Sentences with phrase «with conceptual ideas»

Formal issues of line, surface and color intermingle with conceptual ideas of sacred space, solitude, spirituality, the passage of time and of leaving one's mark.

The raw aesthetic of Cass Corridor art also seemed most in tune with the conceptual ideas and attitudes of artists such as Eva Hesse, Tony Smith, Mark di Suvero, and Robert Rauschenberg, who used unconventional materials and produced unorthodox assemblages.

After a year or so of working with our Olde English Bulldogge breeding program, in 1995 we with a friend came up with the conceptual idea of founding and establishing the world's first breed specific registry for Olde English Bulldogges, where all Olde English Bulldogges regardless of bloodline could be recognized.

Not exact matches

While the concept of the semantic tree may only be familiar to those with a computer science background (here's a pretty good basic explainer from Quora, if you're interested), the gist of Musk's advice should be clear to anyone: don't wade into the weeds of a subject before you have a conceptual framework — the main ideas and debates at the heart of the discipline — mastered.

They will be there not only to contribute conceptual ideas but also to help you present users with an experience that is efficient and pleasant from a user flow, navigation, and technical perspective.

Altizer betrays his assumption of a metaphysics when he states, «Hegel's central idea of kenosis, or the universal and dialectical process of the self - negation of being, provided me with a conceptual route to a consistently kenotic or self - emptying understanding of the Incarnation, an understanding which I believe has been given a full visionary expression in the work of William Blake.»

The truth of these conceptual connections is to be tested by their adequacy to our experience, their coherence, their consistency with our other ideas, and, as we shall see, by their consequences.

The conceptual chapters then show that many values and ideas that are usually associated with R2P can be found within the religious and philosophical discourse in the global south.

Snyder is experimenting with grander ideas, such as enhancing creativity by turning down our conceptual abilities.

Candidates with strong leadership experience, a broad range of technical skills and a track record in translating conceptual ideas into working prototypes will be strongly considered.

But making sure to distinguish the value of the present moment, whatever it may be, from your conceptual idea of «the ideal experience» may help you to roll with the punches.

The books in our Uncovering Student Ideas (USI) series provide teachers with the content specific tools they need to bring about conceptual change.

This painting is very superficial with the perspective, with the illusion, to get you into the layers of the image, to the conceptual part, to the idea of the land and what has happened there.

Except I learned within a year of doing my installation that Marcel Broodthaers, among a handful of other conceptual artists, had beat me to the punch with a series of 1970s installations very like my own, so I clearly wasn't the first to come up with the idea.

Minimalism also fought Greenberg's orthodoxy at the same time as conceptual art — by rejecting the Modernist idea of painting and instead working with industrial materials — but contained the dialogue within the gallery system.

Working with what her immediate environment provides — an enhanced photograph of her cat, a shot of a floral textile dotted with painted embellishments, an image of a broken unidentifiable object overlaid with washes of color — she visually renders the conceptual idea of free association.

Several of these artists engage with strategies of conceptual art, addressing themes about contemporary experiences such as technology and the internet, notions of migration, local and mainstream cultures, or ideas of representation.

Many contemporary approaches to conceptual art have become nearly synonymous with vastness, and at times just as romantic, in the sense that the experience of an idea is expected to operate on a scale of largeness, and infinitude.

Opening: «Tauba Auerbach: Projective Instrument» at Paula Cooper Gallery A conceptual artist who mixes process abstraction with philosophical ideas across a variety of media, Tauba Auerbach returns to the Paula Cooper for her second solo show featuring new paintings, sculptures and a special project in the gallery's bookstore.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

Each painting, a fearless experiment, deals with personal aspects of the self through a process - oriented approach that abandons any conceptual idea.

Other artists brought geometric shapes into three dimensions as sculpture, with Sol LeWitt's cubic stacks being expressions of conceptual - art ideas, Dan Flavin's fluorescent - light arrangements functioning as paragons of Minimalism, and Richard Tuttle's scrappy arrangements recalling the playfullness of El Lissitzky.

Neo-Dadaists like John Cage, Robert Rauschenberg, and Jasper Johns rallied for idea - based art, and in 1967 Minimalist Sol LeWitt published what many regard as a Conceptualist manifesto, «Paragraphs on Conceptual Art,» in which he claimed, «It is the process of conception and realization with which the artist is concerned.»

