Sentences with phrase «with countless movies»

Both studios appear to be operating as usual, with countless movies in the pipeline.

Not exact matches

Of course, there are countless movies that deal with the same subject matter, but what sets this one apart is that it just feels, well, like these are actual teenagers who look and talk like the ones that live next door.

Even now, running helter - skelter with no visible means of protection from the onslaught of offers from movies, television, records, jigsaw puzzles, animal food, countless other commercial interests and the pack of agentry ten - percenters who latch onto instant celebrities like ticks on a hound, Riggs is a wonder to observe.

When you are a parent there are countless movies you end up watching with your kids.

What the **** does Amy Winehouse, Alvin and the Chipmunks, American Gladiators, Miley Cyrus, Jessica Simpson, and countless other horribly spoofed figures and movies have to do with the disaster genre?

Currently in its 21st season, The Simpsons has piled up over 440 episodes, over 20 Emmy Awards, a handful of music albums, countless endorsements and merchandise, and even made the jump to the silver screen in the summer of 2007 with The Simpsons Movie.

Filmmaker Alejandro Amenábar - working from a script cowritten with Mateo Gil - has infused Agora with an unapologetically old - fashioned sensibility that's clearly meant to evoke the larger - than - life epics of yore, although the emphasis on countless underwhelming elements ensures that the movie remains terminally uninvolving virtually from start to finish.

A brash, effects - laden tribute to all those alien invasion movies of the 1950s (just try watching the original «War of the Worlds» without spotting the countless similarities), Roland Emmerich's ultimate mindless actioner is arguably as close you'll get to a perfect textbook merging of old fashioned sci - fi with modern day big - budget fanfaring.

In what will surely be pushing the limits of fair use (or create a rights - clearing nightmare for IFC Midnight who picked up the film), «Room 237» cuts together not only footage from «The Shining,» but from every Kubrick film along with countless other works (ranging from Mario Bava to Alfred Hitchock to classic Disney cartoons), strings it all together, and pairs it with audio from interviews with various obsessives who have formulated their own opinions on what the movie really means.

The script by director John Hamburg and Ian Helfer (with input from Jonah Hill) is an endless string of comedy bits that have been used in countless other movies.

The daddy of all slasher movies, its formula has been mercilessly preyed upon by countless 1980s slice - and - dice imitations («Friday the 13th», «A Nightmare on Elm Street» etc.), fondly dissected by 1990 postmodern spoofs («Scream», «Scary Movie»)-- and of course its franchise of (largely inferior) sequels shows that that the bogeyman is still very real, with «Halloween 9» due for release next year.

Actually, it's more than this — it is just a very influential movie, with countless imitators, including The Faculty and Dreamcatcher, most recently.

This kind of pattern is everywhere in movies: see the countless stories about James Cameron, the events in Netflix's Jim And Andy, or any number of directors who get away with on - set cruelty in the pursuit of a vision.

Those later elements are really the only thing that sets this apart from the countless other cop - tracks - down - a-killer movies out there, because for all its clichéd plot points and stock characters, it's obvious screenwriters Robert Fyvolent, Mark R. Brinker, and Allison Burnett are more concerned about coming up with graphic death scenes than anything else.

It has been paid tribute in countless movies and television shows, with no indication of that letting up anytime soon and no sign of public estimation doing anything but rising

In between the mindnumbing blandness of countless Living Dead knockoffs, my ongoing inability to understand the inexplicable popularity of The Walking Dead, and a pronounced boredom with this genre's tropes, I had more or less decided not to bother with zombie movies (or TV shows!)

I just thought the Academy would've extended an invitation with 2002's 25th Hour or at leasy by 2007, when he delivered the utterly beautiful score for When the Levees Broke, some of which was recycled in Inside Man and in countless other movie trailers and on television.

Sometimes, all you need is a movie where a toy stalks a woman (Lauren Cohan, a.k.a. Maggie on The Walking Dead) through an oppressive Gothic mansion, forcing our in - over-her-head heroine to solve mysteries, survive countless jump scares, and maybe escape to the end credits with some breath left in her lungs.

Violence: This movie includes frequent battle scenes with countless characters being beaten, stabbed and shot at with arrows.

There's just something about characters being offed one by one by a masked, knife - wielding menace that has never connected with me as a source of fear, whether it's in Halloween (which I love), a Mario Bava or Dario Argento giallo movie (ditto), or in one of the countless Friday The 13th - alikes that came out of the 1980s.

