Sentences with phrase «with camera performance»

But very much disappointed with camera performance.

Honor 9i stands out with camera performance for its price - tag of Rs 17,999.

For a budget smartphone, the Nokia 2 impressed me with its camera performance.

Lenovo devices never appealed us with their camera performance, but all the Moto phones released this year got our attention with their camera performance.

Not exact matches

Waiting to be interviewed for the British channel ITV News, Mr. Coupe, presumably unaware that the cameras were rolling, undercut the official line with an impromptu performance.

Lenovo's stateside subsidiary, Motorola, put out an uncompromising budget phone that pleasantly surprised us with a camera that matched the performance of pricey flagships, a processor that crushed every task we threw its way, and a battery that lasted a full day without a recharge.

The icon, the legend, the 71 year old incredible Cher received the Icon Award and sang Believe and If I Could Turn Back Time... please, go see both Cher and Celine at their residencies — Cher at the Park Theater and Celine at the Colosseum — they are moments of enjoyment that you can never capture on a video — a cell phone camera (I am a big anti-cell catching the entire show person)-- I can not stand seeing a sea of lit up cell phones capturing the performances instead of the people watching them with their own eyes!

Thankfully the Arsenal staff will look at the complete performance for each individual — both with and without the ball and also when the match day cameras are panning elsewhere and we don't see.

On a night when Burnley played some outstanding football to lead 3 - 0 at half time, with the game ending 3 - 1, Kavanagh had an easy night in front of the television cameras with his performance earning him a RATE THE REF rating of 98.00 out of 100, a figure which, being his only Burnley game, sees him firmly at the top of the table.

The president was pleased with deputy press secretary Sarah Huckabee Sanders» performance on Friday, when she first filled in for Spicer on camera during the midday briefing.

Jared Leto of Thirty Seconds to Mars offered a tribute to two rock singers who committed suicide this year — Chester Bennington of Linkin Park and Chris Cornell of Soundgarden — before putting on a trippy performance with thermal cameras.

For each of these events, the team compared the bot's performance both with and without wings, and with its wings flapping or still, all while measuring performance with accelerometers and cameras.

The next day I communicated with Shrishteee, she was so good that made me cum in a less than ten minutes only by listening to her voice and looking at her performance in front of the camera.

I spend most of my time traveling and performing with a professional performance / makeup group, and its rare for a camera to be around after i shower it all off and slip into a pair of jeans and t - shirt.

Nagpur singles in india straightforward, emotional, easy to trust and get along with why would anyone right mind want old lenses shiny new high - performance dslr or mirrorless camera?

With hardly any score, very few tricky camera techniques, and little to no action, Imperial Dreams relies solely on the performances to carry the story along.

I think the marketing department really got it wrong with this poster, and a lot of people were looking for more action as a result, but what the complainers missed was a strong performance by George Clooney (complemented by actors unknown in North America) and a minimalist approach to music and dialogue that allowed the camera to do the talking.

Maybe that's why the Australian actress» return to her career - making, Oscar - nominated role doesn't seem quite the event Working Title would like it to be, even with Geoffrey Rush reprising his performance as spymaster Walsingham and India's Shekhar Kapur back behind the camera.

The scene in which defines her amazing performance is one in which she pours out pure emotion whilst sharing a mud bath with her father — one in which the camera stays with her for what seems like three to four minutes, without cutting or moving, and her delivering a multi-page monologue.

Trank feels more at home just pointing the camera and recording things, as it seems he can't be concerned with getting solid performances from his actors or stringing together a coherent movie.

A strong contender is emerging in the shape of Eran Creevy, who made a storming debut with the microbudget «Shifty» a few years ago, a low - key drama that featured top - notch performances from Daniel Mays and Riz Ahmed, and oodles of filmmaking talent behind the camera.

The cinematography is sumptuous, whether in the live concert or in the staged performances, with smooth camera movements and transitions that accentuate the mood and feeling of each of the songs quite well.

The technical bits of the movie, such as the camera trying really hard to be creative with oddly framed shots, are as bad as the script and performances.

Though it's possible the reason Sam Rockwell and Rosemarie DeWitt's performances are so mediocre is because they could never figure out what Kenan was doing with the camera.

It accomplishes its job in a smooth, cool manner with showy performances, the economy of TV - style camera set - ups and a touch of rap on its soundtrack.

Blu - ray: o Feature Film (HD) o Concert Dance - Off (HD)-- Justin and his crew showcase their incredible dance moves o Favorite Girl (HD)-- Live performance from Madison Square Garden o Giving Back (HD)-- An extended look at Justin's team surprising lucky fans with free concert tickets o R.I.P. Hair Flip (HD)-- The cameras were rolling when Justin cut his famous hair

With stunning cinematography and camera movement and one of the best leading male performances of the year (FLF or not), this is one of Brazil's finest films this decade.

If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed of scattered nuggets of actual wisdom, not just the kind you get from leaning on coming - of - age clichés (I'm especially fond of dying writer Jeremy Irons's frantic search for what he considers one of his finest pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use of Nina Simone is as uninspired here as the use of Edith Piaf is at the end of The Dreamers), and fizzling payoffs.

