Sentences with phrase «with aesthetic theory»

Although Greenberg supported his pronouncements with aesthetic theory, corporate America was not slow to invest in abstractions incapable of communicating any social message, helping create the weird art market that now exists.

Performance psychologist Dane Barclay concurs with the aesthetic theory.

Not exact matches

Are you looking for an aesthetic or political theory which, with a few minor modifications, may be applicable to the modern situation?

This theory is rationalistic in that it identifies aesthetic experience with a clear, distinct, and ordered estimation of the external artistic reality.

There is also an aesthetic, intuitive objection: that I see the desk as next to me, but I do not — as on this theory I should — identify the desk with myself.

In our aesthetic model with its allied bipolar theory of perception, we can find an illuminative value in each mode of discourse, science or religion.

The movie's plush, cozy aesthetic and unintentionally funny melodrama are at odds with its subjects: revolt, theory, originality, and observation.

Add to that the all - black, all - Art Deco vibe of her looks this weekend that undeniably fit with the aesthetic of Black Panther's promotional material, and you've got a real theory going.

The Summer, 1985 issue of The Velvet Light Trap featured essays on technical, economic, aesthetic, and ideological aspects of Hollywood widescreen filmmaking, and included English translations of some of Bazin's articles, where he integrated widescreen with his theories of filmic ontology.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Among the last paintings of Dali's life, works from 1983 reveal the influence of the French mathematician René Thom's theory of «catastrophe» and Dali's continuing mystical fascination with aesthetic form.

Other major influences include the Frankfurt School of political and aesthetic theory and his collaborations on corporate identities with international corporations.

The first writers to acquire an individual reputation as art critics in 18th - century France were Jean - Baptiste Dubos with his Réflexions critiques sur la poésie et sur la peinture (1718)[17] which garnered the acclaim of Voltaire for the sagacity of his approach to aesthetic theory; [18] and Étienne La Font de Saint - Yenne with Reflexions sur quelques causes de l'état présent de la peinture en France who wrote about the Salon of 1746, [19] commenting on the socioeconomic framework of the production of the then popular Baroque art style, [20] which led to a perception of anti-monarchist sentiments in the text.

Spots, Dots, Pips, Tiles is threaded with examples of artists addressing the complexities of dominoes as game and a metaphor for community, aesthetic inspiration, and theory for international relationships.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

The body of work on show deal with potent issues hinged on history and aesthetic theory, presenting a unique artistic vision «invested in visual arts» relationship with politics of fiction, disjunctive temporalities, and postcolonial imaginations», as the press release reads.

After returning to England in 1880 he painted a wide variety of subjects, continued with his interest in the graphic arts, and promulgated his aesthetic theories in print and in the Ten O'Clock lecture (1885); his polemical The Gentle Art of Making Enemies was published in 1890.

It won that scrap, in the court of uptown galleries, but soon succumbed to the juggernauts of Pop art and minimalism, which had behind them forces of more than rarefied aesthetic theory: by 1962, Andy Warhol's silk - screened works equalled the formal strength of color - field and surpassed its éclat, with the added bonus of Marilyn Monroe.