Sentences with phrase «with cinematic artists»

They work closely with cinematic artists and audio designers in order to capture dialogue using the correct emotional tones.

She is a new host on Turner Classic Movies, hosts original content on FilmStruck (a cinephile subscription service run by the Criterion Collection and TCM,) hosts The FilmStruck Podcast, where she has conversations with cinematic artists, and is a film correspondent for Fandango.

Not exact matches

Hellman is a true artist with a vision for disorientation that carries all the way through «Road to Nowhere,» but the lasting impact of the film will be up to the individual viewer and their personal appetite for cinematic riddles.

Italian artist Frammartino creates an offbeat cinematic experiment with this film, which surprises us by refusing to play by the rules as it explores the cycles of life in rural Calabria.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Collisions, directed by award - winning Australian filmmaker and renowned artist Lynette Wallworth, who returns with her third project at Sundance as the first filmmaker to be part of the Jaunt Sundance Cinematic VR Residency Program, will play throughout the festival.

by Bill Chambers Such is the level of cinematic sophistication in Sergio Leone's Once Upon a Time in America that all of the miserable things that happen in the picture make you giddy, filling you with the joy that is basking in an artist's command of a medium.

But «The Disaster Artist» is really Franco's «Ed Wood,» a persuasively human chronicle of how the DIY cinematic catastrophe was borne out of the friendship between Wiseau and fellow frustrated actor Sestero, who meet in a San Francisco acting class and move to Los Angeles together with the shared dream of getting discovered.

With that said, Barton Fink still remains one of the strongest cinematic statements on «the plight of the artist.»

Clark used to insist that he was not an avid moviegoer, but any good artist has his antennae up, and I'm fascinated by how, if you're a film buff, the apparently - unconscious associations with cinematic trends help to ratchet up the tension in Black Christmas.

For those offended at the idea of director Roland Emmerich taking liberties with the biography of a beloved artist, consider the long cinematic tradition of this M.O. Start with «Shakespeare in Love,» which won a Best Picture Oscar for a wholly fictitious take on the Bard's love life.

It seems only right that the artist who came to fame with «sex, lies, and videotape» 30 years ago would make this particular act of cinematic revolution.

A technically perfect movie in which the Coens deploy every cinematic element at their disposal — writing, cinematography, editing, sound, performances — with the virtuosity of artists at the height of their powers.

It is said that a horror director will cast you as a victim because he admires you — or, in this case, because he admires your hypothetical camp value — but I can't help but sense some rage in the targets Mancini chooses: Set loose in La - La Land, the doll family goes on to kill unworthy pop stars (a Britney Spears look - alike), icons of cinematic change (John Waters — himself much more talented with the whole camp thing — here playing a doomed paparazzo), and pretentious, unlikely filmmakers of the 21st century (rap artist Redman, standing in for Mel Gibson -LRB-!)

It's been a couple of years now since French director Michel Hazanavicius took the cinematic world by storm with this silent cinema homage, «The Artist.»

It's a singular vision expressed by a cinematic artist who may be painting with his fingers.

«Lost in Paris» If «La La Land» and «The Artist» taught us anything, it's that a massive audience awaits movies that dare to resurrect old - fashioned cinematic forms, so long as they do it with romance and charm.

In telling the story of how Tommy Wiseau made the 2003 cinematic calamity «The Room,» James Franco — a bit of a disaster artist himself — connects with a character on screen like he never has before, and lets us see how Wiseau went from Hollywood nobody to cult legend.

Instead, it seems Shyamalan is striving to move from a scary - movie prodigy who flirts with significant themes to a substantial cinematic artist who only flirts with scares.

Artist Alberto Mielgo lifts the veil on the artwork he contributed to The Beatles: Rock Band, starting with the gorgeously rendered background used in Passion Picture's psychadelic opening cinematic.

They work closely with texture artists, cinematic artists and audio designers.

The artist simultaneously produced a rich cinematic score for the MMORPG Lime Odyssey and enjoyed recording the title with the Czech Philharmonic Orchestra.

LA - based artist Seth Armstrong crafts paintings that self - consciously capture a sense of looking, arresting moments with cinematic detail and voyeuristic curiosity.

These works, along with the artist's text based sculptural works have a cinematic affect inside gallery walls.

Artist Trish Wylie is best known for her cinematic canvases inspired by iconic Western movies, traditionally with a male cast as the lead.

Dora Budor (b. 1984, Croatia) is a New York - based artist with an interest in cinematic space.

