But if we're sticking
with cinematic references, George Cukor might be more apropos.
Not exact matches
Impressively, there's no
reference at all to the Avengers, Guardians, or anyone else in the Marvel
Cinematic Universe until the post-credit scene (not to be confused
with the mid-credit scene).
I've worked
with him [on films set] in the»20s,»30s,»40s,»50s and now the»70s, and so we're
referencing those
cinematic language of the time.
Between the personal reminiscences
with which Anderson, Schwartzman, and Coppola infused the story, the shared trip to India around which it was built, the intermingling of the action
with local contingencies, and the wealth of artistic and
cinematic references from his own experience, Anderson turned The Darjeeling Limited into a virtual archive of the physical and intellectual process of its production.
Marvel's newest film, Thor: Ragnarok (directed by Taika Waititi and written by Eric Pearson, Craig Kyle and Christopher Yost), is filled to the brim
with references to Marvel Comics and, as it builds upon the history of the Marvel
Cinematic Universe, it is also filled
with references to other Marvel films.
'» Tarantino's works are self - aware texts, and even the casual viewer who may be unfamiliar
with specific
references is certainly cognizant that Tarantino is dealing in «
cinematic» situations, for which there are forerunners and precursors.
He's driven around in his limo by the still fabulous looking Edith Scob (who's worked
with some of the most thrilling directors ever to commit image to celluloid, like Franju and Zulawski), and let the
cinematic references begin.
As
with its GTA predecessors, Red Dead Redemption is at once upfront about its
cinematic influences and yet not beholden to them, using its myriad frames of
reference to produce something both familiar and unique.
Black Panther has opened up a backdoor into the Marvel
Cinematic Universe, inviting in those who have not yet been enticed and not deriding them for it
with multiple in jokes and
references.
Filtering his unique vision through a wealth of
cinematic history, his movies are filled
with endless
references and allusions to other films.
The new trailer for Deadpool 2 prominently features Josh Brolin's time - traveling Cable, but, as we've come to expect from the fourth wall - breaking Merc
with a Mouth, it's sprinkled
with references to other movies, including the actor's role in the Marvel
Cinematic Universe.
The film is loaded
with comic book
references so punctual that Deadpool even throws shade at The Avengers: Infinity War, which is only a few weeks into its barnstorming
cinematic run.
In his work, the noirish drama of Cubism and German Expressionism find their complement in techniques of
cinematic suspense,
with a femme fatale laying in bed, or a Joker - like figure overlooking a nocturnal Gotham, while modernist
references play around them like a swelling visual soundtrack.
Using actors, prop styling, and an array of lighting and post production work, Wall creates singular images that encapsulate an entire
cinematic narrative, often
with strong historical and literary
references.
She infuses her work
with fashion, literary,
cinematic, musical and historical
references to help capture the «just before» and «just after» mise - en - scène of a momentous action.
Maria Lalou & Skafte Aymo - Boot, «[Un] Finished» Maria Lalou is a Greek artist focusing on the topic of view by large scale installations and performances, incorporating
cinematic apparatus and surveillance as part of her tools,
with references to the political of the viewer.
Using cultural matter as his material - medium, he
references art, history and theory to form a spatial and temporal narrative arc made up of intercommunicating texts, combined
with an interest in the sculptural possibilities of
cinematic structures and mise en scène.
Working
with a team of craftsmen, artists, and actors — and
referencing a wide range of
cinematic, pop - culture, and art - historical sources — del Toro recreates the lucid dreams he experienced as a child in Guadalajara, Mexico.
That's Not Me / Artists» Conversation
with Rodney Graham & Gerard Byrne Saturday 25 November 2017, 2 — 3 pm, IMMA Artists Rodney Graham and Gerard Byrne discuss the sculptural,
cinematic, performative and humorist nature of Graham's practice, drawing attention to the multiple
references layered within his work, that enable Graham to seamlessly shift into different roles, characters and contexts.
Leaning heavily on pop - culture imagery combined
with cinematic, political and historic
references in order to magnify broader social truths, he was described by the New York Times» Ken Johnson as» an exceptionally imaginative satirist (who) is also an ambitious, prolific and technically impressive draftsman.
Underscoring other
references to
cinematic devices across Ruscha's oeuvre, the blushing mountain peaks that appear at the center of each canvas are framed as if in a darkened
cinematic aperture, and subtitled
with relational word groups such as in All Some None.
They are loaded
with countless
references — art - historical,
cinematic, historic, and Freudian.
They are loaded
with countless
references — art - historical,
cinematic, historic, and psychosexual.
Steven Spielberg «s visual juggernaut, «Ready Player One,» is filled to the edge of the frame
with»80s pop culture and
cinematic characters,
references, and homages.