Like with anything that is popular, the movie's plot has led to countless fan theories; ranging from aspects like the story was all in the head of Rod the TSA agent, that Get Out is a sequel to Being John Malkovich, the important symbolism of the deer, the dramatic irony of Chris picking cotton to lead to his escape, and much more.

Lundgren has kept firmly rooted in his action days lately with the Expendables movies and countless DTV action flicks, and since he's been keeping up with his bodybuilding, he has the right physicality for Cable.

The dynamic between the more proper intelligence agents and their booze - namesaked counterparts play for some good laughs, but more than anything it's a plot device for the film to raise the stakes for Eggsy and the Kingsman while still being able to provide the team with countless weapons and gadgets, all of which are by far the most creative things in the movie.

The movie contains frequent depictions of deaths from drowning and disease, extensive property destruction, explosions, crashing vehicles, planes falling from the sky, along with countless corpses.

America's obsession with the Kennedy's has inspired countless books, movies and TV specials depicting the family's triumphs, tragedies, and scandals, but few have solely focused on Jacqueline Kennedy Onassis or as most refer to her, «Jackie O.» One of the most beloved first ladies was often overshadowed by her husband and his brothers, however, in the new drama, Jackie, the famous first lady takes center stage, and we see the rise and tragic ending of the Kennedy White House through her eyes and words.

Sadly, this movie does nothing to leave the audience with a shred of consequence over the countless number of people killed or the mass destruction of city streets.

They're arguably not very interesting as individuals — he's an archetypal backpacking tourist and she's the willowy innocent of countless male fantasies — but as lovers, they're total blank pages, stuck with the label of «couple» because relationships based solely on casual sex don't exist in the foreground of expensive (read: American) movies.

Then, in 2000, he made a very strong feature debut with «Sexy Beast,» which stood apart from the countless British gangster movies at the time thanks to a whip - smart, foul - mouthed Pinteresque script, and Glazer's inventive visuals.

Few actors get to star in a monster commercial smash that is also a zeitgeist hit, but that was Joshua Leonard's experience with The Blair Witch Project, which turned a meager $ 60,000 production budget into almost $ 250 million in worldwide theatrical receipts, and owned the summer of 1999 (and beyond, in the form of countless spoofs, homages and far less inspired rip - offs) like no other indie movie of its time.

The ending of Avengers: Infinity War stunned audiences and left fans with countless questions about the movie's plot, the future, and even the fate of various characters.

Stallone can indeed write a pretty good story, and Homefront has a potentially decent one, but the problem I had with the film was that I already seen this countless times in other movies and television shows.

As Carter incessantly babbles, Inspector Lee cuts through the evidence with his subtle sense of humor and affable personality, and kicks his way past countless bad guys — which is the primary purpose of a Jackie Chan movie anyway.

This is the lasting appeal of Jack Finney's novel, «The Body Snatchers» and why its concept has inspired countless science fiction movies throughout the years - from three versions of the novel itself (in 1956, 1978 and 1994 as Body Snatchers by director Abel Ferrara of Bad Lieutenant fame) to Heinlein's The Puppet Masters (finally in 1994) and the 1980s remake of The Thing - all of them dealing with people being surreptitiously taken over by alien presences.

So he does exactly that, using countless features taking place (or shot) in Los Angeles to show the development of the city, as well as how decisions on and off the screen impact each other (one of my favourite parts: when Andersen explains how the city's modernist architecture was devalued by having the movies always associate the look with antagonists).

It has played a role in countless television programs and even had its fair share of movie exposure, leaving collectors with no shortage of inspiration when plotting the theme of their next resto - mod masterpiece.

For starters though, there's one thing you have to understand before proceeding: with each Kindle, you don't only get a hardware product that can do that and that, you also get access to Amazon's cloud content, which offers countless books, magazines, newspapers, songs, movies or TV - Shows.

With that, you also have access to countless restaurants and food courts of all budgets, movies, spas and fitness centers.

Countless shows and movies have been filmed here and the street that runs along the famous beach is lined with historic hotels, unique restaurants and shops.

It's very much the gaming equivalent of a B - movie, with ropey production values and countless rough edges, and yet an underlying charm that will at least appeal to some.

Story wise, the plot in Homefront: The Revolution is weak, filled with cliché after cliché, uninspired dialogue and scenes that have already been seen countless times in movies like Red Dawn and games like the original Homefront and Freedom Fighters.

Happy Meals represent the best and worst of America: Fancying up gross, unhealthy food; marketing directly to children; inviting countless lawsuits; blatant commercialism with movie and television tie - ins.

Countless books, songs, and movies have rapturously portrayed the idea that you might one day look across the room, lock eyes with a stranger, and know instantly that you two are meant to be together forever.