In a spirit of cinematic dialogue with her three London exhibitions this Spring, Tacita Dean has invited Los Angeles - based curator and archivist Mark Toscano to select and present three programmes of 16 mm films by various artists, each one engaging with one of the themes of her exhibitions.

His artist statement notes that «Mindo is focused creating story based unexpected moments with touch of cinematic drama, humor and mystery.

The paintings of Caravaggio glow with a cinematic light, so it is no surprise that they stunned Rome's population when first seen in 1600 and drew admiration from artists across Europe.

In Gallery 1, US artist Amie Siegel (b1974) screens her beautifully cinematic film Provenance (2013) that deals with the sociology of design and material culture.

The films of Toronto artist Oliver Husain consistently play with cinematic languages and visual codes.

Increasingly, the artists» interdisciplinary collaborations have blurred the cinematic, the sculptural, and the performative in immersive environments that pair moving images and musical compositions with related set pieces.

Maria Lalou & Skafte Aymo - Boot, «[Un] Finished» Maria Lalou is a Greek artist focusing on the topic of view by large scale installations and performances, incorporating cinematic apparatus and surveillance as part of her tools, with references to the political of the viewer.

A pioneering artist working with sound in South Africa, James Webb often crafts cinematic and theatrical installations and masterly subtle public interventions.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

Here, she nods stylistically to a black cinematic genealogy that includes Arthur Jafa, the LA Rebellion generation, and media - artist peers interested in an emotional and empathic confrontation with the black experience as images of violence on black bodies proliferate.

Blending performance art, pop - up storybook design techniques, and a cinematic score, the Center - supported work features a series of bold visual installations and an evolving, circus - style environment created in collaboration with installation artist Steven Dufala.

Shows in NYC at Lehmann Maupin, museum shows in Washington DC at Corcoran, and a soon - to - be show at M+B Gallery in Los Angeles have the artist spreading the coast with her cinematic fine art photography.

Although Christian Sampson's installations align themselves with the minimal language of Light and Space, artists of the 1960's, his works can also be linked to early cinematic animation and handmade filmmaking experiments.

Illustrated with the artists» work, artists in their studios, and shots from Black's video interviews, Reflections: In Conversation with Today's Artists is a unique foray from the printed page into the world of the cinematic — a collage - like work of art in artists» work, artists in their studios, and shots from Black's video interviews, Reflections: In Conversation with Today's Artists is a unique foray from the printed page into the world of the cinematic — a collage - like work of art in artists in their studios, and shots from Black's video interviews, Reflections: In Conversation with Today's Artists is a unique foray from the printed page into the world of the cinematic — a collage - like work of art in Artists is a unique foray from the printed page into the world of the cinematic — a collage - like work of art in itself.

Working with a team of craftsmen, artists, and actors — and referencing a wide range of cinematic, pop - culture, and art - historical sources — del Toro recreates the lucid dreams he experienced as a child in Guadalajara, Mexico.

That's Not Me / Artists» Conversation with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 — 3 pm, IMMA Artists Rodney Graham and Gerard Byrne discuss the sculptural, cinematic, performative and humorist nature of Graham's practice, drawing attention to the multiple references layered within his work, that enable Graham to seamlessly shift into different roles, characters and contexts.

«When I first saw Boghiguian's work, I was struck by the cinematic rawness of her drawings,» says Carolyn Christov - Bakargiev, director of Italy's Castello di Rivoli Museum of Contemporary Art and artistic director of Documenta 13, who has worked closely with the artist in recent years.

Replete with mystery and intrigue, this painting is definitive of the artist's cinematic visual code; a melding of memory with imagination, landscape with dreamscape.

Robyn O'Neil is a Los Angeles - based artist with Texas roots whose labor - intensive narrative drawings have a cinematic flair with Shakespearean - like titles that add to their mystery and intrigue.

Known for her elegant filmic investigations into visual gestalts, voyeurism, and perceptual memory, as well as her creative engagement with cinematic history, Rosalind Nashashibi presents several of her experimental 16 - mm productions from the past four years, including Bachelor Machines Part 2 (2007), which borrows footage and dialogue from Alexander Kluge's 1968 film Artists Under the Big Top: Perplexed; and The Prisoner (2008), a nod to Chantal Akerman's 2000 film La Captive.

Engaging with the political ecology of oil, ice, and water, the artist interweaves vast cinematic landscapes with documentary footage, science fiction poetry, and academic findings to narrate a changing planetary reality.

Toronto artist Luis Jacob, featured in Mercer Union's discreet peephole space, connects Horton's and Breitz» cinematic sampling to DJ culture, with a videowork, titled Mirror Ball, that appropriates a Parliament Funk song.