Sentences with phrase «with commercial cinema»

Scholar Jeff Smith dives into this critically acclaimed gem in the latest episode of Observations on Film Art, exploring its playful experimentation with genre conventions and what it reveals about Altman's love - hate relationship with commercial cinema.

Not exact matches

After a stellar career in student drama at Oxford, he had joined the BBC, but he was soon also writing film criticism and, in 1956, was one of the founders, along with Karel Reisz and Lindsay Anderson, of the Free Cinema movement, espousing a cinema free of commercial and political constraints and using a personal style to capture working - class life and popular culture, which had been ignored by traditional British cinema.

We like to imagine Hollywood as a precision machine, with every million - dollar decision motivated by an enlightened blend of business savvy and artistic intent, while auteurs and producers battle it out in the honest assumption that their conflicts will create masterpieces of commercial cinema.

But the New Realism movement has often been compared to the pop art movement in New York for their use and critique of mass - produced commercial objects (Villeglé's ripped cinema posters, Arman's collections of detritus and trash), although Nouveau Réalisme maintained closer ties with Dada than with pop art.

It is in reality an experimental space at the margins of a much bigger culture of the moving image — a place for talented film - makers to mess around with a freedom they could never enjoy in commercial cinema or mainstream television, but which the true artists among them hunger to apply in those bigger, more important arenas.

Experience reference - grade theater sound, with a coherent soundstage, pinpoint imaging, superb detail and sonic transparency exceeding even the finest commercial cinemas.