When that went well, some of my author friends asked if we would do the same
with their backlist books, and our catalog really started to grow.
The primary cost factors associated
with backlist books are printing, shipping, production costs and author royalties — all of which can be minimal when compared to the cost of initial publishing of the book as a front list title.
We plan to try subscription
with backlist books, and mostly with titles that are not well represented at bricks and mortar retail stores.
Not exact matches
In early 2013, Macmillan started a public library pilot program
with a select group of
backlist ebooks from its Minotaur
Books mystery and crime fiction imprint.
But you came into e-publishing
with a name, a reputation, a
backlist of enjoyable
books available... and your name and reputation came not only from your own promotional efforts (and they are outstanding!)
I, like Joe, have a large
backlist of titles, have had agents, several, and have published
with maybe eight of the publishers in NYC and guess what - there are legitimate writers publishing ebooks every two hours right now and soon I hope to have every
book I ever wrote — around fifty on ebooks.
The focus is the author: whether it's a hybrid author
with multiple
books published, a brand new author or one who wants to make their reverted
backlist available in digital for the very first time.
When those
books go out of print
with DAW, I certainly plan on self - publishing them myself in order to keep my
backlist available.
The idea being that you're rewarding loyal readers and, once you've won a reader over
with one of your
books, they're more likely to buy your
backlist at full price.
Because authors aren't paid for
books selected, SELF - e seems like an option for an author
with a
backlist.
He's currently working
with authors he has successfully placed
with traditional publishers «to launch additional mid-length material and
backlisted books using new self - publishing tools.»
Approved by my agent at the time, I signed a traditional contract a few years ago
with publisher Aflame
Books, whose
backlist (of twenty literary fiction titles in their first English translations) was about to be supplemented by a new imprint for original - English - language fiction, starting
with my novel The Imagination Thief as this imprint's launch title.
What would happen, say,
with the original manuscript of a
book out of your
backlist that you've always wanted to publish as an ebook?
With all the discussion about self - publishing
books and how published authors can reap their
backlists in order to sell more
books, I thought it appropriate to bring in someone who has become a bestselling author using today's technologies.
Given I've written and published so many
books now, and have a solid
backlist that continues to sell
books even when I'm taking a break in between projects, it's very easy to become complacent and take a long break, or not do as many blog posts, or not interact
with my readers as much.
The same thing
with you Joanna, you're building, you're selling more
books, you're building this
backlist, you're growing your business journey and Sean from The Self Publishing Podcast, Bryan Cohen, J Thorn.
It was technically a
backlist book, but
with the first - time digital release, we combined frontlist and
backlist book marketing strategies in order to make new audiences aware of the
book.
And while it's exciting to find that your new obsession has a lengthy
backlist, there's something especially satisfying about knowing you've been
with them from
book one.
This agreement comes on the heels of the announcement last month by The Random House Group that the Bond
backlist was returning to its publishing roots in the UK,
with Vintage
Books (sister imprint of Jonathan Cape, the original publisher of Casino Royale) acquiring a ten - year license for exclusive rights to the Bond novels in the English language
with the exception of North America.
MBP will be releasing digital editions of new releases and
backlist favorites,
with several more titles planned for 2011, including Face Food Recipes and The
Book of Ice.
My
backlist books still have the pb edition available second hand so I have not created a paper version to go along
with my new digital editions.
After the announcement last week that the upcoming Kindle Fire tablet will come
with one hundred DC Comics»
backlist titles of comic
books and graphic novels pre-installed, Barnes & Noble pulled all of the print editions of every title off its store shelves.
Aimed at already - published authors, Open Road Distribution will work
with independent published authors, literary agencies and independent agents
with large catalogs of
backlist books, and independent publishers who want to digitize and distribute their content.
With offices in London, and Abingdon in the UK, New York and Philadelphia in the USA, New Delhi in South Asia, and Singapore and Beijing in the Pacific Rim, the Taylor & Francis Group publishes more than 1,600 journals and around 3,700 new books each year, with a books backlist in excess of 20,000 specialist tit
With offices in London, and Abingdon in the UK, New York and Philadelphia in the USA, New Delhi in South Asia, and Singapore and Beijing in the Pacific Rim, the Taylor & Francis Group publishes more than 1,600 journals and around 3,700 new
books each year,
with a books backlist in excess of 20,000 specialist tit
with a
books backlist in excess of 20,000 specialist titles.
Under the agency model, and working
with multiple distributors, Macmillan will offer over 1,200
backlist eBooks from its Minotaur
Books mystery and crime fiction imprint, a part of the St. Martins Publishing Group.
When print - on - demand is combined
with online sales,
backlist books can remain available for a longer time because of lower printing and stocking costs.
Promoting and sharing the
book with those who can benefit will be a lifelong process for me, if I'm fortunate enough to have a
book on
backlist (i.e. one that gets re-printed year - after - year).
