Sentences with phrase «with certain audiences»

But it does have Siri, who's popular with certain audiences, and the right components and features to provide high - quality audio, giving it a good chance to stay the pace or come out on top of the competition.

Specificity may be successful in resonating with certain audiences.

Whether a company is acting as a middleman and connecting industries with certain audiences or directly interacting with its own target market to create effective, personalized content, niches are constantly being revealed.

If you've already written the book, you can still improve your sales dramatically, but rarely as much as you could have if you wrote a book with a certain audience in mind — an audience you understand and respect.

Months before he rolled out his little - noticed bill, Inglis collaborated with renowned conservative economist Art Laffer to give his ideas credibility with a certain audience.

Not exact matches

Starting with the best days for total engagement, this can tell you when to maybe bump up your sharing schedule on a certain day to take advantage of a more fully engaged audience.

And when she wants to expand a certain area of her business, as she did with her U.S. sales, she connects with influencers who speak directly to the audience she needs to reach.

By integrating an all - encompassing digital marketing approach which includes social media, PR, and blogging alongside a stellar site and additional marketing collateral, you'll be certain to gain momentum with the proper audience and get noticed by the audience you have a desire to reach!

While good writers get the facts right, great content writers emotionally engage their audience while emphasizing facts with certain words that set off «emotional alarms.»

For example, some content may be interchangeable with templates that allow you to use a core of content and then customize for a certain industry audience.

Whether you agreed with him or not he always treated his audience with a certain level of respect and I respect him for that.

«This is intimate.If this is truly my maker, and I have an audience with this guy in the way that Christianity claims I do, am I limited to a certain conversation?

The system, the team says, «builds on the construct that when paying attention at a concert it is possible to see performers» expressions; a guitarist playing a solo and reaching a peak at a certain point of it; a bass guitar player following with his face the lines played; a drummer making accents with the whole body; and in addition to this, the audience responding to the performance.»

Instead, they spoke in front of the audience, engaging us with their body language and moving across the room to emphasize certain points.

She works directly with you to design a program topic and length that is certain to resonate with your audience.

com, or you're planning to open one soon, it's certain that some amount of homework will equip any crafter with improved knowledge of their unique niche, value, and target audience.

The blog section is particularly helpful when you're looking to share a certain experience with a larger audience without having to make a great deal of effort.

Visit places that allow like — minded people to interact with each other: When you're looking for a person that possesses certain qualities, you need to visit places that attract such audiences.

Knaggs» character, a mute seaman, narrates the film's key sections with an internal voice - over monologue that is more hissed than spoken, leading the audience down all manner of strange psychological paths around the script's action; Knaggs» seaman ultimately rescues the hero from near - certain death.

Some of the people that get wasted ruin the humor with certain acts that narrows the appeal to a smaller audience of people that enjoy seeing drunk people doing their thing.

«The Five - Year Engagement» flirts with ideas both substantive and radical, and is likely — in its own easy, shambling way — to satisfy a certain baseline entertainment quotient for forgiving general audiences.

When I first started writing it, the movie was meant to confront the audience a little bit more, with the justified fear of being black in certain situations in this country.

In the meantime there are multiple stories going on with each one targeting certain audience members.

Filled with all manner of sexist, racist, xenophobic stereotypes, Deadpool runs the gamut of offensive «humor» to please the young male audience that is certain to eat up its delinquency — or at least it would be offensive if it felt like the film had any measure of relevance to it.

Lionsgate didn't muck around with getting these books to screen, and it makes a certain amount of sense — it meant the actors» ages weren't a problem, and they didn't have to worry about audience interest waning.

Another gamble taken by both Loncraine and screenwriter McKellan, is to break the fourth wall: comparatively easy to do on stage, there's a certain level of trust that one must have with a film audience that's rather hard to gain without breaking the suspension of disbelief.

I suppose he doesn't really have to worry about repeating himself to a certain extent, as many audiences in the US and other countries may not be intimately familiar with his previous works, though they certainly have been lauded by critics and film buffs alike.

