Sentences with phrase «with actual shots»

Michel Vorm (4/5)- Our Dutch stopper was virtually untroubled all match which goes to show how little Manchester United threatened with actual shots on target.

This element, along with the actual shooting portion, although very repetitive, is what made me keep coming back for more.

Not exact matches

The prospect of additional funding, combined with a new plan from management, offered Shop.ca not just a chance to survive for a while longer, but a shot at turning an actual profit.

After a couple of protein truffles and a «Nasty Bi * & ch» shot (yes, it's an actual name of a healing shot with almond milk, cacao, goji berries, ashwaghanda and cinnamon), I went for a beach run to Santa Monica boardwalk.

My experience with actual ground bw flour is that it gets a bit «stickier» in consistency, which I personally find more difficult to work with, but it might be worth a shot!

If the Jazz can make enough shots — and I think they can with Hood, Burks, Lyles, and Johnson — they can not only take a small leap into the postseason, they can be an actual contender for, say, the conference finals.

If our new coach decides to play a 21st century system, with an actual transition game, and gives Spezza someone who can finish, he should still be able to drive a positive goal differentia at evens, even if he's lost something from his shot, and maybe with another addition could actually help form a semi-functional PP2.

People are not sure about Diaz, vs Conor 3 as long as Conor is champ, basically not happy with Nate getting a shot at 155 which is his actual weight class, let alone 170.

Something changed in the third period, where the Blue Jackets reigned in total shot attempts (25 - 14), shots on goal (9 - 5), and actual pucks put into the net (2 - 1, with both Columbus goals erasing one - goal Washington leads).

Florida governor Rick Scott (R.) contacted the Department of Education in the immediate aftermath of the Marjory Stoneman Douglas High School shooting to request someone from the agency be part of his task force on school safety, but the department was unable to send anybody with actual authority.

In experiments performed with actual officers during a video simulation of a confrontation, a team from Vrije University Amsterdam found that shooting accuracy, arrest and self - defense skills and communication all decreased when stress levels are high, and that officers fired more often in a high - anxiety situation on suspects that had already surrendered.

Artist's conception of the x-ray jet shooting from a neutron star, along with an actual image (inset).

Not too long ago I shot this Gucci dress in a similar look — when I wasn't freezing my ass off, and going out with bare legs was an actual option.

I am going to shoot actual photos with my photographer in this outfit so you can see it better.

The actual shooting mechanics are integrated quite well giving you a good feeling of control, but the slow pace and lack of content lead to an overall disappointing experience with Pixel Gear.

This astronomical and cosmological journey is illustrated with actual footage and photos of space shot from satellites and spacecraft.

Based on actual events, this claustrophobic epic is as emotional as they come: a Holocaust story shot through with a layer of darkness both literal and figurative.

Camera movement issues aside, the film is beautifully mounted, with many scenes being shot in the actual locations where events occurred some 75 years ago.

Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

But it's made pretty clear the film is personal with the use of his real - life son and shooting the film in his actual home.

This central story is told like a somewhat over-hyped thriller, shot with gimmicks that add overwrought urgency, even though there's never any actual tension.

But all of these five that the CDG recognized can now be seriously hopeful that they have an actual shot at an Oscar nomination... even though the Oscar lineup is never 5/5 with the period category at CDG.

If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed of scattered nuggets of actual wisdom, not just the kind you get from leaning on coming - of - age clichés (I'm especially fond of dying writer Jeremy Irons's frantic search for what he considers one of his finest pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use of Nina Simone is as uninspired here as the use of Edith Piaf is at the end of The Dreamers), and fizzling payoffs.

But when it comes to dialogue scenes between actors, I find it far too constricting (and unfair to the actors) to plan out those shots without the benefit of first playing it on the actual location with the actors.

Parents should be aware that there are a few other scary scenes — hunters shoot Elliott several times (with tranquilizer darts rather than actual bullets, thankfully... but still), Elliott gets sick and is captured, and then later many of the humans are endangered in several different ways — but I can't stress enough how sweet and pure and joyful this movie is overall.

The movie opens with actual, mobile - phone footage of the shooting.

The scenes were shot by the camera teams who film actual big - bout boxing matches with the same equipment.

In our latest Crew Call podcast, Gassner describes the «brutality» philosophy of the future that both he and director Denis Villeneuve painted, how famed concept artist Syd Mead who worked on the original film was involved in the sequel, and how most of 2049 was shot with actual sets (despite that gorgeous birdeye's shot of the cliff - tall Atari sign).

