Sentences with phrase «with bodies of text»

The app does not just work with bodies of text copied from websites, but also with images, phone numbers and even web clippings.

In short, there are many ways we interact with the body of a text.

Labor Experience Section, with subtitles of your job title, company and years that you worked in it; along with a body of text, where you can describe the tasks and responsibilities that you had in your previous jobs.

Not exact matches

Run your first campaign with a control ad, then create a handful of similar ads with one modification each (for instance, you may want to change the image, body text, call to action, headline and audience).

A common error with any press release writing task is to try and fit too many keywords into the body of the text.

Altogether rented ideas and quotes should be properly cited in the body of your text, tracked up with a Works Cited (references) page entry the details of your bases.

He may also be faced with incomprehension and hostility when he tries to persuade the school not to support «Red Nose Day» or «Jeans for Genes»; when he suggests that asking pupils to stand at the front of the class and shout out the names of intimate body parts is an invasion of their modesty; when he objects to the non-Catholic geography teacher's presentation of solutions for over-population, the «gay rights» agenda seeping in through text books, the chaplaincyco - ordinator's failure to get abortion agency leaflets removed from the library, or the school nurse's distribution of cards with information on how to get the morning - after pill.

There are three important Whiteheadian texts which deal with the question of the immortality of the soul after the death of the body.

If the minister feels lost at first with a body of ideas without a skeleton, he may adopt the form in which the Biblical text is presented.

And yet the text also includes disturbing details: a young virgin drafted into a harem with hundreds of other women to be used at the perverse discretion of a powerful and impulsive king, a queen deposed for refusing to flaunt her body before a room of drunken men, ethnic tensions and violence, a genocidal plot, an impaling, and an ending that depicts with some detachment the violent revenge of the Jews.

As well as polemics Luther was writing his pastoral theology, his Fourteen Consolations for the very ill Elector, and a text on The Blessed Sacrament of the Holy and True Body of Christ, compared in its nature as a fellowship event with the degenerate «religious» fellowship of the craft brotherhoods.

The teacher snapped a picture of whatever body part the kids chose, and each child came up with a text outlining why this body part was their favorite.

In Jewish texts, a discussion of women's modesty centers around whether a man can pray in the presence of a woman with various body parts exposed.

Simple, repetitive, rhyming text and beautiful drawings of children explore body parts and what we do with them.

Unlike the text in the body of the report, which scientists essentially control, the influential summary is the product of give - and - take with government diplomats and requires consensus.

Bombarded with noise — phones, alarms, text messages, the «ding» of an incoming email, honking horns, etc. — it is rare we can hear our own thoughts, let alone notice the subtle messages that our body sends to us on a moment to moment basis.

You already know what my house looks like so I won't bore you with those photos or my usual long body of text.

You can do this by adding text with the dating keywords on the front page of the site itself in the body section.

An extension of Fox's X-Men cinematic universe, Ryan Reynold's Deadpool teams up with two mutants out of that universe: Negasonic Teenage Warhead, a texting and eye - rolling trainee at Xavier's School (played by Brianna Hildebrand), and Colossus, a Russian giant whose body is made of unbreakable steel.

With a brief running time of 83 minutes, and a short text source that effectively confines the drama to a series of extended scenes, it would have been easy for The Dead to be viewed as an incidental entry in John Huston's extensive body of work.

The lessons progress through a range of tasks that engage student's interest, encourage them to: -: interact and share what they know -: develop their abilities to extract information from text and graphics -: view information critically -: check the credibility and validity of information -: develop online research skills -: use web based tools to create surveys and data visualisations The lessons cover a range of topics including: -: Advertising and how it influences us -: Body language and how to understand it -: Introverts and extroverts and how they differ -: Emotional intelligence and how it impacts on our relationships -: Facts about hair -: Happiness and what effects it -: Developing study skills -: The environment and waste caused by clothes manufacturing -: Daily habits of the world's wealthiest people -: The history of marriage and weddings Each lesson includes: -: A step by step teachers guide with advice and answer key -: Worksheets to print for students

First and foremost, under the leadership of curriculum and instruction specialist Aaron Grossman, implementation has focused on the right things — including building a coherent body of knowledge across and within grades (one of the broad «instructional shifts,» along with reading for evidence and a greater focus on complex and nonfiction text)-- that are easy to rally around and hard to dismiss as unimportant.

In the report, you'll see percentage of original text, similarities with the internet and your Library, citations and references, all of them highlighted in the body of the paper.

