Sentences with phrase «with alchemy materials»

Not exact matches

While working hard to hone their skills, the twins uncovers a mysterious - looking painting and, as they reach out to investigate, the girls are drawn inside a world bountiful with rare materials perfect for Alchemy.

However, you can simply create a backup save before doing this, then sell all your crafting materials / alchemy ingredients to the merchant, and buy the formulae with the money.

At first glance the alchemy of raw materials, mineral rock and rigorous concrete are palpable as they harmonize with the warmth and the nobility of wood and give birth to this unique and spectacular villa located in Pointe Milou.

While working hard to hone their skills, the twins uncovers a mysterious - looking painting and, as they reach out to investigate, the girls are drawn inside a world bountiful with rare materials perfect for Alchemy.

Through a combination of gathering, processing, alchemy, mission completion, and node exploitation, you would gather the materials to build these and outfit them with gear, like cannons or sails.

They also show her flaunting art - historical tradition, playing with the boundaries between painting and collage, using materials unexpectedly, and infusing her work with her a sense of alchemy.

Sigmar Polke: Alchemy and Arabesque presented Sigmar Polke's work through the lens of his engagement with unusual materials, techniques, and compositions, highlighting the experimental and inquisitive approach that characterizes his practice.

Like early inventors Louis - Jacques - Mandé Daguerre and William Henry Fox Talbot, Brandt revels in the alchemy of image making, experimenting with the effects of various materials on the development process.

For over half a century Kounellis transformed often lowly materials into engaging sculptural forms with his signature blend of aesthetics, poetry, and alchemy.

Informed by his interest in Zen philosophy as much as by the privation of post-war Spain, Tàpies deliberately chose commonplace materials to infuse with new significance, invoking a transformative alchemy that prefigured the Italian movement of Arte Povera.

They shared a preference for precarious and provisional materials, an attention to alchemy and craft, and a suspicion of technology paired with the desire to reveal the base materiality of deceptively frictionless transmissions of energy, information, and language.

«The exhibition looks at [David] Hammons and [Yves] Klein as artists who perform a kind of aesthetic alchemy — investing the humblest of everyday materials with deep aesthetic significance.»

Working with a natural material, and the unpredictability and the alchemy of the glazing and firing process is an antidote to the slick detachment of the digital age.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

In 1974, while living in New York and visiting galleries, studying and examining art - making alternatives, he gravitated to concrete for its materiality; it was the perfect non-painting material with its embedded industrial connotations coupled with the alchemy of transforming from liquid to solid.

MccGwire's sculptures seem to suggest a kind of mystical alchemy, melding ancient symbolism with free - flowing forms, pushing the possibilities of such a fascinating material — while at the same time inviting us to witness th forces of nature, made manifest.