Unfortunately the clips stops right after they jump out of the aircraft, because this is where the really amazing shots begin, with actual wing - suited men flying in and around the skyscrapers of Chicago with Decepticons in pursuit firing away.

The trailer is as funny and as irreverent as you'd expect for a Deadpool movie, taking shots at the mustache - removal from Justice League, flipping over to Deadpool playing with action figures, and then finally launching into the actual movie with action that looks terrific.

From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the money.

Other non-starters include Camera (essentially a hidden object puzzle where you're looking to take photos of on - the - run criminals), Patchwork (a tiresome pattern - matching puzzle game), Ski (a motion - controlled top down game very similar to the F - Zero mini-game from Nintendo Land), Kung Fu (a frustratingly slow - paced platform game with the art style from Ōkami), Design (a thinly veiled excuse to indulge Shigeru Miyamoto's love for guessing the length of objects (no, really)-RRB-, and Ashley (a tedious 2D shooter without any actual shooting).

Deathly Hallows earns its PG - 13 rating with a swell of actual dramatic stakes, as characters are killed off unexpectedly to sustain the surprise and the triangle of pubescent wizardly valor engages in furious wand shoot - outs with assassins, including a spectacular gunfight inside a London café where Harry first learns there are no safe havens in which he can hide.

The movie starts with the actual cameraphone footage of Grant's shooting, so the sense of dread builds throughout the film: as we watch Grant go throughout his day — play with his young daughter, celebrate his mother's birthday, revisit his time in jail, interact with strangers — we know that this day is his last, and so his death comes as a particularly emotional gut punch.

«Armie's Western Road Trip» (14:37) tags along with the not - leading man as he takes in the sights of New Mexico, Utah, Arizona, and Colorado, where this film was shot with the documented blessing of multiple actual Native Americans.

Writer / director Ryan Coogler pulls no punches, opening the film with actual camera - phone footage (easily available on YouTube) that was shot by onlookers that night.

Director Lawrence Sher, making his feature debut after a career as a cinematographer, brings the skills he established shooting movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit studio comedy while still neglecting to frame, cut, or pace scenes for actual laughs.

But the trick with Greengrass is that he actually stages his scenes before he shoots, so the shaky cam achieves its intended affect: simulated chaos without actual chaos.

The whole film is shot with handheld cameras, giving it a «documentary» feel at times, but most of the actual shots are ultra-stylized and comic - booky.

The Conjuring, of course, purports to be based on the actual exploits of the paranormal researchers fictionalized in Poltergeist, which was shot by Matthew F. Leonetti, brother of The Conjuring's DP John R. Leonetti, who moves into the director's chair with Annabelle, a movie that arguably owes less to The Conjuring (despite labouring to evoke it) than to the malicious clown doll from Poltergeist.

Despite the arrival on the scene of an actual exorcist, the story, shot with an austere, nearly - monochromatic colour palette, feels more like an addiction narrative than the modern Satanic - possession thrillers it's also modeled on, and Green remains marvellous in the performance.

Haigh based his script on the 2010 novel by Willy Vlautin and — with the help of shooting on the actual Portland, OR, locations — gets it exactly right.

Viola Davis, Bryce Dallas Howard — these are actresses that typically get relatively small film roles, and deserve to have a shot at more meaningful characters with actual significance.

But, shot by Preminger in knife - sharp black and white on actual government and Washington D.C. locations with the co-operation of the Kennedy White House — it looks like noir, feels like noir, and is as murderously frank and coolly unabashed about taboo subjects as «Double Indemnity» or «The Maltese Falcon.

For those unfamiliar with the 1966 film, director John Frankenheimer manages to blend together, virtually seamlessly, special racing footage shot of his principal actors doing their own driving with footage taken of nine actual Formula One races of the 1965 season.

One has the option of watching the film with subtitles that prompt the viewer when to throw the rice, etc.; another overlays an audio track of an actual theatre audience over the film's soundtrack to create a faux you - are - there feeling; and a third gives viewers the option to temporarily leave the film at certain junctures to watch video shot of an actual RHPS audience performing to the film.

As usual, the shots show purely in - game footage that has not been made in any special photo mode with no post-processing or filters that aren't available during the actual gameplay — What you see below is what you experience while driving!

A district budgeting system that allocates actual dollars and provides principals with autonomy to make tradeoffs with scarce resources would help ensure that all schools get a fair shot at hiring talented teachers without forcing those with less expensive staffs to subsidize the others.

Also a clear shot of the actual vehicle shows a tight side section with the side door and both front and rear wheel arches visible.

The widely popular blog Dear Author has actual screen shots of the passages, highlighting the portions that were copied verbatim and posted along with the original works.