Sentences with phrase «with author fees»

Not exact matches

The authors note, however, that reducing education fees, increasing funding support for people with disabilities, and increasing public support for long term care are needed to help protect the most vulnerable populations during times of economic recovery.

Unfortunately, there are some drawbacks that these programs need to overcome, but the authors seem hopeful about finding potential solutions: «Lower - income older adults often live in buildings where there are fees and deposits associated with owning pets.

No company has financed this particular study, but several of the authors are associated with and have previously received funding / fees from pharmaceutical companies in different contexts.

The German delegation is guided by a simple formula: Take the number of papers with first authors at German institutes put out by a publisher and multiply that by a reasonable fee per paper.

Tjian also oversaw new collaborations with other foundations, including a plant science program and the startup of eLife, an open access journal that, for now, charges no author fees.

Every cent we receive is spent with a clear purpose (essential computer equipment, rare film material, minimal author fees).

Bottom Line: Ease of use, combined with no fee, is an equation that results in happy young authors and artists.

Often, because people are used to paying a one shot fee for traditional authoring softwares, they find web authoring tools expensive, with their recurrent billing system.

Because the author never deals directly with the POD company or knows where the books are being printed, they remain unaware of the difference between the actual fees charged by the POD company and what the self - publishing company says is the printing charge, distribution fee, and the author royalty.As with any other product, the greater the number of middlemen between the manufacturer and the consumer, the greater the price paid by the consumer.

But I have talked with authors who've told me they paid it and, surprisingly, received detailed feedback about their manuscript that was worth more than ten times the fee.

Author Solutions, in case you haven't heard by now, is considered by many to be a predatory self - publishing services company with outrageous fees and vendor lock - in.

I'm wary of a site which is making money out of fees to authors instead of sales, and I'm irritated that the owner of that site considers it beneath her dignity to discuss those concerns with people who are way.

The retailer is willing to forfeit any fees or costs associated with bookselling in order to give the full purchase price to authors (knowing full well that Hachette won't make a dime on the sale either), yet that is not enough for those who froth over their anger towards the retail giant.

Of course, this could be a sign of something less dire, namely that Amazon will work with larger files and let authors sell overly long titles at 50 % royalty in order to make up for what the company is footing in terms of file transfer fees and hosting.

These companies make the majority of their income from the fees paid by the author and not from sales as would be the case with traditional publishers.

And remember, you can start publishing with CompletelyNovel with no upfront fees and a community of authors at your side.

And the Economist compared e-book subscription services to Spotify, the music streaming service, but noted that, unlike musicians (who can supplement the infinitesimal royalties they earn via streaming with fees from live performances), «authors have a book to sell and little else.»

They are choosy about the authors they sign, so at the time I did feel honored that they chose to work with m. Because I paid a pretty hefty up - front fee, it never even occured to me that the publisher would then keep the majority of the money from my book sales.

If the consumer is the author looking to get published, then Dellarte is in competition with other for - fee services, not Harlequin imprints.

Plus, every author with even the slimmest chance of getting rights reverted have been throwing buyback fees at EC so that they won't get caught up in bankruptcy court when / if (my opinion, when) EC files for bankruptcy.

The risks for authors is the possibility of signing with an unethical publisher that produces shoddy work and charges outrageous fees.

Unfortunately, some publishers lure authors in with low set - up fees, but make up for it in higher per - book costs.

First, Lulu tends to withhold specific pricing and fee info until late in the specification process, while showering the prospective author with any number of up - sells — many of which the average customer might not know enough about in order to make an informed decision.

Many self - publishing companies cheat authors with unfair contracts, hidden fees and low royalty payments.

Co-publishing means «cooperative publishing» and is a joint - venture model that provides the same publishing experience and systems as our traditional model, with the author contributing to the creative development fees.

We are also upfront about our fees, since we don't believe in surprising our authors with unexpected expenses.

The lower end of that range is because the retailer has to make its fee as well, and providing authors with almost seventy cents on a 99 - cent ebook leaves them making little to nothing on the sale of an ebook.

