Utilizing their long - standing connections with specialists in the arts community as well as
with cultural organisations, Branch works with hundreds of artists world - wide, businesses, brands, arts commentators and individuals.
Schools can benefit from up to # 150,000 in grant funding to boost arts - based teaching through partnerships
with cultural organisations using the Teacher Development Fund.
«By funding schools to partner
with cultural organisations, the fund will enable teachers to gain access to high - quality CPD from artist - practitioners, and allow schools and arts organisations to work collaboratively in order to embed arts - based learning in the primary curriculum,» she said.
Not exact matches
The aim of
Cultural destinations is to enable arts and culture
organisations working in partnership
with destination
organisations to increase their reach, engagement and resilience through working
with the tourism sector.
The pan-Yoruba socio -
cultural organisation, Afenifere, the Igbo socio - political
organisation, the Ohanaeze Ndigbo, and the Movement for the Actualisation of the Sovereign State of Biafra have expressed support for the bill assented to by the Ekiti State Governor, Ayodele Fayose, which categorises grazing
with arms in the state as terrorism.
With the encouragement and support of the founding
organisations of World Science Forum the United Nations Educational, Scientific and
Cultural Organization (UNESCO), the International Council for Science (ICSU), the Hungarian Academy of Sciences and all invited
organisations and fellow scientists, we, the participants of the 7th World Science Forum held from 4th to 7th November 2015 adopt the present declaration.
The IFI Irish Film Archive holds over 30,000 cans of film and footage and IFI International,
with the support of Culture Ireland, creates over 100 Irish film programmes for festivals and
cultural organisations in 50 countries worldwide each year.
Shakespeare's Globe will work
with leading disability
organisations and suppliers to research, develop and pioneer the use of digital technologies in a
cultural setting as well as to train staff in best practice.
Recent examples include the Times Educational Supplement's online platform that will give teachers access to arts and
cultural teaching resources from
organisations such as the Royal Shakespeare Company, the V&A, BFI, and the Royal Opera House,
with more to come.
In addition, # 5.7 million will be invested into initiatives that boost literacy and numeracy skills, through the government's Strategic School Improvement Fund along
with a # 7.7 million curriculum fund to encourage the development of high - quality teaching resources by
organisations, including by leading
cultural and scientific institutions.
The not - for - profit, membership - based
organisation, works together
with more than 370 tourism - related member businesses to showcase the city's superb
cultural offering, world class accommodation and cutting edge dining and entertainment options.
In 1968 Riley,
with Peter Sedgley and the journalist Peter Townsend, created the artists»
organisation SPACE (Space Provision Artistic
Cultural and Educational),
with the goal of providing artists large and affordable studio space.
It centralises resources and provides a comprehensive
organisation for the development of museums and
cultural projects,
with a long term ambition of creating a strong and sustainable
cultural infrastructure for Qatar.
Dallas is on its own
cultural roll: the popularity of the fair inspired Dallas Arts Week and, now, Dallas Arts Month, which connects the public
with artists and
organisations through poetry slams, jazz performances and panel discussions.
In acknowledgement of the important role arts
organisations outside of London play within the UK
cultural scene, a different regional
organisation joins the collective each year,
with Focal Point Gallery presenting a selection of their editions (Hilary Lloyd, Bridget Smith, Benedict Drew, Hannah Sawmill, Volker Eichelmann, Scott King and Keith Farquhar, Dawn Mellor, Clunie Reid, Milly Thompson, David Mabb) at the stand in 2017.
The New York Times also asks 21
cultural organisations that have accepted money from the family foundations of Raymond and Mortimer Sackler how they vet donors — and meets
with a significant degree of silence.
The enriched contemporary art experience provided by Upstream is further developed by their events programme and collaborations
with local
cultural organisations.
The Kent
Cultural Transformation Board and three leading cultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use today
Cultural Transformation Board and three leading
cultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use today
cultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work
with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use today.»
He is responsible for leading the
organisation's research - based programming and aligning all aspects of the
organisation's work
with a strategic plan that develops and sustains self - organised
cultural infrastructures.
Other projects are being developed
with a cross section of
organisations, including the Council of National
Cultural Institutions, The Ark, Dublin Institute of Technology and the Department of Education and Science.
The aim of the programme is to provide curators
with an opportunity to carry out research and to develop international curatorial projects while building contacts
with art practitioners and
cultural organisations in Finland.
Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working
with film, video and animation from 15 partner
organisations around the world and presented over the course of a year in each venue: Belgrade
Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.
In addition to its emphasis on engaging local
cultural centres, galleries, foundations, and schools, the biennale routinely collaborates
with international foundations and
cultural organisations to position Bamako as an important site for analysing and sharing recent developments in lens - based media.
GRAD has partnered
with over thirty leading
cultural organisations and museums world - wide including such prominent institutions as the Science Museum, the Courtauld Institute of Art, Van Abbe Museum in Eindhoven, State Russian Archive of Literature and Arts, St.Petersburg Museum of Theatre and Music and many others.