Well, he really found it in 2012 during the «21 Jump Street» reboot, where the cardboard cut - out with matinee idol good looks suddenly came alive in front of the camera with an inspired and lovable comic performance.

But the 1996 Emma seems to take itself dreadfully seriously, even as the actors are giving broad, emphatic performances underlined with bombastic music cues and a lunging camera.

Hong Sang - soo, whose recent film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the title role and Kim Min - hee, who worked with the director in three of his films, in the role of youthful Manhee.

The director's job is not only to guide the performance, but also to guide the performance toward story and also to guide the performance toward synchronization with the camera.

Boogie Nights is one of the best films of the 1990s, riddled with amazing acting performances and beautiful, more or less obvious homages to the movies which motivated Anderson to grab a camera in the first place.

Kaurismäki play these interviews slowly and seriously, with Sherwan Haji giving Khaled's account of his ordeals in long takes, the camera holding on his largely expressionless, unblinking face (the actor gives a terrifically affecting performance throughout, faultlessly low - key and entirely uningratiating).

While Hawke's other filmmaking endeavors (Chelsea Walls, The Hottest Scene) has been similarly produced outside of the big studios and with muted commercial prospects, he has retained star power on the opposite side of the camera with performances in big wide release films, from Training Day to Daybreakers to The Purge.

This is where Baker locates the unlikely encounter of 21 year - old Jane (Dree Hemingway, daughter of Mariel), a girl who struts about in hot pants under the California sun and makes a living selling her youth to the camera, and 85 year - old Sadie (an arresting performance by newcomer Besedka Johnson) who survives her state of invisibility as a senior by being a cantankerous recluse with a taste for bingo.

With its masterfully executed scenes of horror, voluptuous camera work, and passionate score, Dressed to Kill is a veritable symphony of terror, enhanced by vivid performances by Angie Dickinson, Michael Caine, and Nancy Allen.

If White had been mugging to the camera right along with Tommy Davidson, Arsenio Hall, and the other actors that fill out the cast with over-the-top performances, the movie would have been a trainwreck.

At various points they are each effective, especially Morton, who brings real dignity to her performance, but again it's like they're acting in a theater and projecting to the back row, not performing with a camera two feet away from their faces.

Unlike the other guilds and their awards, it's difficult to impress the WGA with a dramatic performance or a clever camera angle because the organization is only concerned with quality writing.

Three years later, he was back behind the camera again with another Boston - set crime thriller, «The Town,» in which he also gives one of his best performances.

So it's apples and anvils, and yet there is one movie I could curl up with for a long, long time, in dark sybaritic contentment, and that's Paul Thomas Anderson's «Phantom Thread» — a love story and a power play made with subtle but outrageously generous attention to craft, onscreen and behind the camera, in its performances and in the rich, hermetic world it creates.

But Red Sparrow's woman problem is less with Dominika herself and more with how she is presented, how she is captured by the camera and how perfunctory is her performance of agency (separating here the character's agency from Jennifer Lawrence's as a performer).

With The Outlaw Josey Wales, Clint maintains a presence behind the camera that is on par to his performance in front of it, with little in the way of frills yet undeniable strength throughWith The Outlaw Josey Wales, Clint maintains a presence behind the camera that is on par to his performance in front of it, with little in the way of frills yet undeniable strength throughwith little in the way of frills yet undeniable strength throughout.

For its smart, honest storytelling and strong performances (particularly from Ronan and Metcalf), the film suffers some significant pacing problems with it lurching between acts in an at times ungraceful manner, the aftershock of Gerwig finding her footing behind the camera.

The depressing statistics don't take away from the great work those women are doing behind the camera, nor does it subtract from the excellent performances in front of the camera by current Emmy nominees like Viola Davis of How to Get Away with Murder, Taraji P. Henson of Empire, Elisabeth Moss of Mad Men, Amy Poehler of Parks and Recreation, Jessica Lange of American Horror Story or any of the other women who are up for awards tonight.

by Walter Chaw John Hough's cult favourite The Watcher in the Woods is a movie about how a camera presents a point - of - view and of how that point - of - view, if it's not attached to a specific identity, can become menacingly voyeuristic; shame that The Watcher in the Woods isn't also about a story with characters in whom you're interested and performances that don't set teeth on edge.

From this point forward, Lindon's performance is nearly silent, yet still deeply expressive, as Thierry spends his days monitoring video cameras, detaining shoplifters, and looking more and more uneasy with his new position representing The Man.

There are a couple of CGI shots that look a little plasticky, the director's TV background is noticeable in his occasionally mundane choice of camera angles and the action might be undercut with humour a little too often, but these minor niggles are more than countered with some first - rate fight dynamics, effortlessly pithy badinage and top - drawer performances.

The Kingdom manages to work because, the director, Peter Berg expertly captures the moment with vivid camera shots and gets great performances from his cast.