Sentences with phrase «with curator of contemporary art»

Events throughout the day include a screening of «The True Cost,» a documentary about the fashion industry; a tour of the exhibition with Curator of Contemporary Art Camille Ann Brewer; and a conversation with Shayla Simpson, a former Ebony Fashion Fair model, commentator, and buyer.

Not exact matches

She coordinated the International Symposium of Contemporary Art of Baie - Saint - Paul from 2012 to 2014 along with artist and curator Serge Murphy.

The show is organized by Bennett Simpson, senior curator, with Rebecca Matalon, curatorial associate, The Museum of Contemporary Art, Los Angeles.

Michael Rooks, Wieland Family» Curator of Modern and Contemporary Art and curator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in galleCurator of Modern and Contemporary Art and curator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in gallecurator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in gallery 105.

When she returned from her uptown wilderness to the fashionable Upper West side in the 1960s she was out of step with the contemporary scene, however Neel made a concerted effort to reengage with the New York art world painting numerous portraits of artists, curators and gallery owners, including the poet and MOMA curator Frank O'Hara, and artists Andy Warhol and Robert Smithson.

Before moving to Boston, Byers was Richard Armstrong Curator of Modern and Contemporary Art at the Carnegie Museum of Art, and co-curator, with Daniel Baumann and Tina Kukielski, of the 2013 Carnegie International.

The first edition took place on Saturday 2 July 2016 and was guest - curated by the Institute of Contemporary Arts (ICA) with curator Kathy Noble.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

1st Berlin Biennale (1998): Klaus Biesenbach with Nancy Spector and Hans Ulrich Obrist 2nd Berlin Biennale (2001): Saskia Bos 3rd Berlin Biennale (2004): Ute Meta Bauer 4th Berlin Biennale (2006): Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick 5th Berlin Biennale (2008): Adam Szymczyk and Elena Filipovic 6th Berlin Biennale (2010): Kathrin Rhomberg 7th Berlin Biennale (2012): Artur Żmijewski together with associate curators Voina and Joanna Warsza 8th Berlin Biennale (2014): Juan A. Gaitán 9th Berlin Biennale (2016): DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro) The selection committee for the curatorship of the 10th Berlin Biennale consisted of Krist Gruijthuijsen, KW Institute for Contemporary Art, Berlin, DE; Vasif Kortun, SALT, Istanbul / Ankara, TR; Victoria Noorthoorn, Museo de Arte Moderno de Buenos Aires, AR; Willem de Rooij, Frankfurt / Berlin, DE; Polly Staple, Chisenhale Gallery, London, GB; and Philip Tinari, Ullens Center for Contemporary Art, Beijing, CN.

Gabi Ngcobo, curator of the 10th Berlin Biennale for Contemporary Art, has invited Nomaduma Rosa Masilela (New York, US), Serubiri Moses (Kampala, UG), Thiago de Paula Souza (São Paulo, BR), and Yvette Mutumba (Berlin, DE) to collaborate with her as the curatorial team.

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowermeArt at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowermeart with a selection of works engaging themes of gender, equality, and empowerment.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

Visitors are encouraged to take advantage of the museum's intimate and informal setting to talk with artists, curators, and printers to learn more about contemporary art and printmaking techniques.

, Minneapolis, MN 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artisart by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artists.

Instead of resigning herself to plan B, Kasper, 35, pitched an idea to the curators of the Whitney Biennial that would solve her problem and earn her a coveted spot in the contemporary art show: setting up shop in the Manhattan museum, where she could work, interact with patrons, and store her belongings for the show's three - month run.

Join us at Durham County Library's Stanford L. Warren Branch, 1201 Fayetteville St., Durham, with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who will give a slide lecture of the...

«This image comments upon notions of idealized beach scenes with a dead - pan and subtle, but sweetly satirical play on the notion of a «view,»» said Dianne Vanderlip, esteemed curator of the ART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art Museart at the Denver Art Museart at the Denver Art MuseArt MuseArt Museum.

You can't characterize him with one individual style,» said the Museum of Contemporary Art Jacksonville's curator Jaime DeSimone.

The exhibition was curated by Sabine Breitwieser and Laura Hoptman at MoMA in collaboration with curators at the museums to which the show traveled in 2014 — Michael Darling at the Museum of Contemporary Art Chicago and Jeffrey Grove at the Dallas Museum of Art.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

On February 1, 2016, artist Leonardo Drew sat down with Rebecca Hart, Polly and Mark Addison Curator of Modern and Contemporary Art at the Denver Art Museum to discuss his dynamic large - scale sculptural installations.

They collaborated with curators at the museums to which it will travel: Michael Darling of the Museum of Contemporary Art, Chicago, and Jeffrey Grove of the Dallas Museum of Art.

