Sentences with phrase «with classic cinema»

Not exact matches

With the film adaptation of Lee Strobel's classic The Case for Christ now in UK cinemas, Adam Brennan explains what's on offer for both Christians... More

Regal Cinemas offers its Summer Movie Express with family films for $ 1 throughout the summer, and Classic Cinemas gets in on the act with its Wednesday Morning Movie Series, which includes games and activities and visits from popular characters (and costs just a buck).

In its fifteenth year, National Amusements & Showcase Cinemas will be offering free admission to holiday classics this month with donation of a non-perishable food item.

Held in Rome, Chanel paid tribute to classic Italian cinema with a French flair for its pre-fall 2016 collection.

Guest post from Mary who blogs about all things to do with vintage and classic cinema at We Heart Vintage

Featuring independent, international cinema and old classic flicks and home to the Florida Film Festival, Enzian Theatre is an outdoor, member - supported cinema with a café known as Eden Bar.

The classic «cinema date» is becoming increasingly expensive, with some tickets now over # 10 each.

I am romantic, responsible, confident, kind, cheerful, optimistic, sociable, purposeful My eyes are Brown My hair is Brown medium.Likes: Music: disco, popular; Books: detectives, classics, newspapers and magazines; Cuisine: Russian, Japanese.Hobbies: meeting with friends, cinema, discos, parks, concerts, night clubs, volleyball, dancing, swimming, travelling.

From A Trip to the Moon (1902) to Arrival (2016), science fiction cinema has produced a body of classics with a broader range of styles, stories, and subject matter than perhaps any other film genre.

The remake of a remake all started with the cinema classic Seven Samurai that is directed by iconic Japanese filmmaker Akira Kurosawa which was then translated into a western back in 1960 directed by -LSB-...]

I tend to associate the Criterion Collection with exemplary releases of classics from Hollywood (like the recent Blu - ray of John Ford's Young Mr. Lincoln) and international cinema (like Carl Theodor Dreyer's Vampyr).

All of this is a shame, because the seeds of a conceptually daring project are present here: a mainstream Hollywood special - effects action extravaganza retelling a classic Japanese legend with a cast made up mostly of Japanese actors, many of them mainstays in the country's contemporary cinema, and all of whom are allowed to occasionally take the spotlight away from its more widely known marquee star.

Since then, the zombie movie has been a staple at the cinema and at home, with offerings ranging from the totally»80s classic Night of the Comet to the biggest box office zombie flick yet, World War Z. Because there are only so many ways to serve up brains, and with TV's The Walking Dead doing an excellent job of that on a regular basis, filmmakers are taking unique approaches to zombies and treating them as characters, not just mindless threats.

Guillermo del Toro returns to his roots with a sumptuous horror steeped in 19th - century fiction and classic cinema

Bertolucci cuts these scenes with clips from a wonderful selection of classic cinema: Garbo memorizing her room in Queen Christina, Nadine Nortier's suicide in Bresson's Mouchette, Fred Astaire waking Ginger Rogers in Top Hat, Odile, Arthur, and Franz's sprint through the Louvre in Bande á part, and so on — asking his young actors to mimic these scenes in motions that are part trance, part tango.

The cinemas are alive with The Sound of Music once more as the classic musical returns to the big screen.

If you're looking for something different to watch or want to reflect on a classic piece of American cinema, you can't go wrong with The Last Picture Show.

Directed with the equal energy by British director John Hough, whose lean, high - powered action scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed cinema, where car chase and stunt films were really about rubber hitting — and leaving — the road.

I think the release is later than expected for two reasons, firstly Sony Pictures Classics now have a trilogy of films coming out over the summer with this, the new Almodovar film and Before Midnight hitting cinemas in May and June respectively.

Director Brad Peyton and star Dwayne Johnson's latest collaboration Rampage smashes its way into UK cinemas today, and ahead of its release, Flickering Myth's Thomas Harris caught up with the filmmaker to discuss his adaptation of the classic arcade game, employing motion capture technology, and whether he's interested in a sequel.

I Wake Up Screaming (Kino Lorber, Blu - ray)(1941), with a swaggering Victor Mature and a demure Betty Grable, is not just one of the great movie titles of classic cinema, it is one of the films that established the distinctive style and attitude of film noir.

Filled with armored brutes, vicious aliens, and devilish bosses, the world of Speed Brawl captures the humor and over-the-top action of»80s cult classic cinema.

Add Nicholson at his most essential, along with a young Faye Dunaway and an aging John Huston, and this is truly one of the classics of American cinema.).

by H.G. Lewis; «Two Thousand Maniacs Can't be Wrong» filmmaker Tim Sullivan on H.G. Lewis» gore classic; «Hickspoitation: Confidential» visual essay on the depiction of the American South in exploitation cinema; «David Friedman: The Gentlemen's Smut Peddler» tribute to legendary producer David F. Friedman featuring interviews with H.G. Lewis, filmmakers Fred Olen Ray and Tim Sullivan and editor Bob Murawski; «Herschell's Art of Advertising» in which Lewis shares his expert opinion on the art of selling movies; «Two Thousand Maniacs!»

The rest are of the supplements are just grace notes: a relaxed interview with actor Rod Taylor, a tribute to «The Original Inglorious Bastards» with director Enzo Castellari and actor Bo Svenson (who both make cameo's in QT's film), a mock - featurette on «The Making of Nation's Pride» (with the performers all in character — Eli Roth has a blast playing the sneering autocratic German auteur of this «lost» classic of Nazi propaganda cinema) and montages showing the playfulness of QT and his cast and crew on the set.

