Along
with audience participants, they will discuss the changes they've seen in the art world over the last decade.
Not exact matches
Though the time spent
with participants during a Keynote is brief, Jack Canfield is a master at using illustrative examples, humorous anecdotes and proven research results to present the most important highlights in a way that stays
with the
audience even after they've proceeded to their next program session.
Moyers's people had swarmed over the Indiana University campus in successive waves of producers, executive producers, directors and associate directors; of lighting people, camera people, sound people and questions - from - the -
audience people; had added a
participant (Nicholas von Hoffman) to be sure the affair would be telegenic; had phoned the panelists before the event
with their own list of topics and ideas; had thrown together a wooden platform just for their cameras, which cameras prevented many in the actual
audience from seeing the panelists; had shifted the meeting rooms to meet the exacting requirements for the paraphernalia of television; had fed questions to members of the
audience, and instructions «from the truck» to the moderator («move on»); and then had fashioned from 12 hours of tape one hour that might have been made in a New York city hotel room.
Pope Benedict XVI (R) caresses a lion cub as thousands of
participants to the «Pilgrimage to Rome» festival - circus professionals, carnival people, street artists, madonnari (pavement artists), bands and folk groups — gather in Aula Paolo VI (Paul VI
Audience Hall) in the Vatican on December 1, 2012 for their audience with t
Audience Hall) in the Vatican on December 1, 2012 for their
audience with t
audience with the pope.
The Revels are performers that come together to celebrate the seasons
with traditional song and dance, inviting the
audience to join in as active
participants.
Dr. Hazelbaker leaves the
audience with a brief breast self - care regimen that can enhance the breast health of every
participant when used consistently.
The ensuing discussion embodied the same tensions,
with some
participants emphasising the need for indicator continuity, and others stressing that indicators must change as methodologies, purposes, and
audiences evolve.
There were a total of 33 teams, representing 20 different Buffalo & Erie County Public Libraries
with nearly 240
participants and an
audience of 500 in attendance.
They then compared those EEG measurements to those in two other conditions: one, in which 20
audience members were watching a recording of the first concert on a large movie screen
with audio identical to the live concert; and another in which 20
participants in small groups of 2 were seated apart while they observed the recorded musical performance.
Johanna Varner is honored
with the 2018 AAAS Early Career Award for Public Engagement
with Science for infusing her public engagement
with multi-directional dialogue, reaching diverse
audiences, and empowering
participants to join in the entire process of science.
During the first session, Reaching Beyond the Science - Interested Public,
participants discussed a range of ways to engage
with audiences who may not be seeking science content.
Participants identify individual communication goals and develop short messages that will resonate
with policy
audiences.
In its fourth year,
participants are judged based on several factors, including their invention track record and experience or interest in communicating
with audiences through speaking engagements.
She is being honored by AAAS for «infusing her public engagement
with multi-directional dialogue, reaching diverse
audiences and empowering
participants to join in the entire process of science.»
Participants were treated to a multimedia event involving a photographic exhibition, short films and an
audience - panel discussion
with a group of stem cell scientists.
The
participants are prepared to share the science appropriately
with K - 12
audiences by extending their knowledge and giving them a hands - on experience
with classroom activities.
The
participants are prepared to share the science appropriately
with K - 12
audiences by extending their knowledge and giving them hands - on experience
with classroom activities.
Participants are certified to borrow the sample education disks and prepared to share the science appropriately
with K - 12
audiences.
reach
participants not normally engaged
with STEM, as well as continuing to target existing
audiences
BASIC SYLLABUS SESSION 1 Yin Yoga Teacher Certification Learning the foundation of Yin yoga principles and postures Alchemy fundamentals Group discussion on practice Birthing and yielding cycles Basics of teaching philosophy Student practice teaching Primary Yin yoga postures SESSION 2 Yin Yoga Teacher Certification Review Teaching techniques Flow and transition movement Reading assignment discussion Adapting teaching philosophy for specific
audiences and student needs Taoist philosophy Power yoga Student practice teaching Yin yoga posture variations SESSION 3 Yin Yoga Teacher Certification ADVANCED TRAINING - open only to students who have completed session 1 or 2 How to become attuned
with your own flow How to create flow sequences of postures for students Practice teaching
with specific evaluation and guidance Yin yoga postures -
Participants must demonstrate proficiency in content from sessions 1 and 2 Advanced alchemy using birthing and yielding cycles
with accompanying postures Medical chi kung, standing forms of exercises (Aura Palm) Alchemical meditations for cultivating elemental energetic properties Relationship of the organs, emotions, and the five elements
She works
with event coordinators, designing an individual program for each
audience she addresses, ensuring that topics and length will resonate
with participants.
As for the lack of association between age and mean rated favorability of the target
audiences» response, this finding indicates that, whatever
participants may have believed to be true concerning the stigma they would experience were they to share their involvement in online dating
with others, those others» reactions did not vary
with the age of the
participant.
Along
with a more than academic interest in shape objects and Swiss army knives, Nicki is also drawn to Videodrome, but wants to be a
participant rather than part of the
audience.
By doing this Glazer turns the
audience into active
participants, though, if this was actually his intent, it would only work
with native English speakers as Scotsman that understand what's being said or foreign
audiences reading subtitles wouldn't have a similar experience.