In this discussion, Kate Fowle, Chief Curator of Garage Museum of Contemporary Art, will talk with artist Rashid Johnson about his installation Within Our Gates, which is on show in Garage Atrium.

«THE SQUARE» In Ruben Östlund's Palme d'Or - winning satire — perhaps the first movie to depict the world of contemporary art with true insight — a Swedish curator imagines that an exhibition can improve society, and ends up making everything worse.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

The first Art Night in London took place on Saturday 2 July 2016 and was guest - curated by the Institute of Contemporary Arts (ICA) with curator Kathy Noble.

EXPO CHICAGO's VIPs receive insider access to the fair as well as a tailored itinerary exploring Chicago's contemporary and modern art scene including special visits to the city's top private collections, artist studios, curator led tours of the nation's top institutions as well as invitation only receptions with fellow art aficionados.

- Interview by Charles Desmarais Paul Schimmel, one of the world's most respected curators of up - to - the - minute contemporary art, lives at the northernmost edge of the Los Angeles Basin in a quiet community with a decidedly...

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

The Archive is a growing collection of books, prints, photographs, recorded lectures, documents, transcripts, interviews and original works of art culled from exchanges with over 90 contemporary artists, curators and thinkers.

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.

Starting Point is a new annual opportunity open to recent graduate curators to work with public collections of modern and contemporary art.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

It features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang TiCurator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang TillmaArt Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Tillmaart historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Ticurator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Tillmans.

This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.

[1] LaToya Ruby Frazier, interview with Rujeko Hockley, assistant curator of contemporary art, Brooklyn Museum, from exhibition brochure.

Susette Min is currently the Assistant Curator of Contemporary Art at The Drawing Center where she is currently working on exhibitions with Margaret Honda (opening March 25, 2004), Richard Tuttle, and artists from the Viewing Program.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

Previously serving as Curator of Public Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live events.

Devon Britt - Darby caught up with Arteaga, the exhibition's curator, to discuss the recent renewal of interest in modern and contemporary Mexican art.

Monash University Museum of Art MUMA in partnership with the Australian Centre for Contemporary Art I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACArt MUMA in partnership with the Australian Centre for Contemporary Art I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACArt I ACCA is pleased to present a special lecture by renowned American art historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACart historian, writer and curator Amelia Jones that coincides with the final week of Unfinished Business - perspectives on art and feminism at ACart and feminism at ACCA.

According to Patricia Hickson, the Emily Hall Tremaine Curator of Contemporary Art at Hartford's Wadsworth Atheneum Museum of Art, «In the contemporary art field, it is so exciting to come across an artist with a wholly original artContemporary Art at Hartford's Wadsworth Atheneum Museum of Art, «In the contemporary art field, it is so exciting to come across an artist with a wholly original artistic voiArt at Hartford's Wadsworth Atheneum Museum of Art, «In the contemporary art field, it is so exciting to come across an artist with a wholly original artistic voiArt, «In the contemporary art field, it is so exciting to come across an artist with a wholly original artcontemporary art field, it is so exciting to come across an artist with a wholly original artistic voiart field, it is so exciting to come across an artist with a wholly original artistic voice.

Join us for a conversation with Joan Mitchell Center Artist in Residence Alison Saar and Miranda Lash, Curator of Modern and Contemporary Art for the New Orleans Museum of Art at the Joan Mitchell Center in New Orleans.

Curators Sarah Perks (HOME Director of Visual Art), with Olya Sova and Anya Harrison of The New Social, will lead a curator tour of this new group exhibition which seeks to redress the legacy of the Russian Revolution on its centenary by exploring how contemporary artists are responding to the state of the «New East» today.

He was curator at the Institute of Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delaof Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto DelaOf Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delat?

She was co-curator of Dak» Art 2012 — Biennale of Contemporary African Art with Nadira Laggoune and Riason Naidoo, and curator of the African selection of Photoquai 2011 — Biennial of World Images, with Françoise Huguier, Artistic Director.

Leap Before You Look: Black Mountain College 1933 — 1957 is organized by The Institute of Contemporary Art, Boston, and curated by Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles, with Ruth Erickson, assistant curator, Institute of Contemporary Art, Boston.

Transnational Belonging and Subjectivity - in - Process: Contemporary Women Artists» Encounters with Space Chairs: Catherine Dormor, Ph.D., Head of Research Programmes, Royal College of Art and Basia Sliwinska, Ph.D., Senior Lecturer, Critical & Historical Studies, London College of Fashion Speakers: Kathy Battista, Sotheby's Institute of Art, Jane Chin Davidson, California State University, and Aliza Edelman, Independent Curator