Sentences with phrase «with contemporary sculpture»

The material choice was unexpected and bold: with contemporary sculpture increasingly reliant on complicated fabrication and highly orchestrated production, ceramics become the antipode, a low - tech, handmade practice that is generally associated with craft or decorative arts.

Anselm Kiefer: Palmsonntag opens in conjunction with the contemporary sculpture exhibition Sculpture as Time: Major Works.

Although the gallery's heart seems to lie with painting, there is no sense of undue restraint in the programme, with a contemporary sculpture show and the final of the Winter Pride awards coming up.

The soaking grass is filled with contemporary sculpture, and even the less ambitious works look impressive in the shadow of the twisting white pavilion.

The fund enables five museums in the North West of England to develop their collections with contemporary sculpture through co-acquiring works.

Acknowledging her lifetime contributions, the International Sculpture Center is presenting Saar with a Contemporary Sculpture Award at an April 18, 2018, gala in New York City.

Filled with contemporary sculptures alongside historical masterpieces, the English Garden is a beautiful backdrop to the work of emerging and established artists represented at Frieze London and Frieze Masters.

Not exact matches

The contemporary table lamp features a beautiful merlot espresso finish with a sculpture design, perfectly complemented by a beige linen shade.

Sculptured yet soft and subtle organic shapes move with ease, transforming the confines of contemporary femininity and silhouette.

Nicholas Kirkwood's collections focus on the curvature of the foot, with architectural designs and sculptured shapes creating elegant and refined silhouettes that fuse the traditional with the contemporary.

This gallery hosts contemporary Californian art with a variety of photography, paintings, glasswork and sculptures.

Old Lyme, CT About Blog With over 100 sculptures woven throughout different gardens and courtyards, this en plein air art experience allows visitors to enjoy incredible large - scale contemporary sculpture on 4.5 beautifully landscaped acres.

The group will debut it at the Museum of Contemporary Art Chicago in April, playing with the audience surrounding them as a large circular sculpture spins above.

Alissa: There's Armie Hammer dancing in the town square, of course, but the scene that sticks with me — one of the great scenes in contemporary cinema, in my opinion — is when Elio, Oliver, and Elio's father go to see the sculptures brought up from the clear water.

Rich in reminders of its colorful past, Downtown is a mix of historic adobes and outdoor courtyards, with a display of contemporary sculpture set among the Mediterranean architecture.

«Simply furnished with a nod to the building's architecture of bygone days, accented by exquisite, contemporary bronze sculptures that dance out into the sidewalk to greet you.»

Renaissance Aix - en - Provence Hotel (France): Opened in January in the heart of Provence, this new 133 - room boutique five - star hotel features contemporary design with a stunning Provencal garden and more than 400 paintings and sculptures generated exclusively for the hotel.

Villa The Ylang Ylang is a spectacular 6 bedrooms beachfront Bali villa in Saba Beach, uniquely designed in elegant fusion of traditional Balinese with contemporary style filled with artistic treasure, sculptures of stone, glass and metal creating the feel of spiritual place to unite one's body, mind and soul.

Guest room are individually decorated with contemporary décor, modern artwork, sculptures, and an array of upscale amenities, including flat - screen TVs and complimentary wireless Internet access.

But these aren't actual sculptures; they are photographs that have been digitally retouched and played with to create new imagery that brings together old and new to deliver a contemporary twist on traditional fine art.

with text by Yve - Alain Bois and Rosalind Krauss, in French) Screen, Friedrich Petzel Gallery, New York, USA (curated by Joshua Dechter) Twentieth Century American Sculpture at the White House: Exhibition IV, The Jaqueline Kennedy Garden, The White House, Washington D.C., USA (curated by Marcia Tucker and Hillary Rodham Clinton) Bringing It All Back Home, Gracie Mansion / Fred Dorfman Projects, New York, USA Small Truths: Repetition and the Obsessional in Contemporary Art, John Hansard Gallery, University of Southampton, England (cat.

For YSP he will make new painting and sculpture — resolutely contemporary works that will integrate an inclination towards geometry with the romantic sincerity of landscape painting in the historical tradition.

Within two decades, she exchanged the language of classical sculpture with an idiosyncratic lexicon of new shapes, unusual materials, processes and themes that held a dialogue with the contemporary art scene and her own biography.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

Robert & Aimee Lehrman's collection includes painting and sculpture, which begins with post-pop and consists predominantly of American and European contemporary art.

Raise the Paddle supports deCordova's mission to inspire, educate, and delight with contemporary art from New England and beyond through sculptures in the landscape and museum exhibitions.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

Mr. Strick hopes to extend the reach of the prize through panel discussions on sculpture organized in partnership with the Henry Moore Institute in Leeds, beginning Oct. 11 at the Institute of Contemporary Arts in London.

Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.

Walk into the Contemporary Art Museum today and you will be greeted with brick paintings, light boxes, laptop sculptures, and a 4 - by - 4 chocolate disco ball.

Whether appropriated by some contemporary figurative painters or aligned with some sort of new figuration, where the painters «find everything to be a matter of images» (to quote Barry Schwabsky from the online catalogue for «A New Subjectivity»), Abstraction clearly and demonstratively engages with the problems of painting (and collage and sculpture) despite the surprising conservatism of Kerry James Marshall.

A key figure of Australian art since the mid-1980s, Linda Marrinon has developed an idiosyncratic language of figurative painting and sculpture that merges contemporary cartoons with neoclassic tropes of the nude, reclining figure, and bust or standing portrait.

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

Purchase, with funds from the Contemporary Painting and Sculpture Committee, 95.19.

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Dan Flavin produced a series of works entitled Homages to Vladimir Tatlin (begun in 1964); Robert Morris alluded to Tatlin and Rodchenko in his Notes on Sculpture; and Donald Judd's essays on Malevich and his contemporaries, revealed his fascination with this avant - garde legacy.

The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.

Williams received her MFA in Sculpture from the Rhode Island School of Design and has shown nationally and abroad, including ACRE Projects, The Wassaic Project, The Delaware Contemporary, Washington Project for the Arts, Grizzly Grizzly, and Lawrence University's Wriston Art Center, with reviews in the New York Times, Village Voice, Huffington Post and the Washington Post.

Young British Artists Jake and Dinos Chapman create iconoclastic sculptures, prints, and installations that examine contemporary politics, religion, and morality with searing wit.

Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.

He received the 1993 Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture (Maine), and in the same year was honored with a Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center (Washington, DC).

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

Themes will include contemporary feminism, new waves in sculpture & technology as well as works displaying a strongly defined narrative of contemporary culture with an emphasis on originality and innovative usage of materials.

He recently organized the long - term loan and installation of Jim Hodges's seminal sculpture, With Liberty and Justice for All (A Work in Progress) in tandem with the renovation of The Contemporary's downtown location, the Jones Center on Congress Avenue, located a few blocks from the State Capitol buildWith Liberty and Justice for All (A Work in Progress) in tandem with the renovation of The Contemporary's downtown location, the Jones Center on Congress Avenue, located a few blocks from the State Capitol buildwith the renovation of The Contemporary's downtown location, the Jones Center on Congress Avenue, located a few blocks from the State Capitol building.

117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner

I have always been fascinated with photo - realistic drawings and paintings, and trompe l'oeil sculptures — from artists such as Bronzino and Jean - Étienne Liotard, to the Flemish painters and today's contemporary artists.