Sentences with phrase «with allegorical scenes»

Williams interweaves references to true incidences of violence with allegorical scenes in which black resistors taunt and tame their abusers.

While the artist's third solo exhibition retains the diaristic backbone of her anxieties, indulgences and dreams, Morgan enriches her palette of archetypal characters with allegorical scenes.

Not exact matches

The end of the play would be much more comfortable for us if we could treat the Portia of the trial scene as an allegory of the Divine Judge who forces Shylock (the allegorical sinner) to relinquish all his wealth with the conditional restoration of a part of it upon his baptism» that is, he must throw down everything he has and follow Christ.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

The European side begins with works by two artists not widely appreciated today: Puvis de Chavannes, the eccentric classicist then much admired by avant - gardists, and a big, strange, multifigured allegorical scene by the British painter Augustus John.

The 16th - century Low Countries painter Pieter Aertsen pioneered a new genre of large - scale art: the market scene, which combined the virtuoso rendering of materials prevalent in still life paintings with a human element that often had an allegorical subtext.

Paul Pretzer paints scenes depicting fabulous creatures engrossed in absurd acts with allegorical still - life arrangements.

As Hieronymus Bosch used allegorical scenes and elaborate fantasy imagery in his paintings as a commentary on the social and religious climate of the 15th and 16th centuries, Wright reacts to today's social networking with Baroque - like compositions of intricacy, interconnectivity and complication.

The silkscreen and acrylic works in the show combine Andy Warhol's factory aesthetic with reproductions of Böcklin's painting and BHQF's own adaptation of the allegorical scene — a veiled figure floats toward a huge garbage dump that obscures the Manhattan skyline.

Her world is filled with orgiastic crowds, dionysiac sacrifices, and allegorical and heroic scenes where the main roles are played by women.