Sentences with phrase «with curatorial research»

Not exact matches

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site for cultural production, pedagogy and participation — through exhibitions, collection development, curatorial research, publishing, and academic and community engagement.

Students also benefit from a close relationship with the Clark — working alongside the institution's research and curatorial staff — as well as nearby MASS MoCA.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

Curatorial essays provide an overview of the extraordinary world of the 17th century Dutch Republic, explore the history and future of the Mauritshuis building and collection, offer an in - depth look at Girl with a Pearl Earring, and chronicle fascinating conservation treatments and technical research undertaken by the museum on behalf of its treasures.

These interns will work closely with the curatorial and performing arts departments, researching, writing about, and assisting on all aspects of realizing Confluence Artist Residencies.

Carrying the accolades of a Masters of Contemporary Art (with honors) from Sotheby's, recognized by the Robert Rauschenberg Foundation with an Emerging Curator Fellowship in 2015, and recently awarded a Curator - In - Residence Fellowship with the Curatorial Program for Research in Mexico City, Nicole Bray comes to the industry with a wealth of knowledge and the quick wits and intelligence to know how to use it.

Surface / Depth: The Decorative After Miriam Schapiro is curated by Elissa Auther, MAD's Windgate Research and Collections Curator with the support of Assistant Manager of Curatorial Affairs, Angelik Vizcarrondo - Laboy.

Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoriaresearch projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch in an Age of Migrations at MACBA (led by Victoria Walsh).

It is part of the Exhibition Histories research and publication project, developed by Afterall and published in association with the Center for Curatorial Studies, Bard College.

Series II: Other Curatorial Projects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals Curatorial Projects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals curatorial proposals by others.

This summer, she will work with the Chief Curatorial team at the Whitney Museum of American Art to research the work of Laura Owens.

Graduate Curatorial Assistants may research upcoming exhibitions; help with loans, publications, files, press, studio visits, library, and correspondence; write educational texts and exhibit labels; and give gallery tours.

Working closely with Girls» Club Gallery Director and Creative Director, fellows will be heavily involved in a variety of operations including curatorial, research, social media campaigns, building relationships with press, creating educational print and web content, developing curriculum, assisting in collection management and community involvement.

Series II: Other Curatorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project oCuratorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project ocuratorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or writing.

However, the International is already under way, with expanding research and creative documentation along with a highly crafted curatorial process, public programs, commissioned essays, and immersive site visits.

Residents are provided with administrative, curatorial, and professional support to explore and expand the scope of their artistic practice through research, dialogue, and production of new projects.

In 2007, together with Iris Müller - Westermann, McElheny co-curated a groundbreaking display of the very first painter of geometric abstraction, the visionary Hilma af Klint, at the Moderna Museet in Stockholm, and in 2011 McElheny's highly researched interpretations of Blinky Palermo's «lost» wall paintings of 1970 - 1972 were exhibited at the Hessel Museum of Art at CCS Bard College as part of his large scale collaborative curatorial project with curator Lynne Cooke and CCS director Tom Eccles.

In addition to advisory and curatorial services for private and public collections, Puccio Fine Art assists individuals and institutions with collection management, fine art investment portfolios, insurance valuation, authentication and provenance research.

Her research and curatorial practice, which span large - scale museum exhibitions with extensive catalogues as well as scholarly books and articles, have been instrumental in introducing the work of now seminal black artists (such as Martin Puryear, David Hammons, and Lorna Simpson) to wide audiences and bringing to light long - forgotten or overlooked black artists.

The fall semester includes solo hangs with works from the Hessel Collection; collaboratively produced curatorial projects; and writing and research workshops.

We went to the museum recently and spoke with Alexis Goodin, Co-Curator and Curatorial Research Assistant at The Clark.

With a focus on research, project - based learning and collaboration, NLE Lab is designed to deepen an understanding of the development of a curatorial practice that is centered on responding to a specific context in a distinctly urban setting.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

Continuing its collaboration with the Delfina Foundation, the 2018 Samdani Art Award deepened its support of emerging Bangladesh based artists under the curatorial direction of Simon Castets (Director, Swiss Institute, New York), who also conducted research for 89plus.

2 Curatorial Division (1 person): Interns in the Curatorial Division will be introduced to issues relating to research and organizing upcoming exhibitions, including corresponds with artists, curators, galleries, and museums before the exhibits; assistant for exhibition installation; translation of produces exhibition catalogues.

This exhibition is the second phase of the project, in which the DMA's Curatorial Department supplemented existing information with new research that places the mural series within the historical context surrounding its creation.

Her curatorial work focuses primarily on research - based commissions with artists in museum contexts and increasingly in public space.

