Sentences with phrase «with anamorphic»

Aware of myriad ways in which we construct the world by looking, Kentridge uses stereoscopic viewers and creates optical illusions with anamorphic projection, to extend his drawings - in - time into three dimensions.

For his 2012 movie «Starlet,» Mr. Baker used a Sony digital camera with anamorphic wide - screen lenses that created a»70s - style, sun - bleached California look.

Practically a Star Wars prequel in its use of digitally - generated environments, and shot in a mix of Super35 — sometimes with anamorphic lenses, for the focal distortions — and HD (the ARRI Alexa was reserved for low - light and greenscreen - heavy shots) by Argo DP Rodrigo Prieto, The Wolf of Wall Street nonetheless boasts a cohesive, credible, and cinematic Blu - ray presentation with glassy detail and supple dynamic range.

Beasts, which stars Idris Elba and newcomer Abraham Attah, was shot in Ghana in 35 days on Panavised ARRI Alexa cameras with anamorphic C - series lenses — older lenses that gave the film its 1970s patina.

It's difficult to do a close - up with anamorphic widescreen.

With anamorphic lenses, everything is overwhelming, so powerful, because there's so much space around the character.

Shot on iPhones affixed with anamorphic lenses, Tangerine follows a breathless day in the lives of two transgender prostitutes as they race around downtown Los Angeles in order to get to the bottom of a bizarre love triangle.

Paul designed the new look for Pinhead and was production designer on the shoot and Le Han pulled in all of his film resources and directed the teaser on the new Alex 4:3 camera with anamorphic lenses.

Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

Shot on an iPhone outfitted with an anamorphic clip - on adapter, the movie bobs, weaves, and glides down sidewalks, while the soundtrack blasts out semi-obnoxious dance beats in between snatches of Beethoven and Armenian - language holiday song.

Not exact matches

Ku - band DIGITAL satellite window: (with SAP Spanish Translation Available) 16x9 Anamorphic Clean Feed for News

Ku - Band SCPC MPEG - 2 — 16x9 Anamorphic Full Mixed Feed for PBS Stations (with SAP Spanish Translation Available)

Get ready to trick your mind with amazing anamorphic illusions that will make you question your view of reality.

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video quality of the film is higher than the time period of the action allows it to appear.

Much of the attention for the movie has centered on its preposterously low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.

It's presented in anamorphic widescreen, 1.85:1, and comes with a liberal selection of audio choices: 5.1 in English, French, and Spanish.

So, I was okay with their doing it, as long as I could shoot the movie the way I wanted to, in anamorphic film, and then let them convert it.

Video: With an aspect ratio of 2.35:1 Anamorphic Widescreen, the video is top notch.

Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.

The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.

As it should, the DVD presents the new animation in 1.78:1 anamorphic widescreen (the case mistakenly gives a 1.66:1 aspect ratio) with perfectly satisfactory clarity and sharpness.

THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.

Housed in a regular plastic Amaray case, Through a Dog's Eyes comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

1.85:1 Anamorphic Widescreen Dolby Digital 5.1 (English, French) Subtitles: English, French; Closed Captioned Release Date: April 11, 2006 Single - sided, dual - layered disc (DVD - 9) Suggested Retail Price: $ 29.99 Black Keepcase with Side Snaps

Even so, the anamorphic widescreen transfer looked pretty good, with solid color.

Housed in a regular Amray case, this production of A Room with a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters.

2.39:1 Anamorphic Widescreen, Dolby Digital 5.1 EX (English, French, Spanish) Subtitles: English, French, Spanish; Closed Captioned Release Date: March 15, 2005 Two Single - sided, dual - layered discs (DVD - 9) THX - Certified with Optimizer tests Suggested Retail Price: $ 29.99 Black Dual Amaray Keepcase with Side Snaps Holographic Cardboard Slipcover

«Herschell Gordon Lewis: The Godfather of Gore» comes to Blu - ray presented in 1.78:1 anamorphic widescreen, with a Dolby digital mono audio track.

Trailers & TV Spots Let's begin at the top of disc two where both the Teaser Trailer and Theatrical Trailer are presented in an anamorphic formt with 2 channel surround and at times look better than some of the shots in the film itself.

Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio mix, and optional English and Spanish subtitles.

Housed in a regular plastic Amaray case, The New Daughter comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio track and optional English SDH and Spanish subtitles.

Hancock is presented in 2.40:1 anamorphic widescreen, with picture as crystal clear and stunning as on any big budget studio picture.

Housed in a regular plastic Amaray case, Waiting For Armageddon comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

Housed in a regular plastic Amaray case, Thirst comes to DVD divided into a dozen chapters, presented in 2.35:1 anamorphic widescreen, with English language Dolby digital 5.1 surround sound and 2.0 stereo audio tracks.

Housed in a regular plastic Amaray case, Mind Over Money comes to DVD presented in anamorphic widescreen, with an English language stereo track that more than adequately handles the title's straightforward aural demands.

Housed in a regular plastic Amaray case stored in turn in a cardboard slipcover with lenticular imaging (that's fancy talk for 3 - D, folks), The Stranger comes to DVD presented in 1.78:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio track and optional Spanish and English SDH subtitles.

But this dual - layer DVD is filled nearly to its size limit, which means the 1.78:1 anamorphic widescreen transfer looks superb, with striking color and contrast.

Housed in a regular plastic Amaray case, The Human Spark comes to DVD presented in anamorphic widescreen, with an English language stereo audio track.

Housed in a regular plastic Amaray case, Brain Fitness Frontiers comes to DVD presented in 1.76:1 anamorphic widescreen, with an English language stereo track.

As with the earlier edition, both films are presented in anamorphic widescreen at the original aspect ratio of 2.35:1.

Housed in a regular Amray case, White Coats is presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 English - language track.

Presented in 2.35:1 anamorphic widescreen with Dolby Digital 5.1 audio, The Mothman Prophecies looks splendid — those outdoor close - ups of Alan Bates are as intricately detailed as I've ever seen a DVD image.

Disc One features a nice, solid, rain - streaked 1.85:1 anamorphic widescreen transfer that shows the wear of its origins (a Spanish / Italian production on minimal funds and with time and subject limitations) yet acquits itself quite nicely and is arguably more lustrous than the Anchor Bay presentation.

The movie is transfered in anamorphic widescreen (1:1.85) and is available in English and French, with optional English, Spanish and French subtitles.

and, like the previous featurette, in 1.85:1 anamorphic widescreen) overstates the significance of the picture's estrogen count (as well as the execution of its blink - and - you'll - miss - it German sequence), there is a mite more substance here than what you'd find in the American equivalent, even just in the underscoring of clips with Delibes's «Viens Mallika... Dôme épais le jasmin.»

Housed in a regular plastic Amaray case, «Cutie and the Boxer» comes to DVD presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 audio track.

With cinematographer Jakob Ihre, Trier decided to use anamorphic lenses instead of the more naturalistic spherical lenses of his earlier films.