Sentences with phrase «with conceptual thought»

His practice combines traditional motifs, symbolism, and ornamentation from the Moghul tradition with conceptual thought and contemporary abstract painting.

This relates to the telos which is inherent within physical feelings of complex value and which moves toward a generality usually associated with conceptual thought alone.

Not exact matches

A narrative methodology re-formed by organic philosophy would integrate metaphysical and conceptual thinking with narrative and metaphorical thinking.

In religious experience, interpreted within process thought, the physical emotions, purposes, desires, and volitions of individuals are fused with conceptual insights into the nature of things for the purpose of transforming the individual, of enlarging his or her experience, and of advancing the creative process whereby new values emerge.

Rather than, as usual, assign the hybrid prehension of God to the first phase, with the conceptual derivation in the second phase (which would deprive the initial phase of simple physical feeling of any guidance by the subjective aim), we should think of these two terms as referring to the same feeling.

Although Whitehead never credits Bergson explicitly with these insights, it is clear that thinkers within a process framework are the ones who are obliged to come up with a solution to this sort of problem, while more traditional thinkers do not often or ever worry about the ways in which the intellect distorts reality by subsuming it in a spatialized conceptual scheme, or how the concrete process of thinking is distinct from thought.

Scientists and thinkers have developed a variety of conceptual frameworks — ecology, for example — that attempt to intellectually grasp this great need to make sense, to organize complexity; but I think it is a fundamental mistake — be we scientists, ministers, or otherwise — to think that only science and engineering and business are attempting to deal with this problem of complexity, simultaneity, and constant change.

The development of cognition in general is conceived in Piaget's genetic theory as a reconstruction of earlier forms of cognitive organization with new means and on a new level; the best known example of this development is the transformation and reconstruction of sensori - motor activity schemata into symbolic - conceptual thinking operations.

The opposition is between the view that the further back you go, you go to more and more rudimentary judgements and the view that there is a real difference between perception and thought; and also that you don't in perception come down to a (Kantian) inchoate manifold which you work up with conceptual schemes, but that you come down to something given in sense - awareness about which you can say a great deal more than that.

Thus, on his view, the phrase «conceptual prehension» is «entirely neutral, devoid of all suggestiveness» (PR 49), and clearly part of the suggestiveness that he wants to avoid is the identification of his notion of conceptual feelings with either, say, a Cartesian or Kantian model of judgmental, representational thinking.

Augustine erected the conceptual edifice that dominated the landscape of Christian thinking for a millennium and a half, with doctrines reaching far beyond the select focus presented here.

«If you thought Abu Ghraib was a laugh riot then you might love «Observe and Report,» a potentially brilliant conceptual comedy that fizzles because its writer and director, Jody Hill, doesn't have the guts to go with his spleen.

Multiplicative thinking is the conceptual and strategic knowledge needed to work efficiently and confidently with larger whole numbers, fractions, decimals and percent and to solve an extended range of problems involving multiplication and division including proportional reasoning.

The project documents the effectiveness of instructional practices that are likely to enhance multistep reasoning, systems thinking, conceptual and spatial understanding, and motivation for learning while learning to work with maps to solve problems involving geography and ecological awareness.

In order to get my students thinking in more abstract and artistic ways, and to help me think about how to engage more of the school community with this project, I spoke with my school's art teacher, Christina, who traded spots with me for a day to lead a session for my class on conceptual art and technique.

In this course, candidates will integrate knowledge of subject matter, pedagogy and available instructional technology tools, including assistive technology, to design learning experiences that engage and support all students in learning the California Common Core State Standards, along with improving students» conceptual understanding, cultivating their critical thinking, and promoting their creative learning.

With Guided Math, students develop a deep conceptual understanding of math, acquire computational fluency, and become skilled in thinking and acting mathematically.

In this thought - provoking and groundbreaking book, Tony Frontier and Paul Mielke address this issue head - on, combining the conceptual and the practical by offering a compelling vision of teacher growth, along with nearly three dozen step - by - step protocols for working with teachers.

With this special issue, we wanted to show that the study of social networks is not just a sophisticated methodological tool, which it is, but also a thought - provoking way of looking at the world, a valuable conceptual framework and useful lens.

«The Ghibli Ermenegildo Zegna Edition is still «conceptual» but absolutely feasible in terms of content and has the possibility of further color combinations» said Maserati CEO Harald Wester, «it is a demonstration of the commitment with which Maserati and Ermenegildo Zegna continue to think of an automotive product outside the classical schemes, in addition to confirming the foresight and bond that unites us.»

