Sentences with phrase «with aural»

Hiorns will further explore the influence and meaning of the Untitled (Youth) series with a aural intervention within the space that will create a connection between Wakefield Cathedral and The Calder.

Hiorns will further explore the influence and meaning of the Untitled series with a aural intervention within the space that will create a connection between Wakefield Cathedral and The Calder.

This is evident in the popularity of sculptural works and installations in the exhibition, many of which incorporate audio or video narrations: as if sculpture is no longer enough on its own, or simply in celebration of augmenting static form with aural and visual media.

Dogs and cats can be diagnosed with an aural hematoma.

Interoperability with aural CSS (ACSS): Any HTML processor that is aural CSS - enabled can produce SSML.

The huge shove that the turbo brings between 2,500 rpm and 5,000 rpm comes with an aural penalty.

Like many hybrid vehicles the throttle controls vehicle, rather than engine speed, and with aural cues so few a steady eye on the speedo is necessary to avoid «creeping» over the limit.

This resource helps the reader helps the reader with their aural, oral and l...

This resource helps the reader helps the reader with their aural, oral and literary knowledge of the Spanish language

The problems with this dull, drawn - out film announce themselves early on through Dario Marianelli's bombastic musical score that attempts to mask narrative shifts that clash rather than mesh with the aural hamburger - helper.

It's loaded top to bottom with aural and visual references to video...

It's loaded top to bottom with aural and visual references to video games, movies, film, comic books, television, toys, and role - playing games, mostly from but not exclusively...

Not exact matches

We quickly learn that a hot stove is far too dangerous to be trifled with and so we file away in our subconscious any inputs — visual, aural, oral, tactile, and olfactory — that are even remotely related to the danger we call a hot stove.

At the place where Jesus was buried, the Church of the Holy Sepulchre, bells compete in aural space with Muslim prayers over loudspeakers.

They create ambient aural soundscapes with the basic rock elements: intricate guitars, solid bass guitar, melodic Fender Rhodes (and at times piano) and tight drums, while sporadically adding various keyboard samples and programmed drum beats for a subtle electronic touch.

Early civilizations» ability to capture words on stones and papyri allowed them to transcend the limitations of oral communication; with that transition, visual sense became more primary than the aural sense.

That self - portrait captures much of the big picture of a now 19 - year - old who can blend intellectual curiosity with the tunnel vision to train in an unchanging environment that has little visual or aural stimulation.

Those with a warped sense of humor, or a keen ear for stellar 80s pop music, have probably got a Carly Simon - shaped earworm burrowing deep into your aural passageways right about now.

Throughout the film, Sorrentino packs in numerous surrealistic touches, from the sight of a nun buried up to her neck in sand (accompanied by an aural assault on the soundtrack) to a grotesque glimpse of Rizzo with a potato poultice around his head to the jarring sight of Geremia's village, built by Mussolini on an Italian swampland.

With a mixture of new songs and oldies (including Wings» «Live and Let Die»), «Shrek the Third» tries to create an aural environment that will go down well with both kids and aduWith a mixture of new songs and oldies (including Wings» «Live and Let Die»), «Shrek the Third» tries to create an aural environment that will go down well with both kids and aduwith both kids and adults.

With Luhrmann at the helm, it will be a visual and aural feast, but it might not be to everyone's taste.

The corresponding Dolby Digital 5.1 track replicates Fessenden's most intricate soundmix yet (supervised by Nick Montgomery and Tom Efinger) with stunning transparency; from Michelle DiBucci's affecting score to the title creature's omnipotent cry, this is an aural feast rich in dimensionality.

Rather sweetly, Gilderoy has brought with him recordings of comforting sounds from home (his mum's doorbell for example) and there's a gorgeous sequence where he dazzles his colleagues with his flair for aural enchantment.

Housed in a regular plastic Amaray case, Mind Over Money comes to DVD presented in anamorphic widescreen, with an English language stereo track that more than adequately handles the title's straightforward aural demands.

It's loaded top to bottom with with aural and visual references to video games, movies, film, comic books, television, toys, and role playing games, mostly from but not exclusively limited to the 1980s.

The music in Deep in My Heart, recently released as an MOD through Warner Archive Collection, seems like aural realizations of Curtiz's vivant tableaux, rich with swelling strings, languid with mellow brass.

Oddly enough, the wit is still there, but this time it's in the form of homages, both visual and aural, hearkening you back to the 70s schlock action cinema, full of revenge plots, martial arts gusto, and bad - ass mamas who aren't afraid to tussle with the big boys.