By turns nostalgic for a bygone period in cinema — that of the classic John Wayne shoot - em - up — and hungry to forge new frontiers with a riveting story that, while not categorically unpredictable, explores boundaries few films bother exploring anymore.

It's not often that one thinks about old - fashioned values when viewing independent cinema, but Theresa Connelly has adeptly combined classic Hollywood romanticism with a fresh and vital look at love and blood ties that manages to spark such a response.

An African American director casting one of the greatest African American movie stars as a «classic» western hero, just as President Obama prepares to ride off into the sunset (while mainstream cinema struggles to catch up with the racial diversity of the US) is a recipe for bold imagery.

Played by the great Isaac Hayes, The Duke of New York is cinema's true O.G. villain, inspiring a decade of»90s gansta rap videos featuring hot rides upgraded with The Duke's costume hydrolics, and even sporting a memorable facial twitch reminiscent of the classic Bond villains.

With its abundant action, spectacular desert locales, and emphasis on honor, valor, and redemption, the story's a natural for the big screen, and the 1939 version, starring John Clements and Ralph Richardson, is widely regarded as a classic of the British cinema.

Though I wish the picture quality was stronger, this loaded platter is still easy to recommend to anyone with an appetite for classic cinema.

Moviemaker Sam Raimi is aiming to scare a whole new generation of cinema audiences - he's remaking 1982 horror classic Poltergeist with director Tobe...

Lam's «On Fire» movies are classics of Hong Kong cinema and hugely influential around the world and while Lam, like may old guard directors, seems to be struggling a bit with how to best employ modern technology and techniques his signature style is still on full display here.

Horror is hot on television right now, with networks like A&E and NBC taking classic scary - cinema offerings like Psycho and Silence of the Lambs and converting them into successful series.

There's no better time of year for fans of classic cinema, no better place to watch classic films than movie palaces like the Chinese and Egyptian Theatres in the heart of Hollywood, and no better audiences to watch films with hundreds of people who love the classics as much as you do.

James Whale's 1931 film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen adaptations both faithful (Danny Boyle's stage version, with Benedict Cumberbatch -LRB-...)

A vast library of carefully curated film collections offers an opportunity to catch up with auteur filmographies, cult classics and independent and world cinema gems.

Pure cinema magic for all the family: Spielberg looks to be on classic, twinkly form, with trailers and posters highlighting the charming, chocolate - box fairytale aspects of the production.

Held over four days, in five cinemas within Marrickville's Factory Theatre, SUFF opened with Todd Solondz's Weiner - Dog (2016) and closed with a remastered, restored and re-released Waters classic: Multiple Maniacs (1970).

The hype Pure cinema magic for all the family: Spielberg looks to be on classic, twinkly form, with trailers and posters highlighting the charming, chocolate - box fairytale aspects of the production.

Brandon's love of movies grew from the weekly trips to the theater with his father and exposure to the classic cinema at a young age.

The Long Hair of Death (Raro, Blu - ray, DVD)-- Raro Video, the American arm of an Italian home video company, is one of only a couple of disc labels with a tightly - defined mission, in this case a focus on classics of Italian cinema that ranges from auteur masterworks to genre landmarks and cult items.

This is easily the most sentimental movie Del Toro has ever written and directed; besides an unconventional love story, The Shape Of Water is one of those gushing valentines to the cinema, complete with scenes set in a classic movie palace and lots of lovingly lavish throwback period detail.

Now restructured into two acts with an intermission, Alexander: Revisited is an epic of filmmaking in the manner of such cinema classics as Lawrence of Arabia and Gone with the Wind.

The film opens with an authentic recreation of a vintage newsreel and its admiration of classic cinema doesn't end there.

Read his essays on classic, cult, and contemporary cinema at gatewaycinephile.com and follow along with his film addiction at letterboxd.com/awyatt76/.

Even in fine Christmas season films from the US, Santa Claus has been tarnished with a cynical brush that paints him as a rather desperate loser or out - and - out nutcase — Gene Hackman's undercover cop Santa in William Friedkin's The French Connection (1970); Dan Aykroyd's smashed Santa in John Landis» Trading Places (1983); and the one - two combination of cinema's worst shopping mall Santas, Jeff Gillen in Bob Clark's A Christmas Story (1983) and Billy Bob Thornton in Terry Zwigoff's bad - taste, big - heart classic Bad Santa (2003).

Meyers is in her element when the movie plays like classic narrative cinema, unafraid to go for the corny sentiment that she does with more conviction than the attempts at zeitgeist comedy.

From the so called Package, a weekly update of content privately distributed in Cuba, which include a Classics section, I picked out Andrzej Wajda's Czlowiek z źelaza (Man of Iron, 1981), a quintessential piece of auteur cinema, blending fiction and facts in an unprecedented and maybe never again possible way, all suffused with romanticism.

James Whale's 1931 film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen adaptations both faithful (Danny Boyle's stage version, with Benedict Cumberbatch and Jonny Lee Miller alternating roles) and freestyle (I, Frankenstein, Penny Dreadful's heady stew, Paul McGuigan's Victor Frankenstein); even Ex Machina could be seen as an AI - themed retelling of the Frankenstein story.