As a side note, the current pricing calculator for a 200 - page book with standard 6 × 9 trim sizes cost the author nearly $ 2 more per copy through Ingram Spark due to a handling fee that CreateSpace does not charge.

Now that authors have tools at their disposal to produce and distribute their own content at the click of a mouse and with little to no upfront fees required, the companies formerly known as self - publishing options are falling by the wayside.

Much like the 2011 Spreecast event that Good e-Reader hosted with author HP Mallory for more than one hundred of her fans, this platform basically charges a pittance fee for charity and allows a unique engagement experience between authors and their readers.

Look, these fees, sales deals, and low quantities at bookstores will not have you light cigars with hundred dollar bills, and they are very labor intensive, but catering to brick and mortar stores is something an Indie Author should do for several reasons — to build some local cache, get more experience pitching his or her art, and garnering that genuinely terrific feeling of seeing your work on the shelf of a reputable bookstore.

They buy your book, along with their fee, and presto you're a NYT bestselling author.

There may be additional fees for art purchased at author's request (we typically work with type, free imagery or create our own artwork — for which there is NO additional art charge).

It may be stated that the author or self publisher can do so with a notice in writing and may remunerate the illustrator a termination fee.

In addition to selling books at its own online store with the lowest fee of any retailer listed here (15 %), the Smashwords Premium Catalog offers authors and small publishers a way to distribute their titles across a variety of retailers, including Apple's iBookstore, the Sony eBook Store, Barnes & Noble, Kobo, and others.

As with traditional publishing contracts, authors using self publishing platforms are paid royalties (percentage or flat fee) for each book sold.

Since translators carry the risk of sales just as much as the author does when working indie, the risk has to be compensated with higher royalty rates when paying lower flat fees up front.

Now, I'm no expert in contracts, but when I see a written agreement that includes no advance payment to the author, a 50/50 split of royalties AFTER a muddled clause about subtracting fees for costs that may or may not include promotion, marketing, set - up fees, and even printing fees, with lifetime ownership of the copyright, I think SCAM.

Book Browse tends to feature only traditionally published authors with in depth professional book reviews made by their own staff, and they have a monthly subscription fee of $ 3 for their premium content.

Frequently authors do this with a number of their titles all at once and garner tremendous revenue until another author pays a higher fee to surpass them or a really big bestseller comes out.

If the author chooses a combination of self - published hard copies to go along with the digital download, which self - publishing imprint will he select, one that charges up front but awards almost all of the royalties to the writer, or one that does not charge an initial fee but keeps a slightly larger percentage of every sale?

With various software available that allows authors to convert their manuscripts themselves for market, as well as digital publishing services such as Book Baby that will convert the manuscripts to every available e-reader format for a small fee, more and more authors are turning to digital publishing in an effort to forgo the traditional publishing houses.

Plus, after Smashwords and the retailers have taken their fees, an author will come away will far less per sale than they would with a full read.

Like the United States and Canada, Australia has struggled with ebook prices that are too high, platforms with unpredictable fees, and licenses that are hostile to libraries, users, and authors alike.

With free format conversion, registration, distribution, sales reports, and unlimited updates, Smashwords is turning traditional book publishing on its head — all for a modest fee per sale that any author, regardless of how he or she is publishing, would be hard - pressed to beat.

I recently worked with an author who hired me to create his book files for a fixed fee, but later realized that he also wanted me to be available by phone to tutor him in publishing terms and process.

Evolved Publishing will pay translators for their services as follows: No up - front fee, with an attractive straight commission equal to 20 % of author royalties for the translated piece, paid quarterly or semi-annually.

Authors pay about a $ 60 setup fee for print books, with additional fees for updating book files after the book goes on sale.

Furthermore, authors are not required to pay up - front fees to publish with us.

Our annual Independent Publishing Issue includes information about fifty magazines and five small presses accepting submissions with no reading fees; a profile of poet Kevin Young, author of a new nonfiction book, Bunk, and the new poetry editor of the New Yorker; our second annual 5 Over 50 roundup of debut authors; William Giraldi on James Baldwin; a look at how book advances work; self - publishing advice; writing prompts; and more.