The update will also allow for more conceptual versions of being on the same page by letting readers share book notes or thoughts about titles online with select circles or the overall «Kindle community.»

The Javelin is still in the conceptual stages... but I think it's cool enough to share with the community!

I've heard this argument before, and I agree with it on a conceptual level, but unfortunately I think people will take * a lot * of convincing to see a higher price tag on their hobby, which could be more detrimental than having paid DLC (not sure about this, though.

Rose: Getting back to the part of Alex's question about your relationship to Minimal and Conceptual art, I may be wrong, but I don't think you start with a concept?

Her reputation as a thoughtful and thought - provoking conceptual artist has gained over the last decade, with major biennials, a survey in England at the Whitworth Art Gallery in 2011 and an October Files book on her work in 2016.

BV: When I first started with my Conceptual period I thought of these tar and charcoal works as too conservative, too traditional.

Lemonier co-curated the exhibition with Frédéric Migayrou, (Deputy Director, Collections of Architecture and Design, Musée National d'Art Moderne) and he states the importance of Tschumi in the architectural landscape: «He is one of the only practitioners who thinks of architecture in conceptual terms.

Ojih Odutola: I think that our generation grew up with the proliferation of conceptual art.

A dialog with the history of conceptual thinking in art is palpable in Haxton's works.

Thinking about the ways memories can appear led Charneco's to combine old - fashioned doll house furniture with high - tech conceptual mapping.

This fantasy of a direct projection of thought not only had a decisive impact on the birth of abstraction but also influenced surrealism and its obsession with the collective sharing of creation and, in the post war period, it gave rise to numerous visual and sound installations inspired by the revolution in information technology, leading to the declaration of «the dematerialisation of art» in conceptual practices...

He'd studied at Goldsmiths University in London under conceptual artist Michael Craig - Martin, whose way of thinking, Opie says, was a close match with his own.

With a focus on conceptual, site - specific, research - and time - based art, she is interested in the exhibition as a medium and means of linking complex thoughts through a visual component.

A tendency to think in terms of models, even models of models, and to turn reality into a model, is what makes Sugimoto a conceptual artist, with a mystical aspect.

Students will participate in studio critiques, seminars and / or workshops that draw on what makes education at The Cooper Union unique, with its strong emphasis on critical and conceptual thinking, design, making and a close reading of architectural texts.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p.With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p.with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

A dialogue with the history of conceptual thinking in art is palpable in Haxton's works.

This doesn't mean all art has to carry a positive reaction; a negative one can be just as powerful, but just because an artwork carries a conceptual thought or political statement does not mean that it has to negate any sensory impact or relationship with the viewer.

For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

Conceptual artist Ana Mendieta (Havana 1948 — New York 1985) is best known for creating art that speaks boldly to adults, but Thinking features works that are strikingly in dialogue with children.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

As I thought more about the salon style of hanging and as I worked on the conceptual groundwork for my upcoming shows at Santa Monica Museum of Art and the Brooklyn Museum of Art, it became clear to me that I wanted to explore this historical theme with my show More Than Everything.

«Her thought - provoking conceptual works render materials that signal luxury — gold, diamonds, coins, and paper money — null and void by reversing their exchange value, unraveling our obsession with wealth.»

Conceptual art inherently requires the viewer to take a step back to think and reflect, yet the satirical use, and subsequent translation, of Japanese text together with the simplicity of the Kool - Aid immediately resonated with me and prompted me to investigate further.

Out There, Thataway has two conceptual starting points: first, a concern with imagining or navigating territories that are «beyond knowledge»; and second, an interest in ways that metaphors of geography shape thinking and behaviour.

A major force in the Minimal and Conceptual movements of the 1960s, Sol LeWitt has influenced a community of artists, designers, writers and musicologists with his work as well as his thinking.

Kayan took part with her artist performance at the event titled Field Meeting Take 3: Thinking Performance, curated by Leeza Ahmady, and focussing on creative process, conceptual change and collaboration with an aim to improve artistic ventures.

I think with conceptual or minimal art or the period when I began to emerge, I just got put in that basket — that I was a conceptual artist because I used words and photos.

The purpose is to revisit, with the same intensity and energy, the Post-pop and Post-minimalist art research of the time, ranging from Process art to Conceptual art, Arte Povera and Land art, that was developed internationally during the mid-1960s, but also to highlight the contribution made by Harald Szeemann, a curator capable of thinking beyond the limitations set by critics» labels and the theoretic associations of his time.

Immensely creative and articulate, he is a modern renaissance man — one of a rare breed of intellectual designer - illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work.