The paintings are rendered in the saturated and murky colors Twilley associates
with analog photography and, though devoid of human figures, are filled with human presence.
With an iconography that carnally and directly comments on the tension between detachedness and affinity, time and aging, she works primarily
with analog photography and video, occasionally even sculpture.
Not exact matches
And in a movie crammed
with odd contrasts, the most striking may be the clinical crispness of the digital
photography up against the old - school strings and
analog vibe of Bear McCreary's musical score.
Today art is filled
with presences, in the scraps of abstraction, of
analog and digital, and of
photography as object.
After Yoko passed away, in 1990, Araki began a host of new projects, even using his own diagnosis
with prostate cancer in 2008 as a jumping - off point to explore the diminishing status of
analog photography.
Stephen Shore, a well - known American photographer, has worked
with both
analog and digital
photography as well as social media to explore the limits of the medium.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Fujifilm of North America, and Awagami Factory.
This self - reflexivity reveals the chemical processes of
photography, dividing the picture plane into different exposure times; an
analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium
with its claims to both truthfulness and fabrication in the age of digitization.
By sourcing existing images, employing
analog methods and digital interventions, the works in the show disrupt the expectations of straight
photography, examining its limits
with images that exist at threshold of photographic formulation.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak, and FUJIFILM North America Corporation.
Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the last in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, theNew York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak, and FUJIFILM North America Corporation.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the last in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak, and FUJIFILM North America Corporation.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the second in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak, and FUJIFILM North America Corporation.
Ingrid Eggen works mainly
with analog colour
photography and video.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Fujifilm of North America, and Yarden Wines.
Employing traditional
analog photography methods, Caldicott imbues his minimalist set of components
with rich, vibrant color.
Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the first in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak and FUJIFILM North America Corporation.
Poised between reality and abstraction, memory and interface, Instagram merges the
analog photograph of traditional
photography with digital coding to form a networked digital image.
He employs
analog formats including: wet - plate
photography; Polaroid; 16 mm / Super 8 film; & VHS tape to produce collaborative work
with strangers.
Offering courses in painting, drawing, graphic design,
photography, sculpture, film and video, and film history and theory, the program provides enrolled students extensive contact
with an internationally accomplished faculty as well as access to state - of - the - art technical,
analog, and digital labs, including a fully functional letterpress studio.
Ryan James MacFarland, born Tallahassee, FL in 1985, is a multidisciplinary artist
with a focus in
analog photography.
Utilizing the imagery from her most recent solo exhibition
with Mark Moore Gallery, «Range» is an exploration of an
analog history of
photography within the digital torrent that is its current technological manifestation.
Most of what is on view has more to do
with photography's
analog past than
with its cybernetic future.
Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them
analog and digital workspace at the International Center of
Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts
with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership
with the City Council, Kodak, and FUJIFILM North America Corporation.
The reusable packaging of the film functions as a pinhole camera, which provides individuals
with a way of exploring
analog photography without the cost of having to buy an old medium format camera.