Literary agencies have refused to sign e-rights deals for countless
backlist books with traditional publishers, even though they and their clients, no doubt, see real benefits in having a single publisher handle the print and electronic rights to a
book.
The hard work has probably been delayed by early windfall profits from ebook
backlists,
with major publishers still reporting good results, despite the mayhem in the
book trade.
Overall, after analyzing what I've learned, I personally feel that ISBNs are a good investment if you plan on building a long - term, widespread writing career
with a large
backlist of
books.
PORTLAND, OR — BookBaby, the leading distributor of eBooks through Amazon, iBooks and many others, launches a new wholesale program today, focusing on the needs of publishers, agents, and others
with sizable
book catalogs and
backlists.
Some come to self - pubbing
with a
backlist, some start
with self - pubbing and move existing series to trad pub, some have entirely new
books they sell to trad pub (that's my case, just one title).
He must be right, because nine years later, the Baen Free Library now includes
backlist titles from 43 authors,
with more
books and authors added every few months.
Based on my own experiences and those of other authors, I believe that the ideal Kindle Store price for many
backlist titles is in the $ 2.99 to $ 4.99 range, and that most such titles, if they are quality
books with a little bit of marketing effort behind them are likely to sell roughly twice as many copies if they are reduced from $ 9.99 to $ 4.99 or roughly three times as many if they are reduced from $ 9.99 to $ 2.99.
It makes sense to me that for the first print run publishers stick largely
with the current model but use POD on the
backlist; that could have tremendous benefits to author and pub house both if done correctly (not to mention readers, who'd be able to order older
books by a favourite writer and not face the flipping frustrating «out of print» or «no stock available» options.
Publishers in many markets have only recently begun releasing new local - language e-
books simultaneously
with print
books, and they are in the very early stages of digitizing their
backlists.
I published two
books from my
backlist, Fresh Powder and Finding Margo (both previously published by New Island in 2007 and 2008), as e-
books on Smashwords and Amazon Kindle at the beginning of February 2010, along
with my self - published title, Swedish for Beginners.
She later added other authors and her own
books, then in 2015 booksBnimble spun off bbnmarketing
with the aim of helping self - published authors find their audience and
backlist print authors find their way back into the game.
Harlequin is one publisher who I see is really taking advantage of the digital opportunities
with its epublished only fiction, it's decision to digitize its entire front list of over 120 titles every month while digitizing its
backlist at the same time, by offering all series
books a month in advance, by pushing its content onto devices through partnerships
with Daily Lit, providing its content for cellphone users.
Romance is a huge seller in both traditional and self - published, but I would say that you find way more
books out there in romance as e-book only... much of that has to do
with many authors putting up their
backlists on e-book as well as a number of other things.
-LSB-...] Jane Friedman takes an in - depth look at a topic that worries many writers, especially those
with a
backlist: Do You Hold E-Rights to Your Traditionally Published
Book?
A newsletter is one of the most important tools we have at our disposal for promoting our new releases or
backlist of
books, as well as for forming connections
with our readers.
-LSB-...] Being Forced to Sit in the
Backlist from Hugh Howey: Imagine selling two million
books, having half a dozen of your novels hit the New York Times bestseller list, being inundated
with thousands of fan emails every month, and then having someone call you an «aspiring writer.»
As
with the 1 -2-3 phase, your website can be a major vehicle for selling your
book (and your
backlist, if you have one).
US e-book publishers including Rosetta
Books are also approaching UK agents and authors to buy
backlist e-book rights,
with Rosetta favouring an exclusive Amazon deal as part of the package.
Today, after just 5 months as an indie author, I've already out - earned that advance —
with only 2
backlist books published so far.
With the great success they had with the re-publication of books like the Atlantis Series and The Green Beret Series, Cool Gus opened its doors to other authors and their backlist and frontl
With the great success they had
with the re-publication of books like the Atlantis Series and The Green Beret Series, Cool Gus opened its doors to other authors and their backlist and frontl
with the re-publication of
books like the Atlantis Series and The Green Beret Series, Cool Gus opened its doors to other authors and their
backlist and frontlist.
Even now
with the e-book business exploding and many mid-list authors doing the Heimlick maneuver on their
backlist so the
books can live again on the kindle platform, the big six dummies still don't get it.
When I joined the Independent
Book Publishers Association (IBPA) board, I thought my company, Cooperative Press (which primarily publishes knitting
books,
with a
backlist of about 40 titles), would be the most specialized publisher represented.
As far as KDP Select goes, I'll probably stay in for the time being — at least until I've got a bit of a
backlist built up and then I might consider offering a perma - free title on
book # 1 which works well for a lot of authors — plus,
with my
books priced at $ 2.99, I make slightly more profit off a «borrow» which is a good reason to stay in Select for the time being.