Sentences with phrase «with contemporary visual culture»

Each year the School of Art and Visual Studies sponsors lectures, exhibitions, and workshops by scholars and artists concerned with contemporary visual culture in cooperation with the Art History & Visual Studies program and its various courses in visual studies.

Drawing from the history of art, design, and visual culture, our program provides students the intellectual resources they need to engage critically and creatively with contemporary visual culture.

The gallery represents a group of international artists who are producing significant works of lasting value that explore, engage and resonate with contemporary visual culture.

Not exact matches

Texas About Blog Arts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Texas.

The short scenic drive from the airport lingers on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich artistic culture of Chengdu since its opening by featuring nine famous contemporary artists from Sichuan.You will be ushered into a journey of China contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.

Texas About Blog Arts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Texas.

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

With the Creative Package, you'll be kept up - to - date with current trends as they develop across the international art world, and will gain insights into the work of leading practitioners shaping contemporary visual cultWith the Creative Package, you'll be kept up - to - date with current trends as they develop across the international art world, and will gain insights into the work of leading practitioners shaping contemporary visual cultwith current trends as they develop across the international art world, and will gain insights into the work of leading practitioners shaping contemporary visual culture.

Hank Willis Thomas, of the United States, is a multidisciplinary contemporary African - American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture.

Hank Willis Thomas (b. 1976) is a multidisciplinary contemporary African - American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture.

Most of my artistic output as an adult (and, come to think of it, much of it as a kid as well) deals with the continuous visual narrative of the so - called perfect life that the contemporary (and omnipresent) media culture constantly presents to us.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

With a gallery culture weighted towards public and other non-commercial institutions, the Canadian visual arts scene has maintained a discreet yet firm distance from the cash - flooded market culture that has so strongly influenced the international contemporary art world.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

His paintings contain a mash - up of historical and cultural references, combining elements of 18th and 19th century colonial portraiture and folk art with visual signifiers of contemporary urban culture, including jewelry and body art associated with present - day gangsters and hipsters.

I'm a contemporary visual artist interested in the high life and lowlifes of everyday culture working with public spaces to stimulate a dialogue between non-traditional art audiences and the incidental viewer.

The line - up will consist of film, exhibitions, talks and debates, literature, music, politics, visual arts, fashion and cuisine, including: Light from the Middle East, an exhibition of contemporary photography from the Middle East, an evening of song with Emel Mathlouthi, a discussion of the role of art and culture in Syria with journalist Malu Halasa and an evening with poet Al Saddiq Al - Raddi whose work reflects his identity as an African poet writing in Arabic.

He then translates the imagery to a canvas using acrylic paint, resulting in vibrant landscapes filled with humor, social commentary, and a dizzying sampling of contemporary visual culture.

Adams» aim in curating «The Beat Goes On» was to «celebrate the cross section of contemporary culture where visual arts meet and merge with music.»

Combining archive footage with fiction scenes shot in China, Ten Thousand Waves alludes to both traditional and contemporary Chinese visual culture.

Aesthetica engages with the arts both in the UK and internationally, combining dynamic content with compelling critical debate and exploring the best in contemporary art and visual culture.

Arts + Culture Texas magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Texas.

The magazine and online content stylishly combine editorial with compelling critical debate, pushing the boundaries while exploring the best in contemporary visual culture.

The magazine's content stylishly combines editorial with compelling critical debate, pushing the boundaries while exploring the best in contemporary visual culture.

Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of contemporary visual culture to draw out critical and discursive reflections on its wider social influences.

Sean Kelly announces From Pre-History to Post-Everything, a group exhibition that presents ancient objects alongside contemporary paintings, providing the opportunity for a visual dialogue between the forms found in ancient cultures and the forms being investigated by today's youngest generation of painters working with abstraction.

The event focuses on «the body as an object and a brand», exploring its representation within the public realm and within contemporary visual culture, and how they, in turn, affect one's relationship with his / her own body as it continues to be «disciplined by technological mediation on screen».

Previously, curator of Contemporary Projects at the Henry Moore Foundation and former director at the South London Gallery, David Thorp has always worked with living artists at the forefront of experimental visual culture.

In the exhibition we see the subversive creativity and the physical, ironic language used in Hail reflected in the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressions.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

Considered a prophet of the digital age, video artist Ryan Trecartin transforms contemporary culture's addiction to the internet and obsession with technological devices into a violently exuberant visual orgy.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»

Covering the latest in contemporary visual culture, ArtAsiaPacific is published six times a year in Hong Kong, with editorial desks in 28 cities around the world.

AAP offers thoughtful reportage, analysis, comment and criticism, with a focus on contemporary visual culture from our geographical footprint.

