«Throughout a night without images but buffeted by black sounds; amidst a throng of forsaken bodies beset with no longing but to last against all odds and for nothing; on a page where I plotted out the convolutions of those who, in transference, presented me with the gift of their void — I have spelled out abjection.

Through video, she examines painting and other visceral acts connected with associations of desire and abjection placed on female bodies in culture, and opposed to associations of power and virility placed on male bodies.

, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December

His current body of work is a series of «painthings,» formal sculptural objects made exclusively of paint; these objects play with ideas of representation in abjection to conventional hegemony of the image.

Inspired by Julia Kristeva's 1980 essay «Powers of the Horrors: An essay on Abjection», the show explores her notion of the abject and its «psychic origins and mechanisms of revulsion and disgust» emerging out of a confrontation with death, with violence, with vulnerability of decay.

In the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing to engage themes that have been preoccupying her in her work to date: mid - to late - 20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjection.

Two silk - screened posters — advertising pieces by Otto Muehl — and seven deliciously goofy kid - style images by Dieter Roth show Wool to be less of a painter and more of a designer of sassy graphics in which Midwestern cleverness rubs shoulders with Eurotrash abjection and both are passed off as urbane sophistication.

Comprised simply of a generic carpet encrusted with disposable gloves, hardened spray foam, and general art studio detritus, Center transcends straightforward abjection.

Pensato spikes her mix with the black - and - white starkness of Christopher Wool and the defiant abjection of Joan Jett's «I Hate Myself for Loving You.»

The shorthand term for it is abjection, a deliberate immersion in the gross - out anarchy associated with youth culture.

The show accompanies and expands on the London - based artist and writer's novella Virus, also published by Arcadia Missa, and follows the Stupart's concerns with gender, language mutation and abjection in a «virulent and embodied critique of sexism and structural violence in art and artworlds.»

Aspects of surrealism and abjection are paired with his anxious building of topographical textures with acrylic paint; he insists that his figures seemingly remain in state of primordial becoming.

Yet where Kelley approached his abject bodies with the calculated distance of a Freudian with his test subjects, Pylypchuk enters the protocols of abjection from within.