Sentences with phrase «with conceptual painting»

The dots refer to earlier works where he added actual candy wrap to signify sweetness, by unifying the surface of the canvas they also show a clear dialogue with conceptual painting.

They are known for putting up shows with conceptual paintings and abstract sculptures.

Not exact matches

(Note that the paintings that fill the margins with DisneyView activated are by Lisa Keene, a conceptual artist who worked on Disney's Tangled.)

And Elaine Sturtevant, a few months after Warhol created his first flower paintings in 1964, borrowed Warhol's silkscreens to replicate those paintings and inserted her renditions into group shows — along with her George Segal and Frank Stella look - alikes — to make Pop into something more conceptual, a decade or more before the word «appropriation» would emerge.

This painting is very superficial with the perspective, with the illusion, to get you into the layers of the image, to the conceptual part, to the idea of the land and what has happened there.

She is both highly conceptual and deeply emotional, combining the tenets of the New York School with later developments in abstract painting.

His most celebrated paintings from the 1950s and 1960s, with their bold colors, popular imagery, and sculptural elements, had an enormous impact on the development of Pop art, Minimalism, and Conceptual art.

Known for her abstract painting and conceptual art, this exhibition features «her oblong and un-stretched canvases, as well as her experimentation with hole - punched dots, hand drawn arrows, printed text, and personal postcards.»

In Death Is A Conceptual Artist (2015), that figure has become a golem of sorts, its head a skull wearing a translucent shift, with umbilical lines of paint connecting breasts to books or text panel cue cards, and a giant floating flower.

The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.

As with more than enough conceptual painting, too, I felt ashamed of both my amusement and sense of wonder.

This first solo exhibition with the gallery features early conceptual works and video together with a group of recent paintings.

In «La Condition Humaine» Karen Carson pushes the conceptual boundaries of image / text juxtaposition by offering large banner - like paintings with kitschy type situated above and below loosely rendered yet enigmatic faces.

He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic practice that retains urgency for both practitioner and viewer.

The approach that the artists in Slipped have taken to clay as an extension of their painting or sculptural practices has resulted in an exciting and innovative works that combine the visual and sumptuous nature of ceramics with a conceptual rigour.

The resulting paintings, of which the present lot is a prime example, not only recapitulate his previous works» formal lexicons, but also intertwine them with conceptual devices derived from the light, atmosphere and scenery of his new surroundings.

He managed to invent pop art, conceptual art and minimalism all in one go when he started to make an American flag out of waxy paint layered over newspaper collage in 1954 and has been meditating with the same serious irony about objects and their meanings ever since.

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

Renowned for his large - scale paintings combining images from advertising and mass media with vibrant color and abstraction, Rosenquist has been credited with creating a unique brand of conceptual realism.

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &lapaintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &laPaintings» from 1973 (recently included in the exhibition «WACK!

JMcK: You play with the gallery space just as Capability Brown played with the landscape, both big steps in conceptual terms away from the strictures of the picture plane, and from easel painting.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptuPainting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptupainting in an artistic climate dominated by conceptual work.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thPainting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thpainting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

The New York - based conceptual artist makes work that engages with unique methods, such as his large paintings and site - specific installations using silver nitrate.

Only one problem with this story: if painting has come alive, it has done so while borrowing happily from conceptual art.

Minimalism also fought Greenberg's orthodoxy at the same time as conceptual art — by rejecting the Modernist idea of painting and instead working with industrial materials — but contained the dialogue within the gallery system.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall» paintings initiated in 1988 gained her critical acclaim.

JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

Working this way enables me to be a closet Pictures Generation / conceptual artist but with painting, and for my work to be recognizable.

«Maybe it [painting] appears that way [dead] if you spend much time in New York City's major museums, where large group shows of contemporary painting are breathtakingly rare, given how many curators are besotted with Conceptual Art and its many often - vibrant derivatives.

Welsh graduated from Pratt with a BFA in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her conceptual and technical interests.

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the UWith friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the Uwith process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the Uwith human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..

The paintings» focus on colour alone imbues the series with a conceptual ambivalence: as Benjamin Buchloh has pointed out, colour «acts simultaneously as a substance and a sign, a paradoxical condition that no other element can claim... it can and will function at the same time as a referential [grounded in a universal given] and as a differential [perceivable only through variation] sign.»

Unless — and this is key — the woman, say, Charline von Heyl or Jacqueline Humphries, both of whom deftly deploy gesture, color, and expression, is said to do so because she is doing so self - consciously, «using painting's languages» cerebrally, with conceptual underpinnings and art - historical structure.

Working with what her immediate environment provides — an enhanced photograph of her cat, a shot of a floral textile dotted with painted embellishments, an image of a broken unidentifiable object overlaid with washes of color — she visually renders the conceptual idea of free association.

Opening: «Tauba Auerbach: Projective Instrument» at Paula Cooper Gallery A conceptual artist who mixes process abstraction with philosophical ideas across a variety of media, Tauba Auerbach returns to the Paula Cooper for her second solo show featuring new paintings, sculptures and a special project in the gallery's bookstore.

But the current fascination with the body and attention to the geographical and mental margins of mainstream cultures may have provided the conceptual frame for a belated appreciation of modern Irish figurative painting.

Each painting, a fearless experiment, deals with personal aspects of the self through a process - oriented approach that abandons any conceptual idea.

In 2010, Baldessari was awarded a retrospective at the Tate Modern, London, in which his early combination of text and images in paintings were explored with the artist's air of wit, ironically mocking the conceptual art and yet delivering it.

This reverence for art history is masterfully embodied in her work, which is loosely aligned with Conceptual Art and Minimalism, in dialogue with the New York School, and a product of her close study of Japanese and Chinese painting.

Opening on October 22nd, their Mid-City space will be filled with Williams» hypnotic, large - scale paintings on canvas and metal that present the physical and conceptual disintegration of structures.

A student of Hans Hofmann and Chaim Gross, Nevelson experimented with early conceptual art using found objects, and dabbled in painting and printing before dedicating her lifework to sculpture.

At times the artist matches her paint to the paper color, playing with the push and pull of depth and surface, and that which is there but almost invisible: a conceptual fluctuation of color as painted or unpainted.

The exhibition includes a couple of my paintings alongside work by ten other artists who are engaged with conceptual content but dedicated to traditional materials — paint, stone, collage.

But decades of the dominance of conceptual art have left painting a «niche activity» and abstract expressionism profoundly unfashionable with those in the artistic know.

The advocate of the philosophy he called Art - as - Art, Ad Reinhardt was a prominent painter, writer, critic and educator whose work has been associated with the Abstract Expressionism although it had its origins in Geometric Abstraction, announcing the Minimal and Conceptual Art and Monochrome Painting.

In her drawings the quick and instinctive approach emerges more clearly compared with the paintings, where it is mediated by the literary construction, the time of execution, and the conceptual substance.

Simultaneously materialist and conceptual, abstract and figurative, textual and painterly, Hollingsworth makes us question the étre of painting in the way Donald Judd did with the object.

Robert Irwin is a conceptual artist who often uses our perception of subtle differences in light to create paintings, installations and sculptures that play with our ability to experience subtle edges of visual experiences.