Valerie Behiery is a Canadian arts writer whose research focuses on historical and contemporary visual culture from or relating to the Middle East, with a special emphasis on gender, cross-culturality and the politics of representation.

is a Canadian arts writer whose research focuses on historical and contemporary visual culture from or relating to the Middle East, with a special emphasis on gender, cross-culturality and the politics of representation.

He has worked with the non-profit Pu'uhonua Society since 2014, directing Hawaii's largest thematic art exhibition, «Contact,» which provides a critical and comprehensive survey of local contemporary visual culture.

The Mohile Parikh Center (MPC), Mumbai, is one of the leading centers in India devoted to Art, Culture and Education, with a focus on the visual arts, contemporary culture, media, underserved communities, and continuing eduCulture and Education, with a focus on the visual arts, contemporary culture, media, underserved communities, and continuing educulture, media, underserved communities, and continuing education.

She has contributed to numerous books on contemporary visual culture with essays on artists such as Maurizio Cattelan, Luc Tuymans, Douglas Gordon, and Marina Abramovic.

I will return with more info shortly..., (GuytonWalker), curated by Howie Chen and Tim Saltarelli, IMO, Copenhagen, Denmark Good Friends, (GuytonWalker), Asia Song Society, New York, NY Street Trash, (GuytonWalker), 1 -800-GO-PENSKE, Brooklyn, NY Catalogue of the Exhibition, curated by Bob Nickas, Triple V, Paris, France After Images, curated by Fionn Meade, Musée Juif de Belgique, Brussels, Belgium That's The Way We Do It, Kunsthaus Bregenz, Bregenz, Austria A Painting Show, (GuytonWalker), Autocenter, Berlin, Germany The Luminous Interval, (GuytonWalker), Guggenheim Museum Bilbao, Bilbao, Spain Keeping It Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Martin - Gropius - Bau, Berlin, Germany Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana, traveling to Center for Art, Design and Visual Culture.

The first project to explore the visual art, poetry and music of one of America's most inventive yet under - recognized contemporary Native American artists, this exhibition will survey Cannon's highly productive but short career; his development of a unique and hybrid visual vocabulary; and his combination of irony and wit with a reverence for community and tradition to interrogate American history and popular culture; as well as the issues wrought by colonialism, hegemony, and historical amnesia — all through his Native lens.

Center for Contemporary Arts Estonia (CCAE), founded in 1992, is a non-profit expert institution in international cooperation projects with a role to activate and develop Estonian contemporary art scene, conceptualizing current tendencies of visual culture and participating in a critical dialogueContemporary Arts Estonia (CCAE), founded in 1992, is a non-profit expert institution in international cooperation projects with a role to activate and develop Estonian contemporary art scene, conceptualizing current tendencies of visual culture and participating in a critical dialoguecontemporary art scene, conceptualizing current tendencies of visual culture and participating in a critical dialogue in society.

The Bangkok Art and Culture Center (BACC) is very pleased to announce an international exhibition that explores the potential for artists to work with questions of authorship and subjectivity, whilst engaging with the pervasive influence of internet culture and contemporary visual reprodCulture Center (BACC) is very pleased to announce an international exhibition that explores the potential for artists to work with questions of authorship and subjectivity, whilst engaging with the pervasive influence of internet culture and contemporary visual reprodculture and contemporary visual reproduction.

The Centre national d'art et de culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused on modern and contemporary creation, where the visual arts would rub shoulders with theatre, music, cinema, literature and the spoken word.

★ «Waterweavers: The River in Contemporary Colombian Visual Arts and Material Culture» (through Aug. 10) With its glades of abstract patterning, eddying pools of woven fiber, and projected images of water sluicing through galleries, this show of art and craft from and about Colombia's great waterways is one of the most unassumingly beautiful shows of the summer — politically one of the subtlest, and visually one of the coolest.

One of the founding members of the Chicano artists collective Los Four, Luján is known for his coloration and visual explorations of Chicano culture and community that drew upon and brought to life various historic and contemporary visual sources with startling results: Pyramid - mounted low riders driven by anthropomorphic dogs traversing a newly defined and mythologized L.A..

Luna Rienne features visual artists working in contemporary mediums who integrate elements of urban culture with traditional techniques.

From 2013 — 15 she led the multi-part curatorial project Landings, with Vivian Ziherl, presented at the Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy, and Contemporary Visual Cultures network), the Stedelijk Museum Amsterdam, and other partner organizatiwith Vivian Ziherl, presented at the Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy, and Contemporary Visual Cultures network), the Stedelijk Museum Amsterdam, and other partner organizatiWith Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy, and Contemporary Visual Cultures network), the Stedelijk Museum Amsterdam, and other partner organizations.