Sentences with phrase «with cultural organisations»

Utilizing their long - standing connections with specialists in the arts community as well as with cultural organisations, Branch works with hundreds of artists world - wide, businesses, brands, arts commentators and individuals.
Schools can benefit from up to # 150,000 in grant funding to boost arts - based teaching through partnerships with cultural organisations using the Teacher Development Fund.
«By funding schools to partner with cultural organisations, the fund will enable teachers to gain access to high - quality CPD from artist - practitioners, and allow schools and arts organisations to work collaboratively in order to embed arts - based learning in the primary curriculum,» she said.

Not exact matches

The aim of Cultural destinations is to enable arts and culture organisations working in partnership with destination organisations to increase their reach, engagement and resilience through working with the tourism sector.
The pan-Yoruba socio - cultural organisation, Afenifere, the Igbo socio - political organisation, the Ohanaeze Ndigbo, and the Movement for the Actualisation of the Sovereign State of Biafra have expressed support for the bill assented to by the Ekiti State Governor, Ayodele Fayose, which categorises grazing with arms in the state as terrorism.
With the encouragement and support of the founding organisations of World Science Forum the United Nations Educational, Scientific and Cultural Organization (UNESCO), the International Council for Science (ICSU), the Hungarian Academy of Sciences and all invited organisations and fellow scientists, we, the participants of the 7th World Science Forum held from 4th to 7th November 2015 adopt the present declaration.
The IFI Irish Film Archive holds over 30,000 cans of film and footage and IFI International, with the support of Culture Ireland, creates over 100 Irish film programmes for festivals and cultural organisations in 50 countries worldwide each year.
Shakespeare's Globe will work with leading disability organisations and suppliers to research, develop and pioneer the use of digital technologies in a cultural setting as well as to train staff in best practice.
Recent examples include the Times Educational Supplement's online platform that will give teachers access to arts and cultural teaching resources from organisations such as the Royal Shakespeare Company, the V&A, BFI, and the Royal Opera House, with more to come.
In addition, # 5.7 million will be invested into initiatives that boost literacy and numeracy skills, through the government's Strategic School Improvement Fund along with a # 7.7 million curriculum fund to encourage the development of high - quality teaching resources by organisations, including by leading cultural and scientific institutions.
The not - for - profit, membership - based organisation, works together with more than 370 tourism - related member businesses to showcase the city's superb cultural offering, world class accommodation and cutting edge dining and entertainment options.
In 1968 Riley, with Peter Sedgley and the journalist Peter Townsend, created the artists» organisation SPACE (Space Provision Artistic Cultural and Educational), with the goal of providing artists large and affordable studio space.
It centralises resources and provides a comprehensive organisation for the development of museums and cultural projects, with a long term ambition of creating a strong and sustainable cultural infrastructure for Qatar.
Dallas is on its own cultural roll: the popularity of the fair inspired Dallas Arts Week and, now, Dallas Arts Month, which connects the public with artists and organisations through poetry slams, jazz performances and panel discussions.
In acknowledgement of the important role arts organisations outside of London play within the UK cultural scene, a different regional organisation joins the collective each year, with Focal Point Gallery presenting a selection of their editions (Hilary Lloyd, Bridget Smith, Benedict Drew, Hannah Sawmill, Volker Eichelmann, Scott King and Keith Farquhar, Dawn Mellor, Clunie Reid, Milly Thompson, David Mabb) at the stand in 2017.
The New York Times also asks 21 cultural organisations that have accepted money from the family foundations of Raymond and Mortimer Sackler how they vet donors — and meets with a significant degree of silence.
The enriched contemporary art experience provided by Upstream is further developed by their events programme and collaborations with local cultural organisations.
The Kent Cultural Transformation Board and three leading cultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use todayCultural Transformation Board and three leading cultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use todaycultural organisations, Creative Foundation, Turner Contemporary and Canterbury City Council, will work with communities to transform some public spaces, housing and historic environments respectively, reimagining them for use today.»
He is responsible for leading the organisation's research - based programming and aligning all aspects of the organisation's work with a strategic plan that develops and sustains self - organised cultural infrastructures.
Other projects are being developed with a cross section of organisations, including the Council of National Cultural Institutions, The Ark, Dublin Institute of Technology and the Department of Education and Science.
The aim of the programme is to provide curators with an opportunity to carry out research and to develop international curatorial projects while building contacts with art practitioners and cultural organisations in Finland.
Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.
In addition to its emphasis on engaging local cultural centres, galleries, foundations, and schools, the biennale routinely collaborates with international foundations and cultural organisations to position Bamako as an important site for analysing and sharing recent developments in lens - based media.
GRAD has partnered with over thirty leading cultural organisations and museums world - wide including such prominent institutions as the Science Museum, the Courtauld Institute of Art, Van Abbe Museum in Eindhoven, State Russian Archive of Literature and Arts, St.Petersburg Museum of Theatre and Music and many others.
