Sentences with phrase «with black male identity»

Is he joined by Hank Willis Thomas, who has struggled with black male identity — and now serves up a «chorus line» titled Alive with Pleasure!?

The high / low dialogue refracted Grace Wales Bonner's ongoing preoccupation with black male identity, but she pursued it with less rigour, more joy than usual.

Not exact matches

3c) so that along with a certain conception of black male identity, it helped the gangsta - rap scam get going

But it has not yet opened itself up to the disturbing countertrends in the lower - class black community that not only conflict with bourgeois male and female stereotypes but also are alienated from middle - class values and the Christian identity as well.

A mashup of «Some Like It Hot» (leering rooster - in - the - henhouse voyeurism) and «Glee» (peppy musical interludes), that, on the plus side, grapples with the potent issue of young black male identity...

ohn Trengove's South African coming - of - age drama, The Wound is a visceral and powerfully done film about queer Black identity and its intersections with Ukwaluka, the rite of passage for male Xhosa teens — a rural tribe in the country.

The timing though is fortuitous, with Childish Gambino's This is America song and music video being released earlier this week and bringing to the fore again questions around black identity, gun violence and black male bodies.

Through his exploration of black male identity, Smith challenges the reader with truths that are powerful and urgent.

The critical «intention» of a male white artist is trumped by those with a greater claim to the identity at stake — «As a black woman, I'm offended».

At the Crossroads: Black Males + Race, Place, & Identity with Instructor Derrick Lanois, VCU Department of African American Studies Monday, January 20, 6 p.m. Elegba Folklore Society's Cultural Center

Taken together, Simmons oeuvre reflects the shift that curator Thelma Golden both observed and underwent herself with her exhibitions Black Male in 1994 and Freestyle in 2001: the move from highly politicized issue - based art to more apolitical considerations of identity along side the artistic process.

In the piece, now preserved in a simple black - and - white video format of the artist sitting at a desk, Wilson begins with the premise «Art making sucks identity from individuals who are close to it but not participating themselves and the only way to recover identity is to make art yourself» proceeding to ingest a photograph she took of her partner, a male artist, in attempt to recover her own identity becoming his equal in power and, in doing so, creating her own art.

It is a multi-platform project comprised of an interactive website and online learning community, a curriculum for high schools and universities and community events partnered with organizations, centered around debunking the hegemonic identity container of what a «Black» «Male» in America signifies.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

I'm interested in interjecting the portraiture canon with brown and black bodies to further complicate heteronormative perception of male identity, the male to male gaze, and the intersectionality of gender fluid and queer bodies that are not often discussed or represented in history, and marginalized in our society.»

Using the intersectionality framework (simultaneously inhabiting multiple social identities), this study compares the social adjustment of male and female biracial / ethnic adolescents (e.g., Black / White youth) with that of corresponding monoracial / ethnic youth (e.g., Black youth and White youth).