And that's basically as much story as «The Better Angels» gives the audience, choosing instead to focus on mood, nature, divinity and celestial atmosphere like a certain filmmaker you might have heard of with the initials TM.

How many more times does EA have to re-invent the series before it clicks with the Wii audience, who, this top 10 list indicates, have nothing against certain types of sports games?

That being said, if you are paying attention, the script cheats its audience at times by taking the easy way out with certain characters.

... So I thought that WAGES OF FEAR could be reinterpreted for a modern audience because it dealt with certain truths.»

The film's intelligent selection of rock songs, hilarious stoner dialogue, crude jokes, and endless partying appealed to a particular audience and the film became an immediate cult hit; it was even blessed with midnight showings in certain cities.

Rather than relying on gore to put fear into the audience these films have a psychological component that messes with your mind because they often times deal with certain -LSB-...]

The longer it takes for certain events to develop, the less the payoff is, with an especially tedious concert performance where the jokes fizzle, not only for the Indian audience, but also for us as viewers.

Although Robert is a desperate character, Graham manages to balance the oddities with a certain vulnerability, thus, helping the audience to empathise and even sympathise with this tragic character.

The film starts with a certain style and visual flare as Jamie Blackley commands the screen with charm and charisma, before he unexpectedly breaks through the 4th wall, talking directly to you, the audience, Ferris Bueller style.

The action is very well shot, with everything clear and precise even as carnage ensues; certain other blockbuster filmmakers could learn a thing or two about letting the audience see what's going on without constantly shaking the camera or zooming in too closely.

They treat the characters with heartfelt respect and admiration, allowing them to stay true to their core characteristics while updating certain themes and ideas (most notably as they pertain to Smurfette and concepts of female empowerment) for today's audiences.

Certain images and ideas will stick with you, which partly explains why the film won both the Grand Jury Prize and the audience award at the 2013 Sundance Festival.

Despite its faults it «still manages to engage its audience to a certain degree with its unique premise, proficient cinematography and a breakout performance from Caleb Landry Jones that won't soon be forgotten».

But anyone can see within five minutes that this mild and dawdling picture from writer - director Ron Shelton is the sort of trifle meant for a retirement - age audience who just want to spend a pleasant and uneventful hour - and - a-half with a few name actors of a certain age.

Even as his partner, Gennaro, voices her (and the audience's) disgust with this maternal monster, Kenzie, the movie's unlikely conscience, treats her with a certain protectiveness.

Shyamalan shows a certain playfulness as a writer - director with The Visit that is both engaging and fun for the right audience.

I am absolutely certain that this movie will fail to replicate its U.S. success with more cynical European audiences and as I'm sure it has become clear I couldn't honestly recommend this film to anyone without an insult being implied.

He believes that indie studios need to develop a certain area of expertise to survive, be that a particular talent with certain genres or a proven ability to reach a particular audience.

To put it another way, while I'm more than sympathetic to Jonathan's desire to read Karen Ordahl Kupperman's book about early America before weighing in on The New World (I speak as one who read four different books about feudal Japan before writing my review of The Last Samurai a few years back), I think it's also essential to keep in mind the fact that most audiences who see the film will come to it with very little, if any, historical background, and that to a certain extent the film even asks to be read ahistorically.

We've gotten used to seeing titles with Bad BLANK as a quick way of letting audiences know what they should be expecting from certain types of movies: edgy comedy, even if the premise seems cute.

Get Out has much in common with a certain 1957 horror thriller that was re-imagined in 2004 for modern audiences, but giving that title away would spoil too much of the fun.

After Lola encounters certain strangers, the audience sees that character's ultimate fate through a series of Polaroids flashed on the screen; without giving too much away, these destinies change with certain variations in events.

One has the option of watching the film with subtitles that prompt the viewer when to throw the rice, etc.; another overlays an audio track of an actual theatre audience over the film's soundtrack to create a faux you - are - there feeling; and a third gives viewers the option to temporarily leave the film at certain junctures to watch video shot of an actual RHPS audience performing to the film.