Housed in a complementary cardboard slipcover, «Burning Palms» comes to DVD presented in 1.78:1 widescreen, with English SDH and Spanish subtitles, and a Dolby digital 5.1 surround sound audio track that adequately handles the title's meager, straightforward aural demands.

Still, even though West «s pensive, tragic romanticism recalls vintage Bertolucci, and its abundant use of visual and aural signifiers brings to mind Argento, the film's seductive interplay between image and sound — a relationship that would reach its apex with the director's final film Once Upon a Time in America — is trademark Leone.

But due to lack of visibility along with the dramatic camera angles and aural mood setting, you didn't always know exactly where it was hiding.

These guys are pretty kooky company — Kiser wears a bright yellow hipster beanie and poncho, like he's doing cosplay as Lego Clint Eastwood — and probably spend too much time waxing philosophic about farts (drink every time the Dolby guy blushes), but I came away with a greater appreciation for the movie's aural complexity.

Rather than supply motivations for his characters, Altman provides them — and us — with a climate of reference comprised largely of the stops and starts of behavior and modulated by visual and aural structures at his beck and call.

The visual and aural design places the viewer in the center of the action, not unlike a journalist embedded with military troops.

Steven Zaillian did the adaptation, a heroic task, but it's Fincher's visual and aural detailing and the at - times - subliminal editing by Baxter and Wall that set it before us and make it play, laminate past and present with breathtaking translucency.

Matching Wright's stagey conceit with an almost circus - like aural melodrama, Marianelli is responsible for a good chunk of the film's intoxicating powers.

In a recent press release, Danna stated that director Michael Bassett (interview) told him, ``... I need you to inject more musicality and orchestral elements into the score...» Danna once again collaborated with Yamaoka to create the aural landscape that we will be hearing in the film.

Using the visual and aural framework of the 1980s (with a transportative collection of upbeat, synch - heavy late - 80s jams), the underdog story keeps true to Eddie's unorthodox ascent to being a certifiable Olympian, though muddles some details along the way, prettying it up to make the film more family - friendly and easily digestible.

Though I watched the film a second time with the subtitles activated to better parse its aural tapestry, both the dialogue and narration sound clear and resonant.

Leonard Rosenman's score and sound editor John Stacy's aural staging of the action are the main beneficiaries of the disc's two high - fidelity sound options, a merely clamorous DTS - HD MA 2.0 stereo mix and a superior 5.1 DTS - HD MA track with cleaner separations and a thicker low end.

Adding another layer of charm to the whole effort is the voice acting, since the main protagonist is charmingly voiced by the programmer's daughter, Super Chibi Knight's aural presentation finds itself neatly correlated with the loose and colourful visual aesthetic that the game showcases throughout.

The Dolby Digital 5.1 soundtrack is fine, with its chief aural element being the engines of moving bikes.

The experience, linked with a conflict with his father, and various aural hallucinations, send Wilson into a deep depression.

In our first Crew Call podcast of awards season, we sit down with Baby Driver director Edgar Wright and his supervising Sound Editor / Sound Designer Julian Slater to discuss how they made the director's passion project the visceral and aural experience of the summer — an original piece of IP that could be seen only in theaters and stood out among a sea of dusty franchises.

Housed in a regular plastic Amaray case, Cuba: The Accidental Eden comes to DVD presented in 16 × 9 widescreen, with an English language 5.1 Dolby digital surround sound audio package that more than adequately handles the relatively straightforward aural demands of this hour - long title.

Using freeze frames, slow motion, jump cuts, exotic camera movement, staccato step - printing and more to make a triad murder ring out with visual (and aural) poetry.

Housed in a regular Amaray case with partially hollowed - out spindles (to use less plastic), Wild Cherry comes to DVD with a complementary cardboard slipcover, presented in a 1.78:1 aspect ratio, with a Dolby digital 5.1 surround sound track that more than adequately handles the title's meager aural requirements.

Upping the action's aural ante, the Immortan's cacophonous road circus is hilariously accompanied by its own live band, including a gentleman with a double - necked, flame - throwing guitar perched atop a wall of speakers who channels Junkie XL's ear - blasting score (unexpectedly evocative, in its own hyper - charged way, of Brian May's music for the original Mad Max).

It's so rewarding to see a film with so much humane, visual, aural, and technological artistry.

He also seems to think that because he is making something based on a videogame that he must transition from scene to scene with visual and aural static glitches.

But that barely hints at the film's intoxicating aural - visual interplay, which collapses time and space with overwhelming virtuosity.