Sentences with phrase «with aesthetic principles»

Not exact matches

The principle is that in regard to the presentation of subjective aims, God has to «speak» to each actual occasion in its own «language,» that is, at its own level, in a manner harmonious with the character of the sort of data which are in general operative in the aesthetic synthesis which is the concrescence of the actual occasion in question.

Such a miracle would involve the suspension of the laws of nature at the level of primitive actual occasions, but if we accept the principle that God «speaks» to a given actual occasion in its own «language,» and if the «language» of primitive actual occasions in nature is such that the character of the data available for aesthetic synthesis in the concrescence of such occasions admits only of absolutely miniscule contrasts with the givenness of the character of the past, then God has no leverage via subjective aims to introduce shifts in the social structures conditioning the possibilities available for aesthetic synthesis in the concrescences of such primitive actual occasions.

According to Roger Ames (NAT 117), an «aesthetic order» is a paradigm that: (1) proposes plurality as prior to unity and disjunction to conjunction, so that all particulars possess real and unique individuality; (2) focuses on the unique perspective of concrete particulars as the source of emergent harmony and unity in all interrelationships; (3) entails movement away from any universal characteristic to concrete particular detail; (4) apprehends movement and change in the natural order as a processive act of «disclosure» — and hence describable in qualitative language; (5) perceives that nothing is predetermined by preassigned principles, so that creativity is apprehended in the natural order, in contrast to being determined by God or chance; and (6) understands «rightness» to mean the degree to which a thing or event expresses, in its emergence toward novelty as this exists in tension with the unity of nature, an aesthetically pleasing order.

This epoch was very beautiful from the aesthetic point of view: it was almost maximally symmetric with respect to properties of both space - time and quantum fields in it, up to its metastability and unavoidable quantum fluctuations due to the Heisenberg uncertainty principle.

With its cool design, hot location, and five - star service provided by 150 + staff, The Layar is designed for those with strong aesthetic principles seeking original experienWith its cool design, hot location, and five - star service provided by 150 + staff, The Layar is designed for those with strong aesthetic principles seeking original experienwith strong aesthetic principles seeking original experiences.

That exhibition, I stood before the source, featured artists confronting the aesthetic problem of representing contemporary capitalism, and concluded with this impulse: to imagine a «shift from the metrics of accumulation to the requirements of care as an ordering principle of social relations.»

As another permanent display venue for the Shanghai Museum of Glass, the Design Wing collects classic and pioneer works from numerous renowned designers home and abroad, in its nearly 2000 - square - meter concise and fluent space, with a consistent aesthetic factors and display principles, as well as infinite passion towards glass.

Michael Riedel lives and works in Frankfurt, and his artistic practice incorporates painting, text, audio, video, photography, publishing, architecture and performance to engage with the aesthetic possibilities derived from the basic principles of recording, labeling and playback.

Shemza's diasporic perspective, as an artist with a deeply studied understanding both of Islamic aesthetic principles and the tradition of geometric abstraction in the West, allowed him to explore modernism through a uniquely doubled prism.

His intensely hued portrayals of sites in Havana, Miami, New York, and the Middle East feature rectilinear overlays of strong, intensely moody colors that integrate multiple allusions to reason and its traditions — the ideal planned - city street grid; the Golden Ratio and its long history as a supposedly true and self - evident compositional principle; the sharp - edged, no - nonsense Bauhaus aesthetic — with subtle references to the small flashes of vitality and inspiration that lurk within even the most drab and desolate environments.

They aimed to re-establish aesthetic principles, rather than continue with a spontaneous socio - political iconography.

Architect Carly Coulson preaches a form of design she calls «invisible sustainability,» blending sustainable design principles with an aesthetic that is rigorously minimal.