As a conceptual artist, he is primarily concerned with ideas.

No one captured the isolation of the individual within the modern city like Edward did with his paintings [10] and these artworks were, in many ways, responsible for paving the conceptual road towards Abstract Expressionism, bridging its ideas with the concepts of the contemporary Ashcan School.

Reeder also pokes fun at minimalist and conceptual artists with abstract, crumpled forms rendered in aluminum that dot the floor of the gallery — evocative of John Chamberlain or Frank Gehry's sculptures — entitled Bad Ideas.

Using a classic Conceptual strategy - i.e., a limited, predetermined set of ideas or conditions in which to execute a work - she reconsiders the nature of visual perception through an engagement with everyday objects and situations...

The radical shift in art making is that for years, the conceptual strategy was to fancy - up ideas with tools from the aesthetic toolbox, but Riedel's system takes tools from the conceptual toolbox as strategies to create an aesthetic body of work.

Marioni allied himself with artists of his generation in San Francisco such as Fox, Howard Fried, Paul Kos (MATRIX 36) and Bonnie Sherk, who, as conceptual / performance / video artists were primarily concerned with the art process or idea while de-emphasizing the art object.

In each artwork, Friedman deconstructs both an idea and a material to its absolute core, re-building it into a sculptural or artistic form with both comic and conceptual genius.

With its idea that humble «poor» everyday materials — both natural and man - made — can be transformed into powerful, evocative works of art, Arte Povera transformed the landscape and language of contemporary art in the late 1960s and 70s and has become one of the most influential art movements of the past half century, exerting a profound impact on art around the world, including conceptual art, minimalism and the YBAs.

In his seminal 1967 text «Paragraphs on Conceptual Art,» Sol LeWitt wrote, «No matter what form [a work] may finally have it must begin with an idea.

Latham, sculptor, conceptual artist and intellectual provocateur died in 2006, but his reputation seems to be getting ever stronger as a younger generation of artists catch up with his ideas.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

According to Pan, her paintings begin with openness — a space to explore conceptual ideas of memory, experience and emotion.

Pop Art made the art world desirable to the general public, but this admiration constricted during the»60s, with the ascendant asceticism of Conceptual art and Minimalism, which called into question the whole idea of art as something to look at.

In the late 1970s, encouraged by Jaar with whom he collaborated closely, Fonseca began to experiment with ideas influenced by conceptual art.

His work centers on four groups of work — conceptual games with historic textiles; visual games; dexterity games; and gaming with ideas about art.

(In the 1990s, under the alias of his organization, the GALA Corporation, he worked props into the TV show Melrose Place in collaboration with the series» writers, as a conceptual work about how ideas get disseminated.)

The idea of The Golden Tower first began in 1976 and was developed with numerous conceptual studies throughout the artist's career.

The members of General Idea were key figures in the 1970 - 80s conceptual art scenes and, with equal parts humor and criticality, created work across a variety of mediums and platforms.

While they may or may not term themselves «conceptual artists», ideas such as anti-commodification, social and / or political critique, and ideas / information as medium continue to be aspects of contemporary art, especially among artists working with installation art, performance art, net.art and electronic / digital art.

His ideas remained timely for modern conceptual artists, among them Vito Acconci (American, 1940 - 2017) and Bruce Nauman (American, born 1941), who began working with issues of time, sequence, and motion during the 1960s, sometimes making series of pictures of the human body, just as Muybridge had done.

I prefer working with a subject for more conceptual ideas.

Hank Willis Thomas (New York) is a conceptual artist working with ideas of identity, history and race, appropriating language and images from the civil rights movement and changing their meaning to expose stereotypes.

The Conceptual Art book is also a comprehensive overview of the revolution that took place when a whole generation of artists experimented with the idea of art as an idea.

He also considers the validity of conceptual art, the influence of ideas, how art and politics serve the working class... and reveals that he went to school with English politician Nigel Farage.

Later, the gallery presented the first New York exhibitions of Mike Kelley, Jim Shaw, Gary Simmons, John Miller, and Tony Oursler, all of whom elaborated ideas proposed by the California conceptual artists with whom they had studied at CalArts.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.