Sentences with phrase «with architecture critic»

Not exact matches

In 1946 Motherwell asked Chareau to serve as the architecture editor for his review Possibilities, which he coedited with the critic Harold Rosenberg and the composer John Cage.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

10/27/17 Editor's Note: New York Times architecture critic Michael Kimmelman was originally scheduled to dialogue with Terri Sultan but unforeseen changes prevented him from appearing.

Lectures, talks, and symposia with leading artists, critics, and scholars from the visual arts, design / architecture, film and media studies, performing arts, literature, and other areas of culture.

Frank Gehry, architect, in conversation with Paul Goldberger, architecture critic and author, Building Art: The Life and Work of Frank Gehry.

In turn its head critic, Michael Kimmelman, made his reputation by hanging out with well - known artists, then writing favorably about them, before taking on the role of architecture critic without reviewing buildings (other than his hopes for Penn Station).

Museums are giving trashy spectacle its due, with Peter Fischli and David Weiss, between architecture and a wrecking ball, just as mainstream critics like Roberta Smith are turning against it and Europe is coping, badly, with its economy.

In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant - garde architect and paradigm - shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

The exhibition's only critical mention came with regard to San Francisco's Embarcadero Center, admitting that «this type of architecture would have its critics in ensuing years....»

Gehry, who is among those who believe signature architecture and good gallery spaces can go hand in hand, says of his critics, «I think they should search their souls on this fairy - tale thing that an art museum has to be neutral and not there architecturally so that it doesn't compete with the art.»

Anulfo AKA The Evolving Critic is a preservationist and blogger with a strong interest in architectural history, urbanism, and the parallels between fashion and architecture.

DOING IT UP RIGHT: Our former colleague, the late architecture critic David Dillon, is being honored with the establishment of the David Dillon Center for Texas Architecture (pay wall) at the University of Texas at Arlington.

Kazimir Malevich as one of her greatest inspirations and, as a major exhibition of his work is on show at Tate Modern, together with curators and critics Zaha considers the influence of Malevich's avant - garde art on her avant - garde architecture.

With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.

Organized by UCLA architecture critic and historian Sylvia Lavin, this show examines the ways in which technology has been employed (and not) in the world of design — a show that will be staged in the historic Rudolph Schindler House, which the architect designed with the aid of a drafting machine.

In a review of a 1989 show at the center, Paul Goldberger, then the chief architecture critic for The New York Times, wrote that the Drawing Center «deserves to rank not with the SoHo galleries that are its neighbors, but with the major museums of which it is now virtually a peer.»

This book begins with an extensive conversation between Tom Eccles and Annabelle Selldorf, as well as an essay by architecture critic Ian Volner.

His notable works include Double Negative (1969 - 70), a pair of trenches in the desert near Overton, Nevada, created by displacing 240,000 tons of rock, and City, an ongoing project in Lincoln County, Nevada, described by critic Michael Kimmelman as «a suite of giant, variously shaped abstract sculptures over an area that covers more than a mile end to end — modern art turned into monumental abstract architecture, with ancient ruins as the model.»

Dezeenwire: Guardian architecture critic Jonathan Glancey writes about newly knighted architect Sir David Chipperfield to coincide with the opening of the his extension to Museum Folkwang in Essen, Germany.

Back in England, Hepworth and Nicholson were also involved with Paul Nash as well as the influential art critic Herbert Read, in the formation of Unit One Group, formed in 1933 to promote British modern art, architecture and design.

The Heatherwick Studio in London is the subject of a current retropsective at the Hammer Museum, and architecture critic Christopher Hawthorne toured it with the architect.

from interviews with significant creative forces such as founders / owners, architects, artists, critics / curators, designers, educators, historians and producers, to the discovery of front - line architecture and innovative products, DA is read by a worldwide audience.

The Perfect House: A Journey With Renaissance Master Andrea Palladio Written by respected architecture critic Witold Rybczynski, this highly readable book describes Palladio's villas and explains why they have inspired architects for centuries.