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It features St Luke's Blue body colour on the rear haunches, doors and boot lid; British Racing Green lower body, Fuchsia pink - coloured radiator shell, black exterior brightware and a black hood, each seat trimmed in a different hide colour (Cumbrian Green, Imperial Blue, Newmarket Tan and Hotspur), steering wheel with a Hotspur outer rim, Newmarket Tan inner rim and Cumbrian Green centre, Imperial Blue stitching; pink leather gear lever, centre console, dashboard and interior door panels veneered in Piano Black; Sir Peter's signature at fascia panel and embroidered on all four seat headrests, unique storage cases with Piano Black veneer outer lining and Continental Yellow and St James Red internal linings, treadplate with text «No. 1 of 1».

When you visit our body shop, you are visiting an I - CAR Gold Class Certified shop with 24 - hour vehicle status availability, email or text message with notification of your repair status, an Enterprise Rent - A-Car office on site with availability to pick you up if needed, Paintless Dent Repair, limited lifetime warranty, assistance with claim filing, free shuttle service within a 15 - mile radius and technicians that are more than happy to answer any questions you may have about your vehicle's repair.

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The sculpted and sleek body lines enhance the exterior, improving aerodynamics and reducing road noise, while the sophisticated styling of the interior was built with your busy lifestyle in mind with a multi-function information display for safer voice operated texting, Bluetooth technology, USB port, and CD / MP3 Playback stereo.

Pushing new English Literature or pure mathematics texts must be more difficult than any title ending with ology; discoveries and advances always add to bodies of knowledge.

For example, in traditionally and professionally printed books, large bodies of text are formatted with fully justified margins (as opposed to ragged right hand margins).

Given that these reputable services, presumably involving humans to actually rewrite the entire body of text while paying attention to colloquialisms, extracting idioms that do not translate, and more, can add up to massive additional costs for the self - published author (as opposed to having that expense taken on by the publisher in a traditional publishing model), where does an author even begin with translation?

One of the features I really enjoyed with e-books is being able to copy a specific word or body of text and paste it into a new note.

What followed was a brief turd storm of concern, blame and speculation about what these publishers had done to bring forth the wrath of Bezos, followed by a «statement» from Amazon a while later saying it was a technical glitch (ie: they sent out an email with «technical glitch» as the subject line and blank body text, probs).

If you have to format term paper in APA style, you have to fulfill the following requirements: 1 inch margins on all sides Times New Roman or Arial 12 pt Page numbering starting with title page Headers consisting of short title and page number in top right corner Double - spaced Indented in - text citations for quotes longer than 40 words No indent for the first line Term paper order: title page, introduction, body, conclusion, references APA Style Term Paper Writing Term paper writing Continue reading

It has my site logo, a headline in one of my logo colors, plain text in the body of the image, a border with another color from my logo, and my website URL at the bottom.

If you want to do your own manuscript preparation, the rule of thumb for body text is as follows: all text should be in one font at one size, left - justified, with emphasis indicated by italics (not bold or capitals).

First, it's not a long book (173 pages in the main body of text), and it is simply written, so an average person not good with finances could make his way through it.

The posters are printed with images and text offering questions and statements about the nature of human control and the position of the human body within an advanced technological society.

In many of my recent paintings, I am utilizing and playing with scale shifts of the letters, which is a new development from my previous body of work, which used a uniform text size to aid in making an image.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Fontana's «Crocifisso», 1948 modeled in clay and painted in a lush polychrome glaze could have been paired with de Kooning's crucifixion drawings or his strikingly similar bronze works to which Suzanne Hudson refers in her text, however, we selected a body of painting on paper which, Hudson notes with interest, immediately follows de Kooning's brief five - year encounter with sculpture and «preserve the sensation and bodily impressions of pliant clay.»

The portraits combine exaggerated characteristics with occasional use of text or vivid color as a counterpoint to the familiar forms of the human face and body.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

With a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by RobeWith a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robewith various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robewith the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robert).

Inviting a community of Santa Monica based youth into the Artist Lab, while simultaneously realizing a body of work based on objects and texts found in an estate sale at Chinatown's Charlie James Gallery, Fallah has represented a circle of life in his project: portraits of identity constructed forensically on behalf of the deceased, contrasting with his portraits at 18th Street made collaboratively with youth to describe their lives as yet unknown.

Of course the images can be discussed outside of a «caption»: the text could simply be put into the main body of the article and the images laid in that text in a very difficult way that would make it a lot harder for the reader to locate the text with the imagOf course the images can be discussed outside of a «caption»: the text could simply be put into the main body of the article and the images laid in that text in a very difficult way that would make it a lot harder for the reader to locate the text with the imagof a «caption»: the text could simply be put into the main body of the article and the images laid in that text in a very difficult way that would make it a lot harder for the reader to locate the text with the imagof the article and the images laid in that text in a very difficult way that would make it a lot harder for the reader to locate the text with the image.

The excerpt above is just one of a list of instructions contained within the text of his 1974 piece Body Pressure, a title that shares a name with the expansive survey exhibition currently on view at the Hamburger Bahnhof, in Berlin.

Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.