In her role at the Barnes, Kang will work directly with Sylvie Patry, deputy director for collections & exhibitions and Gund Family Chief Curator, to expand the Foundation's growing exhibitions program, collections research and interpretative activities, and curatorial and educational technology initiatives.She will begin her post on February 27.

The exhibition is curated by Dr. Wang Chunchen, Broad MSU Adjunct Curator and Head of the Curatorial Research Department at CAFAM, in collaboration with Steven L. Bridges, Broad MSU Assistant Curator.

Mr. Stout is also active in various roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Goresearch, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of GoResearch at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Governors.

As the University Museum of Contemporary Art's first Curatorial Fellow, Kathleen Banach (M.A. candidate in Art History «09) will work in consultation with the staff of the University Museum of Contemporary Art and art history professor Mario Ontiveros to focus her research on these photographs.

Typical responsibilities include: assisting in the execution and publication of exhibition brochures; assisting with curatorial committee preparation and planning efforts for exhibitions during the upcoming season; maintaining an active presence on web and social media outlets; researching and producing supplemental materials for exhibitions and special events; exploring opportunities for institutional collaboration; seeking sponsorship and grant opportunities; assisting with publicity and coordination of events; monitoring the gallery space; assisting on installation; and educating audience members on current exhibitions.

Kery James Marshall's «Mastry «exhibit, is co-organized with The Metropolitan Museum of Art and the Museum of Contemporary Art, Los Angeles, and cocurated by former Manilow Senior Curator Dieter Roelstraete; Helen Molesworth, Chief Curator at LAMOCA; and Ian Alteveer, Associate Curator at The Met; with the assistance of Karsten Lund, former Curatorial Assistant, and Abigail Winograd, former Research Associate at the MCA.

The journal is intended to provide a high - caliber international forum for disseminating original research and scholarship and for sustaining a lively engagement with intellectual developments and methodological debates in art history, visual and material cultural studies, and curatorial work.

With a focus upon artistic and curatorial practices from the 1960's to the present day, the expansion creates a unique platform for research, exhibition preparation, and teaching.

With the $ 500,000 Mellon grant received in 2013, the museum expanded its curatorial team, hiring a project manager for digital archives to oversee the initiative, which includes research and infrastructure development to content creation and dissemination.

During the process each student works in close consultation with their professor and museum staff; researches a concept and selects original art objects from the collection; writes object labels; and produce a brochure with a curatorial essay.

The Library and Archives at the Center for Curatorial Studies serve as a vital and unique research center, an exhibition and discursive space, a classroom, and a social hub for a range of programs and activities focusing on and engaging with curatorial practices and the contempoCuratorial Studies serve as a vital and unique research center, an exhibition and discursive space, a classroom, and a social hub for a range of programs and activities focusing on and engaging with curatorial practices and the contempocuratorial practices and the contemporary arts.

With a focus on contemporary art and culture from 1960 to the present, the research collections at the Center for Curatorial Studies Library and Archives strive to be as comprehensive as possible.

Together with other recent financial gifts and new acquisitions, the A.F.A / Pat Hearn Gallery archives transform the holdings of CCS Bard into a preeminent research center for the study of contemporary art and curatorial practices.

This exhibition is the resultof her research in the context of Barcelona whilst in residence with BAR project, the curatorial agency that promotes dialogue, hospitality, collaboration and exchange between artists and curators at local and international level.

In 2010, she co-founded Node Center, establishing it as a place for teaching researching, and experimenting with subjects related to curatorial studies and contemporary art practices.

Claire Louise is also Curator with Inheritance Projects, a curatorial group working with artists and writers in collaboration with institutions on critically informed research - led projects.

This exhibition is an Autograph ABP / Street Level Photoworks partnership, in association with TrAIN (Transnational Art and Nation) and is the outcome of a curatorial research project by Deborah Cherry, Professor of Art History at the University of the Arts London, and Deputy Director of TrAIN, and artist and curator Ajamu, funded by Arts Council England.

Following his curatorial research trips to Vienna, Antwerp, and Copenhagen, Dieter Roelstraete takes us on the second leg of his curatorial journey researching and preparing for Kerry James Marshall, with...

Among the fields of research with which she is currently preoccupied are the concept of artistic work, the aesthetic, social and political possibilities of curatorial work, the implications of globalization for the cultural sphere and the functions of the postmodern image of the artist.

As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.

In conversation with Natasha Becker, Mellon Assistant Director of Research and Academic Program, Bisi Silva will continue her dialogue on transnational curatorial practices and current researcResearch and Academic Program, Bisi Silva will continue her dialogue on transnational curatorial practices and current researchresearch areas.

The Studio Lab Curatorial Residency provides curators and cultural workers with research, development, production, and exhibition space and resources.