Sentences with phrase «with curator of the exhibition»

Exhibition walk - through and interview with the curator of the exhibition, Elvira Dyangani Ose.

Interview with the curator of the exhibition, Cécile Debray, March 9, 2010.

We have identified some upcoming exhibitions that we feel are well - suited to a digital archive, and have met with the curators of those exhibitions to discuss how they can prepare their materials for an eventual archive.

Susan discusses her exhibition «Social Facts» at OGR Torino (until 24 June) with curator of the exhibition, Barbara Casavecchia, and Andrea Lissoni, Senior Curator of International Art (Film), on 4 May

As part of the Exhibition Seminar, Isaac Julien with be in conversation with the curator of the exhibition HUANG Hsiang - Ning at the museum.

At the opening of the exhibition we met with the curator of the exhibition, Raffael Dörig, who provided us with a short introduction to the exhibition.

Not exact matches

On Feb. 27 join Senior Curator Omar Kholeif in conversation with Paul Heyer on the work and process of creating his new exhibition.

During the museum visits, Tishman's students engaged in a range of activities, from studying exhibitions, to trying out a variety of active learning techniques, to meeting with curators about exhibit design.

At the moment, the lighting people are out, and I can see these wonderful objects for what they are from any angle, I can compare this map with that map, I can understand the cartography of the French and the British, or the Dutch and the Portuguese,» said a naturally excited Martin Woods, National Library's curator of maps, who said the exhibition marks the culmination of years of planning and negotiations.

Because Ai is unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

Because Ai is currently unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

To the many inquiries I've made to Johns over the years of my search for the Short Circuit flag, he responded once to say he had no involvement in the decision to replace his flag with Sturtevant's, a decision that stems from 1967, the year Rauschenberg fielded a request from Finch College Museum curator Elayne Varian, who wanted to include Short Circuit in a traveling exhibition, «Art in Process: The Visual Development of a Collage.»

Hrag Vartanian talks with curator Gwen Chanzit, painter Judith Godwin, art historian Linda Nochlin, and critic Karen Wilkin about the marginalization of female Abstract Expressionist painters on the occasion of the exhibition Women of Abstract Expressionism exhibition at the Denver Art Museum, on view through September 25, 2016.

All too often, museum curators cave to these pressures, too, validating the trend by staging exhibitions of market - darling artists collected by their trustees with a lack of scruples that gives the worst insider traders a run for their money.

October 8, 3:30 pm - 7:00 pm 3:30 pm Exhibition Reception for FotoFocus Curated Exhibitions Zanele Muholi: Personae, Jackie Nickerson: August, and Robin Rhode: Three Films 5:30 pm Evening Program with Zanele Muholi, Artist, Johannesburg, South Africa, Introduction by Sophie Hackett, Curator, Photography, Art Gallery of Ontario

Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.

Michael Rooks, Wieland Family» Curator of Modern and Contemporary Art and curator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in galleCurator of Modern and Contemporary Art and curator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in gallecurator of the exhibition will lead a conversation with artist Alex Katz to celebrate the presentation of his works in gallery 105.

At the Brooklyn Museum she has championed curators who take an «anticolonial approach to curating» with exhibitions like «The Legacy of Lynching: Confronting Racial Terror in America» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

An invitation for cocktails and a tour of an exhibition with the executive director or chief curator.

Organized by Ellen Lupton, senior curator of contemporary design, and Andrea Lipps, assistant curator of contemporary design, the exhibition includes work by more than 65 designers and teams and reveals how sensory design can solve problems and enhance life for all people, including those with sensory disabilities.

Join contemporary Belgian artist Michaël Borremans in conversation with Dr. Jeffrey Grove, curator of the exhibition Michaël Borremans: As sweet as it gets, for insights into Borremans» life and work.

This Thursday, Nov 30 at @IPCNY: Exhibition tour with curator Masha Chlenova at 6PM of» #RussianRevolution: A Contested Legacy» followed by a Performative reading organized by artist #YevgeniyFiks at 7PM.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

The concept of the exhibition was inspired by the curator's conversations with the late author and critic Susan Sontag about artistic approaches that describe and question the human condition.

