Not exact matches
When you have dedicated episodes of these guys taking shelter from a storm, an entire episode
with an
awful hipstery filter fest, even more cringy
dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.
I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the
awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent
dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although
with less to do in this than he does in Thor, was great in it too.
Of course they wouldn't just kill the golden goose, so they naturally had to came up
with a sorry excuse for a «new beginning,» but it is not even fun to watch when everything (and everyone) is so extremely irritating, the script is pure garbage and the
dialogue is
awful beyond belief.
A movie so silly and banal that it may take us a bit longer than usual to realize how actually stupid, implausible and empty it is once it is over,
with an
awful amount of expository
dialogue, poorly - developed characters and a non-linear structure adopted for no purpose at all.
Russell is a great lead, but he is supported by frequently awkward performances that struggle
with the blunt tool of the script and sometimes
awful dialogue.
Although the movie offers occasional glimpses of wit and humor — a quick clip of IBM executives singing company anthems, for example — it is, at its heart, a rather maudlin made - for - TV movie, complete
with wincingly bad
dialogue, cartoonish character representation and one particularly
awful acid trip.
If you want to see Shakespeare's
dialogue delivered as if it were an episode of Buffy
with excessively chewed scenery and
awful cinematography, this film is for you.
Cons: Terrible on almost every level,
with incoherent storytelling, terrible
dialogue,
awful voice - acting, imprecise and boring combat, horrible stealth, and mindless puzzles.
I could talk about how Tara Reid can not act, how half of the cast are so lumbered
with the role of red shirt that they don't have a personality or even a name, or how some of the
dialogue is so cringe - worthy that you have to pause the movie to let the
awful line sink in (although some of the puns appeal to the terrible comedian within me — «jumping the shark?»
Take every
awful indie coming - of - age movie cliché, cram it into one film, fill it
with terrible
dialogue and bored - looking actors and you are starting to approach the disaster that is Gavin Wisen's Homework.
Add into that some truly
awful dialogue, as well as a staggeringly dead - eyed performance from Ben Drew, and what you end up
with is 112 minutes that feels twice that long.
Poor Winslet has some
awful dialogue to work
with here, and most of it involves standing around looking uncomfortable.
Perhaps it seems like over-thinking to quibble
with the ideological talking points of a movie that mostly dawdles from one skit or cameo to another, interspersed
with the occasional song - and - dance number, and which contains one of the best comic set pieces of the Coens» career: a director and his recently re-cast lead trying to work through a single
awful line of
dialogue («Would that it were so simple») while filming a turgid melodrama.
The Dolby 2.0 Surround audio mix presents its
dialogue with clarity (and its
awful soundtrack
with fidelity).
With so much of Muriel's Wedding's dialogue now part of Australian vernacular - «you're terrible Muriel» — there were high hopes for Mental, the latest collaboration between Toni Collette and writer director P.J. Hogan, but unfortunately the result is a... «you're terrible everyone - who - had - anything - to - do - with - this - awful - film&raq
With so much of Muriel's Wedding's
dialogue now part of Australian vernacular - «you're terrible Muriel» — there were high hopes for Mental, the latest collaboration between Toni Collette and writer director P.J. Hogan, but unfortunately the result is a... «you're terrible everyone - who - had - anything - to - do -
with - this - awful - film&raq
with - this -
awful - film».
Characters are stiff, the camera is a pain to deal
with, and the
dialogue can be laughably
awful.
Still,
with extremely awesome feel of each hovercraft, a capable procedurally generated track system, well - written
dialogue, and a lovely if not simple art style, SmuggleCraft may not be masterful, but it's sure as hell nowhere near
awful.
Another problem is that the voice acting in the game is pretty
awful,
with massive gaps in between sentences; the awkward and annoying
dialogue is made infuriating and leaving players just wanting to skip the Shatner - worthy delivery.
It is marred by some
awful dialogue writing though,
with lots of clichés and some cringe inducing attempted jokes.