La Kunsthalle Mulhouse presents Sous nos yeux («Before our eyes»), a three parts project proposed by Abdellah Karroum, associate curator featuring works by Adel Abdessemed, Gabriella Ciancimino, Badr El Hammami, Pedro Gómez - Egaña and Younès Rahmoun, and an intervention by the group LMDP (l'Autre moitié du paysage) in collaboration
with social activists and
cultural organisations.
She has worked
with numerous educational and arts
organisations including Engage, 5x5x5 = creativity, The
Cultural Olympiad London 2012, Dorich House Museum and Kingston Museum.
In 2008 the centre received funding from the European Union to create a touring exhibition in 2010
with partner
organisations in China and France to forge
cultural links between Europe and China.
To see the Visual Arts playing their fullest role in national
cultural life
with artists, curators, gallery spaces and Visual Arts
organisations achieving regional, national and international significance and reaching ever - broadening audiences.
Established partnerships exist
with cultural and commercial
organisations across the island, and on the mainland, including Solo producers of the Isle of Wight Festival, Tate Modern, Visit Isle of Wight and the National Trust.
Cases are referred to the firm through the Georgia Asylum and Immigration Network (GAIN) but the firm also works closely
with local social services: Tapestri — an
organisation which aims increase access to services for human trafficking victims and raise social awareness of human trafficking in the local area — and New American Pathways who support to refugees to settle and integrate into the local community through
cultural orientation and support in areas such as education and careers.
PERSONAL SUMMARY A passionate individual
with previous experience of shaping and delivering positive
cultural changes in a complex
organisation.
The Western Australian Government's guide to engagement emphasises the importance of government engagement
with Indigenous
organisations.140 The guide lists types of
organisations with which government should engage on various matters, including ATSIC bodies, sectoral
organisations (e.g., community - controlled health services, CDEP, media, Aboriginal Legal Services,
cultural organisations), women's and youth groups, and business networks.
They want to see more clinical placements in Aboriginal community controlled health
organisations, more funding for
cultural safety training, and importantly, each Aboriginal community adequately resourced
with its own community based, locally owned and culturally appropriate primary healthcare facility.
A community - based, not - for - profit
organisation with no religious affiliations, our services are for all members of the community, regardless of their religion, age, gender, sexual orientation, lifestyle choice,
cultural background or economic circumstances.
As a community - based, not - for - profit
organisation with no religious affiliations, our services are for all members of the community, regardless of religion, age, gender, sexual orientation, lifestyle choice,
cultural background or economic circumstances.
Strategy - involve all school staff and families in discussions about developing and strengthening relationships
with community
organisations that support children and families
with diverse
cultural backgrounds.
Join us for free lunch, music and
cultural entertainment
with Aboriginal and Torres Strait Islander carers and representations from local Aboriginal community
organisations.
Strategies: Determine community needs and establish Service Level Agreements; coordinate efforts to achieve the best outcomes for all Indigenous people; influence funding allocations; target agencies and
organisations for specific partnerships; improve the health and well being of individuals and families; enhance services
with appropriate
cultural content; spread understanding on how to access services.
With just one week to go until National Reconciliation Week kicks off on 27 May, organisations around the country are preparing to celebrate with cultural, sporting, arts and community events -LSB-
With just one week to go until National Reconciliation Week kicks off on 27 May,
organisations around the country are preparing to celebrate
with cultural, sporting, arts and community events -LSB-
with cultural, sporting, arts and community events -LSB-...]
Strategies: Determine community needs and establish Service Level Agreements; coordinate efforts t achieve the best outcomes for all Indigenous people; influence funding allocations; target agencies and
organisations for specific partnerships; improve the health and well being of individuals and families; enhance services
with appropriate
cultural content; spread understanding on how to access services.
However, increasing the presence of Aboriginal and Torres Strait Islanders within an
organisation can increase its
cultural competency, providing that they are given the right support and the
organisation is structured to work in partnership
with our communities.
That Aboriginal and Torres Strait Islander communities and their
organisations work together to develop engagement and governance frameworks that promote
cultural safety and comply
with the United Nations Declaration on the Rights of Indigenous Peoples.
cultural security by external parties such as governments, industry and non-government
organisations (NGOs) who engage
with Aboriginal and Torres Strait Islander communities and
organisations.
Cultural competency must be built over time through a deliberate process that seeks to build the capacity of the entire
organisation, and this must be done in partnership
with Aboriginal and Torres Strait Islander communities.
A broad conception of
cultural competency akin
with Juli Coffin's model of
cultural security does not occur just in the parts of an
organisation responsible for Aboriginal and Torres Strait Islander policy and service delivery.
It is very doubtful the service
organisation even has sufficient capacity to deal
with future acts let alone land acquisition, land management, socio -
cultural development, resource management, economic development.38
cultural security by external parties such as governments, industry and NGOs who engage
with Aboriginal and Torres Strait Islander communities and
organisations.