The catalogue includes entries by the exhibition's organizer, Assistant Curator Thomas J. Lax, along with leading scholars Horace Ballard, Katherine Jentleson, Scott Romine and Lowery Stokes Sims, who write on notions of spirituality, the ethics of self - taught art and the idea of the South in the American project.

«Carrie Moyer: Pirate Jenny» was organized by Ian Berry, Dayton Director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, in collaboration with the artist, and was organized in - house by Tim Peterson, SCAD chief curator of exhibitions.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowerment.

Including a foreword by Alison Byrne, MOCA's Director of Exhibitions and Education, an essay by Heather Hakimzadeh, MOCA Curator and artist and writer Matthew Weinstein and an interview with artist Ryan McGinness.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

The programme included an international video exhibition, Fireflies in the Night (22 - 24 June), organised by critic Robert Storr, former Dean of the Yale School of Art, with curators Barbara London, Kalliopi Minioudaki and Francesca Pietropaolo.

The joint exhibitions will be accompanied by a significant three - volume catalogue with texts by Margit Rowell, a former curator at The Museum of Modern Art, Centre Georges Pompidou, Centro de arte Reina Sofia and the Solomon R. Guggenheim Museum, on Miró's Constellations, and art historian and author Mildred Glimcher on Calder's Constellations.

Supporters of Atlanta Contemporary enjoy an array of benefits ranging from free admission and discounts on select events, discounts at our SHOP & COVER Books, behind - the - scenes previews of exhibitions with artists, curator - led trips and excursions, and much more.

Please join 11R for a conversation between artists Douglas Melini and Brian Alfred with curator Daniel S. Palmer, on the occasion of Melini's current exhibition at the gallery, You Have To Peer Into The Sky To See The Stars.

Mr. Lowry and Ms. Heiss, with Tom Finkelpearl (Program Director of P.S. 1), led a team of curators who participated in the selection of artists and organized the exhibition.

In this episode of Radio Art Center, the Des Moines Art Center's Director of Marketing and PR Christine Crawford sits down with Senior Curator Alison Ferris to discuss the upcoming exhibition Ruptures.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

The exhibition series is accompanied by a varied program of events, with lectures, talks, readings and discussions featuring artists, curators and theorists.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

The catalog features a foreword by the exhibition curator and DailyServing founder, Seth Curcio, a full interview with the artist led by Redux's Executive Director, Karen Ann Myers, and an excerpt by Roger Gastman, founder of R. Rock Enterprises and Co-founder / Publisher of SWINDLE magazine.

The exhibition at MoMA PS1 expands on the one presented at the Wattis Institute and is co-organized with Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

The exhibition was curated by Sabine Breitwieser and Laura Hoptman at MoMA in collaboration with curators at the museums to which the show traveled in 2014 — Michael Darling at the Museum of Contemporary Art Chicago and Jeffrey Grove at the Dallas Museum of Art.

with essays by Johannes Meinhardt and Jeffrey Rian, in German) Art Collected: Private, Corporate and Museum Contexts, University Art Museum, Binghampton, USA (curated by Lynn Gamwell) Hybrid Neutral: Modes of Abstraction and the Social, Richard F. Brush Art Gallery, St. Lawrence Museum, New York, USA (traveling exhibition coordinated by Independant Curators Incorporated, curated by Collins and Milazzo, cat.

Opportunity to arrange a private tour for up to ten guests of an exhibition with the Director or Senior Curator

1:30 — 2:30 pm Thomas J. Lax in conversation with Sondra Perry Sondra Perry, the subject of the solo exhibition Resident Evil at The Kitchen (2016) and Thomas J. Lax (Associate Curator, Museum of Modern Art) discuss legacies of media art, the role of appropriation, and the stakes of representing violence and social protest.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

The exhibition is co-organized by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and curated by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller, Curatorial Assistant, MoMA PS1; and Javier Rivero, Curatorial Assistant, Fundación Jumex Arte Contemporáneo.