Sentences with phrase «with biblical subject»

The grey - bearded man depicted here in profile appears in other works by the artist, primarily with a biblical subject.

At one time, it was assumed that a religious movie was a film with biblical subject matter.

F. D. Dillistone, former Bishop of Liverpool, once suggested that artists dealing with biblical subject matter have two ways to go.

Not exact matches

«I recently was in a meeting with church leaders from across the UK that hold a historically biblical orthodox view on this subject.

The pastor's statement to the young woman is, unfortunately, indicative of a widespread ignorance of biblical texts dealing both directly and indirectly with the subject of suicide.

However, the biblical evidence shows also that the church, after stating Jesus» unequivocal demands on this subject, felt free to permit some few exceptions, perhaps in a pastoral attempt to deal humanely with specific marital situations while still upholding Jesus» demand.

The quotation from Romans 8 on the project's homepage — «For the creation waits with eager longing for the revealing of the children of God; for the creation was subjected to futility, not of its own will but by the will of the one who subjected it, in hope that the creation itself will be set free from its bondage to decay and will obtain the freedom of the glory of the children of God» — really is central to the biblical picture of redemption and really has been neglected in both theory and practice.

However, they are not divinely revealed and they, too, along with all other confessions, creeds, and statements of faith, must be subject to the correction of the biblical Word.

Steve... I think we're floggin» a dead horse here, but for what it's worth, understand that I'm not trying to convince you to think like I do, rather I wd hope that room wd be made for many theological differences.To think discuss and debate theology is well supported by the New Testament and history, and is perfectly within the bounds of what it means to engage our minds with the subject at hand.Theologians and biblical scholars have done this very thing for centuries, revealing a plethora of opinion on the evolving world of biblical studies.Many capable authors have written and debated the common themes as well as the differences between Paul, John, Jesus, the synoptics, etc..

with the exception of some small bits out of the books of the prophets — virtually none of the other biblical scribblings were contemporaneous with events described within them, and ALL of the texts were subject to revision for a really long time from people who came along after they were originally written.

Magister went on to point out how rarely we hear of the subject, despite its centrality to the biblical witness: «In the preaching of Pope Francis,» he wrote, «there is one subject that returns with surprising frequency: the devil.

The choice of will as subject matter has been providential for Ricoeur's dialogue with theologians and biblical scholars, for this question opens up that with which the ancient Hebrews were concerned, in contradistinction to the Greek preoccupation with knowledge.

Treat religious subject matter, whether biblical, historical or contemporary, - with accuracy, pertinence and moral value.

Treat religious subject matter, whether biblical, historical, or contemporary, with perceptiveness, accuracy, and pertinence.

We can close this brief biblical recollection with three very simple reflections that can help us to make a future step in the consideration of our subject:

This perspective had been sharpened by a year's study at Berlin, but it is striking that his interests at that time were such that he did not attend any lectures in theology, even those of Harnack.5 Although he developed great appreciation for Harnack in later years, he worked out his own approach to Biblical scholarship by applying to the scriptures methods developed with other subject matters in view.

A tossup between oasis paradise and wasteland, or Eden and hellhole, this mecca turned ecological disaster of biblical proportions with its string of ghost towns and stubborn eccentric homesteaders, is the subject of this uniquely conceived documentary.

Philip Glass (The Illusionist, Undertow) coats the film with his usual whimsical style, and though the film might be deemed as too slight in its subject matter to merit such heavy - handed compositions, the music is actually completely in keeping with the tragic allusions underneath, with motifs based on magic (wizard hats, old cats, strands of hair, and gold stars tie in to the coven - like relationship of the women) as well as Biblical references (Sheba is short for Bathsheba, the Old Testament woman seduced; Barbara's last name is Covett, and covet she most certainly does).

All the pieces are there, especially in the film's subject — the steely Elizabeth Sloane (Jessica Chastain), a pill - popping master manipulator who is always at the ready with a perfect quip, biblical verse or history lesson for the moment.

Subject Collections of Latest Research 30 - 90 titles per subject, with new collections issued each year: Available Now: Anthropology, Biblical Studies, Business & Management, Classical Studies & Archaeology, Economics, Education, Film & Media, History, Law, Linguistics, Literary Studies, Natural History, Philosophy, Politics & International Relations, Religious Studies, Sociology, Theology, and Bloomsbury Open (interdisciplinary) Archive Collections From Bloomsbury's legacy of renowned imprints in key subject areas such as Ancient History, Christology, Continental Philosophy, Classical Literature, Modernism, Philosophy of Education, and Shakespeare Studies Special Collections The prestigious Ancient Commentators on Aristotle, The Churchill Collection and the International Critical Commentary Landmark Texts Collections Online versions of the Bloomsbury Academic Collections prinSubject Collections of Latest Research 30 - 90 titles per subject, with new collections issued each year: Available Now: Anthropology, Biblical Studies, Business & Management, Classical Studies & Archaeology, Economics, Education, Film & Media, History, Law, Linguistics, Literary Studies, Natural History, Philosophy, Politics & International Relations, Religious Studies, Sociology, Theology, and Bloomsbury Open (interdisciplinary) Archive Collections From Bloomsbury's legacy of renowned imprints in key subject areas such as Ancient History, Christology, Continental Philosophy, Classical Literature, Modernism, Philosophy of Education, and Shakespeare Studies Special Collections The prestigious Ancient Commentators on Aristotle, The Churchill Collection and the International Critical Commentary Landmark Texts Collections Online versions of the Bloomsbury Academic Collections prinsubject, with new collections issued each year: Available Now: Anthropology, Biblical Studies, Business & Management, Classical Studies & Archaeology, Economics, Education, Film & Media, History, Law, Linguistics, Literary Studies, Natural History, Philosophy, Politics & International Relations, Religious Studies, Sociology, Theology, and Bloomsbury Open (interdisciplinary) Archive Collections From Bloomsbury's legacy of renowned imprints in key subject areas such as Ancient History, Christology, Continental Philosophy, Classical Literature, Modernism, Philosophy of Education, and Shakespeare Studies Special Collections The prestigious Ancient Commentators on Aristotle, The Churchill Collection and the International Critical Commentary Landmark Texts Collections Online versions of the Bloomsbury Academic Collections prinsubject areas such as Ancient History, Christology, Continental Philosophy, Classical Literature, Modernism, Philosophy of Education, and Shakespeare Studies Special Collections The prestigious Ancient Commentators on Aristotle, The Churchill Collection and the International Critical Commentary Landmark Texts Collections Online versions of the Bloomsbury Academic Collections print sets.

Oberammergau is a small Bavarian town, which is famous for its painted houses: the facades of the buildings are painted with biblical, fairy tale or everyday subjects and traditional ornaments.

The paintings are figurative and large in scale and scope, with subjects often drawn from mythology and biblical images.

During and after the 1980s, his subjects moved towards the spiritual and religious, with symbols and images drawn from Biblical and mythological sources.