Sentences with phrase «with classicists»

Komada has two knit pieces and six painting - knitting hybrids at Prole Drift this month (amid a few scattered orchids and a tacked - up printout of the Lou Reed / John Cale song «Trouble with Classicists,» too), and he's transformed the gallery's back room into a high - tech open studio where he works during certain gallery hours.

This is territory for Hesse, Benglis, Kiki Smith, or Robert Gober, but with a classicist's marble and bronze in place of latex and threads.

Not exact matches

It is because de Gaulle's presidency stands as a golden age in the classicist mind that the most visible classicist, Éric Zemmour, begins his narrative of decline, The French Suicide, with a long and sonorous description of the general's funeral in 1970.

Then the psychedelic path will lead over the bridge of cybernation; and with Herbert Marcuse as guru emeritus, Norman O. Brown as classicist in residence, and William F. Buckley, Jr., as anti-utopian court jester, we will establish the new - consciousness Camelot, telling the little ones tales of old Greenwich Village, the Haight, Millbrook, the Peanut Butter Conspiracy, of all the lotus - eating cadres of the leisure class....

Assassins of Memory by Pierre Vidal - Naquet, a French classicist, contains shrewd and learned dissections of the denial literature, with special attention to its rhetorical devices and deceptions.

Peter Levi, the classicist and poet (and former Jesuit), echoes this view when he observes that Shakespeare's «personal religion, so far as his plays reveal it» which is not very far» seems to have been something like Montaigne's with a touch of neo «Platonism....

To find out, Brian Dermody, an environmental scientist from Utrecht University, teamed up with hydrologists from the Netherlands and classicists at Stanford University in the US.

The date they came up with fits the time most scholars think the «Iliad» was compiled, so the paper, published in the journal Bioessays, won't have classicists in a snit.

«I'd call my clothes classic — I'm really a classicist at heart — with a bit of madness!»

Moralioglu, a self - confessed classicist known for the rich narratives behind his collections, bought the portrait at an auction last month, and it couldn't be more indicative of the space he has carved out as a go - to for old - world elegance in a market that is increasingly crowded with an athletic, hyper - branded aesthetic.

For that first chunk of the film, this traditional, classicist director is flirting with a very experimental notion — the kind of «action as characterization» storytelling that The Hurt Locker went almost all the way with last summer.

But where Hong relentlessly deconstructs his narratives, laying bare their artifices and exposing the lonely needs that drive us to invent them, Bogdanovich the classicist is content to faithfully recreate the form of the old (his zooms are subtle and patient, not Hong's wild, drunken lurches), with nothing but a sly wink to the audience to remind us of the precariousness of our ideals.

Photographed as if through a filter of golden light and infused with the mad ambition of old - school epics, it's a classicist's dream come true — with plenty of eye candy for the RPattz fans, assuming they like burly beards.

But in the late»60s, Chabrol emerged as a magisterially accomplished classicist, with an unbroken string of masterpieces that established him as one of the world's finest directors.

A Most Violent Year (J.C. Chandor, 2014) Chandor is fast becoming a fascinating blend of classicist with a cynical postmodern eye.

According to our Tribeca review from Rodrigo Perez, the film «is vignette - driven, but also classicist in structure,» with an effectiveness at «mining the comedy in dreariness» that's as reminiscent of «Office Space» as it is of Altman.

She holds Ph.D.'s in classics and government, is an opinion columnist for The Washington Post, and received a MacArthur Fellowship for her «ability to combine the classicist's careful attention to texts and language with the political theorist's sophisticated and informed engagement.»

In 2002 she was awarded a MacArthur Fellowship for her «ability to combine the classicist's careful attention to texts and language with the political theorist's sophisticated and informed engagement.»

1) She is a classicist who believes that educated people should be familiar with the common core of generally - accepted literary classics.

The official capital city, Warsaw, sits on the Vistula River, boasting a wonderfully restored Old Town designed in the style of Canaletto's classicist paintings, with almost every building dated to the post-war era.

Oktyabrskaya station by Leonid Polyakov was built like a Classicist temple, with a shiny white - blue altar behind iron gates — a complete departure from prewar atheism.

The European side begins with works by two artists not widely appreciated today: Puvis de Chavannes, the eccentric classicist then much admired by avant - gardists, and a big, strange, multifigured allegorical scene by the British painter Augustus John.

Taaffe met with Charles Stein — the eminent American poet, musician, and classicist — to discuss the intricacies of his process and recent images in all their richness and complexity.

[13][14] He has shown with avant - garde favorites and reactionary classicists including Lisa Yuskavage and Walton Ford.

It may be that the passage of time has given us a clearer way to see and think about the movement, and Carone, one of Abstract Expressionism's classicists, provides us with textbook examples.

Along with Colville he is one of the greatest classicists of contemporary Canadian PAINTING.

With all the Abstract Classicist paintings, the balanced geometric forms appear spare and refined, enriched by vivid colors of oil paint.

The Abstract Classicists, in fact, preceded the Minimalists by two or three years — with the primary exceptions of Burgoyne Diller and Ad Reinhardt.

While Feitelson had been independently experimenting with «the hard - edge» since the 1940s, the term sprung from Jules Langsner's 1959 «Four Abstract Classicists» show at LACMA.

The teeming mythosphere of Baer's paintings, in which familiar and arcane spectres rub shoulders, offers an apt analogy for a show I will curate in March with fellow classicist Ruth Allen, «CLASSICICITY», juxtaposing contemporary and ancient art.

In 2011, the Contemporary Art Club (CAC) in cooperation with the Kunsthistorisches Museum Wien (KHM, Museum of Fine Arts Vienna), organised an exhibition series at the Theseustemple, a classicist building constructed at the beginning of the 19th century in Vienna's Volksgarten.

Switching styles with Picasso-esque insouciance, he goes from being a wild abstract expressionist at the start of the decade to a precise classicist at the end.

She moved, specifically, from classicist drawings of hands to textile works — a self - defined style of «drawing with a sewing machine» in which she sometimes used materials bequeathed by her mother, and explored the Greek myth of Medea, the mother who killed her children after her husband betrayed her — to, later, collage works, or «drawing with scissors».

His death came just a few days after an exhibition at the Dulwich Picture Gallery placed his work alongside the French classicist Nicolas Poussin, an indication of the esteem to which his abstract style is held by even those with more traditional tastes.

The web of scaffolding that interpenetrates the building recalls another ardent Classicist, Piranesi, whose 18th - century «Carceri» (Prisons) prints depict vast, labyrinthine, multi-level spaces with crisscrossing stairways.

Likewise Joseph, regarding himself as a classicist, considers the association with minimalism unconvincing, citing early Venetian and Florentine painting as a more appropriate touchstone.

Leighton, along with the lesser known classicist Albert Moore (1841 - 93), also exemplified the creative philosophy of the 19th century Aestheticism movement.

But he rose to fame in 1959 - 60 with «Four Abstract Classicists.»

Hammersley was dubbed a «hard edge» artist, first gaining critical attention in the landmark 1959 «Four Abstract Classicists» exhibition along with Karl Benjamin, Lorser Feitelson, and John McLaughlin.

With a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee's other work, this is the quintessential introduction to her astonishing and complex oeuvre.