Through its worldwide network of traditional and digital distribution, aligned
with partnerships
with key non-profit and NGO organizations,
Participant is positioned uniquely within the industry to engage a rapidly growing
audience while bringing global awareness and action to today's most vital issues.
Anderson foams the ocean
with crimson in bookend scenes, going so far as to coyly streak the fourth wall in a reminder that for as detached as the characters are from one another, we remain as the
audience the most distanced and manipulated
participant.
Jonathan King,
Participant's EVP, Narrative Film, commented, «Lluis Quilez, the latest in the wave of talented young directors out of Barcelona, did a wonderful job crafting a chilling ghost story
with a powerful message, and we are thrilled to have Vertical on board to deliver it to
audiences.»
When Houston Students as Allies
participants shared their survey and focus group results at an all day conference, which drew over 400 students and teachers, they translated their data into skits, multimedia pieces, and interactive exercises
with their
audience.
The hearing concluded
with a question - and - answer period
with dialogue among the panel
participants and
audience members.
Participants will also explore how to engage students
with Entry Events, the hook that first introduces a project to a new
audience.
«This year,
with the stellar
participants that we've brought on board, I'm pawsitive that Cat Pawsitive techniques and messaging will reach a larger human
audience and more importantly, a larger cat
audience.»
The invited
participants will explain their positions, after which the panel will be opened up into a roundtable discussion
with all project space organizers present and the
audience.
In New York, there was last year's New Museum Triennial, «Surround
Audience,» whose
participants addressed «a society replete
with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»
11.00 am Vanessa Müller (Director, European Kunsthalle) introduces the themes of the day and presents European Kunsthalle, followed by Q&A
with the
audience 12.00 pm Rachel Mader (Researcher, Lucerne University of Applied Sciences and Art) discusses the production of institutional identities, followed by Q&A 1.00 pm Break 2.00 pm Lecture by Simon Sheikh (Programme Director MFA Curating, Goldsmiths College) followed by Q&A 3.00 pm Discussion
with all
participants moderated by Nicoletta Lambertucci (Curator, DRAF) and Simon Sheikh (Programme Director MFA in Curating, Goldsmiths College) followed by Q&A
Born in Inglewood, California, Chris Johnson explores California as an artistic subject
with the double - consciousness of observer and
participant, figuratively oscillating between being on stage and watching from the
audience.
This is the 10th anniversary of the Serpentine's Marathon series, a once - a-year, 12 - hour event founded by the curator / art superstar Hans Ulrich Obrist, where artists (previous
participants include Marina Abramović, Brian Eno, and Yoko Ono) bat around off - the wall ideas, perform, and engage
with the (generally pretty rowdy)
audience.
A series of pilot projects will evaluate which interpretive stories, themes, and methods most successfully engage today's
audiences with the Arch Street Meeting House — a National Historic Landmark and Philadelphia's first burial ground — and will offer
participants a unique opportunity to learn about Quaker history.
This programme has facilitated creative workshops, engagements
with project artists, exhibitions, community events for school groups, young people and adult
participants, and research and practice sharing activities for stakeholders, all developed to connect
audiences with local and national art, artists and heritage.
4:15 p.m. Plenary session
with all
participants, moderated by Stuart Comer and Laura Hoptman, co-curators of the exhibition,
with Q&A
with the
audience
This diverse artistic programme has encouraged
participants to engage
with cross-disciplinary practice in both creative and critical ways, fostering a three way relationship between artist, artwork and
audience.
Along
with two public talks, the overall programme was well - received by the
participants and
audience and it connected UK's artists and artistic institutes to collaborate
with artists in Korea and scientists in Daejeon's science hub.
The Studio Museum's award - winning education and public programs for all ages will nd new homes throughout Harlem, continuing the Museum's longtime engagement
with partners and
participants and reaching new
audiences where they are.
Providing them
with a platform where they can voice their thoughts and views among vested
audiences who can celebrate contribution is empowering and rewarding to brands and equally to
participants.
Participants came up
with a long list of ideas and approaches to enhance ACE, such as stressing the need for two - way - communication, knowledge of
audiences, finding appropriate and novel channels for reaching people, and the importance of delivering solutions alongside climate change warnings.
Bar Camp organizers Jay Goldman and Mark Kuznicki started the event by inviting
participants to come up
with topics - the
audience is creating the agenda.
Some of the sessions are more interactive in nature than traditional panel events, providing a workshop style that divides the
audience into groups that are asked to create content to share
with the other seminar
participants.
Because smart growth starts
with us, Building Salt Lake seeks to engage readers and encourage its
audience to become active
participants in the development of their communities.
Having the largest loyal
audience of entrepreneurs
with more than 200,000 active users, the BM community creates a simple platform for users and partners which will allow project
participants to receive bonuses from the system, and partners — to reduce costs and fees for attracting.
The Gottman Trainer will describe how they would treat these couples and then
participants from the
audience will volunteer to role - play these couples
with the trainer demonstrating a variety of interventions.
Trainers will describe how they would treat these couples and then
participants from the
audience will volunteer to role play these couples
with the trainers demonstrating using a variety of interventions
with these couples.