La Kunsthalle Mulhouse presents Sous nos yeux («Before our eyes»), a three parts project proposed by Abdellah Karroum, associate curator featuring works by Adel Abdessemed, Gabriella Ciancimino, Badr El Hammami, Pedro Gómez - Egaña and Younès Rahmoun, and an intervention by the group LMDP (l'Autre moitié du paysage) in collaboration with social activists and cultural organisations.
She has worked with numerous educational and arts organisations including Engage, 5x5x5 = creativity, The Cultural Olympiad London 2012, Dorich House Museum and Kingston Museum.
In 2008 the centre received funding from the European Union to create a touring exhibition in 2010 with partner organisations in China and France to forge cultural links between Europe and China.
To see the Visual Arts playing their fullest role in national cultural life with artists, curators, gallery spaces and Visual Arts organisations achieving regional, national and international significance and reaching ever - broadening audiences.
Established partnerships exist with cultural and commercial organisations across the island, and on the mainland, including Solo producers of the Isle of Wight Festival, Tate Modern, Visit Isle of Wight and the National Trust.
Cases are referred to the firm through the Georgia Asylum and Immigration Network (GAIN) but the firm also works closely with local social services: Tapestri — an organisation which aims increase access to services for human trafficking victims and raise social awareness of human trafficking in the local area — and New American Pathways who support to refugees to settle and integrate into the local community through cultural orientation and support in areas such as education and careers.
PERSONAL SUMMARY A passionate individual with previous experience of shaping and delivering positive cultural changes in a complex organisation.
The Western Australian Government's guide to engagement emphasises the importance of government engagement with Indigenous organisations.140 The guide lists types of organisations with which government should engage on various matters, including ATSIC bodies, sectoral organisations (e.g., community - controlled health services, CDEP, media, Aboriginal Legal Services, cultural organisations), women's and youth groups, and business networks.
They want to see more clinical placements in Aboriginal community controlled health organisations, more funding for cultural safety training, and importantly, each Aboriginal community adequately resourced with its own community based, locally owned and culturally appropriate primary healthcare facility.
A community - based, not - for - profit organisation with no religious affiliations, our services are for all members of the community, regardless of their religion, age, gender, sexual orientation, lifestyle choice, cultural background or economic circumstances.
As a community - based, not - for - profit organisation with no religious affiliations, our services are for all members of the community, regardless of religion, age, gender, sexual orientation, lifestyle choice, cultural background or economic circumstances.
Strategy - involve all school staff and families in discussions about developing and strengthening relationships with community organisations that support children and families with diverse cultural backgrounds.
Join us for free lunch, music and cultural entertainment with Aboriginal and Torres Strait Islander carers and representations from local Aboriginal community organisations.
Strategies: Determine community needs and establish Service Level Agreements; coordinate efforts to achieve the best outcomes for all Indigenous people; influence funding allocations; target agencies and organisations for specific partnerships; improve the health and well being of individuals and families; enhance services with appropriate cultural content; spread understanding on how to access services.
With just one week to go until National Reconciliation Week kicks off on 27 May, organisations around the country are preparing to celebrate with cultural, sporting, arts and community events -LSB-With just one week to go until National Reconciliation Week kicks off on 27 May, organisations around the country are preparing to celebrate with cultural, sporting, arts and community events -LSB-with cultural, sporting, arts and community events -LSB-...]
Strategies: Determine community needs and establish Service Level Agreements; coordinate efforts t achieve the best outcomes for all Indigenous people; influence funding allocations; target agencies and organisations for specific partnerships; improve the health and well being of individuals and families; enhance services with appropriate cultural content; spread understanding on how to access services.
However, increasing the presence of Aboriginal and Torres Strait Islanders within an organisation can increase its cultural competency, providing that they are given the right support and the organisation is structured to work in partnership with our communities.
That Aboriginal and Torres Strait Islander communities and their organisations work together to develop engagement and governance frameworks that promote cultural safety and comply with the United Nations Declaration on the Rights of Indigenous Peoples.
cultural security by external parties such as governments, industry and non-government organisations (NGOs) who engage with Aboriginal and Torres Strait Islander communities and organisations.
Cultural competency must be built over time through a deliberate process that seeks to build the capacity of the entire organisation, and this must be done in partnership with Aboriginal and Torres Strait Islander communities.
A broad conception of cultural competency akin with Juli Coffin's model of cultural security does not occur just in the parts of an organisation responsible for Aboriginal and Torres Strait Islander policy and service delivery.
It is very doubtful the service organisation even has sufficient capacity to deal with future acts let alone land acquisition, land management, socio - cultural development, resource management, economic development.38
cultural security by external parties such as governments, industry and NGOs who engage with Aboriginal and Torres Strait Islander communities and organisations.
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