Sentences with phrase «with anamorphic lenses»

Practically a Star Wars prequel in its use of digitally - generated environments, and shot in a mix of Super35 — sometimes with anamorphic lenses, for the focal distortions — and HD (the ARRI Alexa was reserved for low - light and greenscreen - heavy shots) by Argo DP Rodrigo Prieto, The Wolf of Wall Street nonetheless boasts a cohesive, credible, and cinematic Blu - ray presentation with glassy detail and supple dynamic range.
With anamorphic lenses, everything is overwhelming, so powerful, because there's so much space around the character.
Shot on iPhones affixed with anamorphic lenses, Tangerine follows a breathless day in the lives of two transgender prostitutes as they race around downtown Los Angeles in order to get to the bottom of a bizarre love triangle.
Paul designed the new look for Pinhead and was production designer on the shoot and Le Han pulled in all of his film resources and directed the teaser on the new Alex 4:3 camera with anamorphic lenses.
Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

Not exact matches

Much of the attention for the movie has centered on its preposterously low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.
With cinematographer Jakob Ihre, Trier decided to use anamorphic lenses instead of the more naturalistic spherical lenses of his earlier films.
Baker's crew shot the entire 2015 film using three iPhone 5S devices, with additional photography from an anamorphic clip - on lens, an app, and Steadicam Smoothee Mounts.
THE DVD Fox releases Dying Young on DVD in a vanilla 1.85:1 anamorphic widescreen presentation long on Schumacher's over-saturated colours and short on subtlety, which is, of course, not the transfer's fault; its softness — that impression that the lens has been smeared with Vaseline, «Glamor Shots» - style — is something you can't really win by being faithful to.
We just had three anamorphic lenses and we mostly shot with the one that is equivalent to the 40 in 35 mm.
«My philosophy with shooting digital is to break down the image in some fashion or other, and older generation anamorphics like our Panavision C - and E-series lenses [courtesy of Panavision Woodland Hills] really help with that.
Suffice it to say the transfer is intermittently noisy and generally looks like it's been subjected to a light cocktail of grain - filtering and edge - enhancement, though the anamorphic cinematography is naturally soft, with lens aberrations at times throwing the upper third of the image out of focus entirely.
Beasts, which stars Idris Elba and newcomer Abraham Attah, was shot in Ghana in 35 days on Panavised ARRI Alexa cameras with anamorphic C - series lenses — older lenses that gave the film its 1970s patina.
Best - case scenario: Shot using anamorphic lenses that haven't been used since the»60s and with an original score by Ennio Morricone, The Hateful Eight could see Tarantino surpass his usual exploitation influences and make an old - fashioned Western epic worthy of Sergio Leone.
Bordwell points out that the Japanese influence is only one factor in the style of the films, so although they were often shot with the same Tohoscope anamorphic lenses that Akira Kurosawa was using in Japan, Shawscope films don't look exactly the same as their Japanese counterparts.
For his 2012 movie «Starlet,» Mr. Baker used a Sony digital camera with anamorphic wide - screen lenses that created a»70s - style, sun - bleached California look.
Annihilation was photographed digitally in the Sony X-OCN, Sony F65 RAW, and Redcode RAW codecs (at 4K and 6K resolutions) using Sony CineAtla and Red Weapon Dragon cameras with Panavision anamorphic lenses.
That said, it's a bizarre choice for Tarantino to set his story so minimally and confined when he's decided to shoot the film on 70 mm with Panavision anamorphic lenses and a wide aspect ratio that's normally suited to grand, outdoor filmmaking.
The product launch is headlined by a single new lens: a $ 149 anamorphic, which allows filmmakers to capture extra-wide images with long, streaking lens flares, providing a look frequently used in blockbuster movies.
Many projector manufacturers offer 2.35:1 (anamorphic) viewing options that provide expensive add - on anamorphic lenses with motorized «lens sleds» that truck the anamorphic lenses into position for 2.35:1 (Cinemascope) viewing, then pull the lenses out of...
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