Sentences with phrase «with docu»

I'd recommend an either / or situation between this and the commentary: both contain the same information — but if pressed, go with the docu, as it covers all aspects of pre / post / and post-release.

The Belgian brothers, whose films document working - class hardships with docu - realist intimacy, have twice won the top festival prize, the Palme d'Or.

John Paul II agreed with the docu - ment.

Not exact matches

Ratzinger was in charge of the CDF at the Vatican when many of these cases were dealt with, watch the docu * mentary you will learn enough so that you will not have to speak from ignorance.

The Archbishop of Baltimore did docu - ment that if a married couple had good reason to use birth control (ie on gets HI - V from tainted blood) and the discuss their si - tu - ation with their priest and pray to God for guidance and they come to the con - clu - sion the should use birth control the can rest a-s-su-re-d they are making a moral decision.

The strategy was put forth in a Discovery Insti - tute manifesto known as the Wedge Docu - ment, [1] which describes a broad social, political, and academic agenda whose ultimate goal is to defeat materialism, naturalism, evolution, and «reverse the stifling materialist world view and replace it with a science consonant with Christian and theistic convictions.

[5] Virtually all scholars involved with historical Jesus research believe his existence can be established using docu mentary and other evidence, although most hold that much of the material about him in the New Testament should not be taken at face value

I agree with the old confessional docu - mts of the Protestant churches; with the decisions of the Ecu - menical Council; with the basic teachings or tenets of the Fathers of the Church and of course with the Bible.

@ fheal In this search, will it come up with statistical anomalies, or well docu mented physical impossibility?

If god has a plan he is all powerful and perfectly able to come and talk to me about it and provide a well docu mented business plan with evidence that meets the quality we expect in the courts.

«you do not consider historical docu ments about Jesus that coincide with archaeological evidence as evidence?»

@Sam Just visit the Creation Museum and you'll see how the Bible matches up with modern, scientific docu / mentary films like «The Flintstones».

Ignoring your error in trying to insult me (you know that fallacy I bet), you do not consider historical docu ments about Jesus that coincide with archaeological evidence as evidence?

You die and in your Will, that you had made before you passed away, you felt your estate shall go to the community center... Do you feel that your kid should get any part of your estate, especially after you have stated with out question in a legal docu «ment that they get nothing?»

Along with starring alongside James in a new sitcom (Kevin Can Wait), Remini also hosts the docu - series, Leah Remini: Scientology and the Aftermath.

Internationally known as the host of Spike TV's docu - reality series «Bar Rescue,» Jon Taffer is an industry leader with nearly 30 years of hands - on experience as a restaurant operator, owner and concept developer.

Helmed by Chapman Way and MacLain Way and featuring multiple appearances by their uncle and former Maverick himself Kurt Russell, the docu launched in the Documentary Premiere section of this year's Sundance Film Festival on January 20... In play right now with several buyers at Sundance, according to sources close to the film, Battered Bastards chronicles how in 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball team.

These are their real lunches, photos taken on the fly / on the way out the door, docu - style with the hopes of showing how quickly you can put together a lunch box full of real food (and at least 2 of the recommended 5 daily servings of fruit and vegetables).

My job as a sound mixer for documentaries, narratives, commercials, docu / reality takes me all over to different locations meeting fascinating people that provides me with a wide scope of empathy.

In the latest chapter of Showtime's acclaimed sports docu - series, ALL ACCESS, go outside the ring, into the training room and beyond with an unprecedented behind - the - scenes look at boxing superstar Floyd «Money» Mayweather as he prepares for his epic showdown with Robert «The Ghost» Guerrero.

Padilha is experienced with fact - based cinema, creating the superb terrorist docu - thriller «Bus 174,» the vibrant semi-fictional «Elite Squad» police actioners and episodes of the reality - inspired Netflix series «Narcos.»

With his thrilling new documentary portrait of his hometown — or rather, his new «docu - fantasia» — Guy Maddin proves that you can go home again.

Visionary Canadian filmmaker Guy Maddin pays tribute to his beloved hometown with this goodbye letter and self - described «docu - fantasia» that is equal parts transcendental rumination, historical chronicle, and personal portrait.

This docu - drama from director Jeff Unay plays like a feature film with a narrative following the real - life story of a fighter named Joe Carman.

With the Sophie Sartain and Roberta Grossman directed film set to premiere tomorrow, Allred will be addressing the rally on suddenly snowy Saturday morning along with Common and Jane Fonda, who also has a docu about her playing at Sundance this yWith the Sophie Sartain and Roberta Grossman directed film set to premiere tomorrow, Allred will be addressing the rally on suddenly snowy Saturday morning along with Common and Jane Fonda, who also has a docu about her playing at Sundance this ywith Common and Jane Fonda, who also has a docu about her playing at Sundance this year.

The feminist serial killer road movie Butterfly Kiss, the Bosnian war pic «Welcome to Sarajevo», the period property drama «The Claim» and the Manchester docu - comedy 24 Hour Party People might appear to be films with nothing in common, but in fact all are collaborations between director Michael Winterbottom and writer Frank Cottrell Boyce, who together have shown an ability to produce consistently interesting works in any and every genre.

Previously working in the docu form with entries El General (2009), El Velador (2011), Almada explores bureaucratic bliss via sexagenarian and Mexico city resident Doña Flor, played by Academy Award — nominated actress Adriana Barraza (Amores Perros, Babel).

Franco also directed the film, imbuing his docu - dramedy with an interesting bit of irony by directing himself in a very good movie where he plays the real life director (at least according to the credits) of a famously bad movie.

This docu - drama chronicles his crime spree that ended in 1975 with the kidnapping and murder of an adolescent heiress.

is a perversely extended making - of docu replete with B - roll footage and confirmation that VanHook's name is actually spelled without a space.

Sarah Polley dives into her own family's history for a docu - memoir with more revelations than a Brian De Palma thriller.

The location shooting on the streets of Los Angeles gives the movie that docu - texture of a certain strain of noir, with night shoots letting the minimal lighting and the headlights of cars create pools of light in a world of darkness.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The docu's director, the critic Richard Schickel, shares the commentary track with John Carpenter, whose «Assault on Precinct 13» was a «Rio Bravo» spawn.

The extras aren't deep, but the docu «Working With the Duke» does a decent job of positioning «True Grit» in Wayne's sunsetting career.

Heading to the woods for a weekend of inspiration, they eventually devise the idea of a Blair Witch docu - horror movie about an intruder with a bag over his head — which turns out to be both the laziest imaginable conceit and ironically effective as a scare machine, onscreen and off.

This film also deals with the White Helmets rescue efforts in Syria and is aiming to be the second docu in a row on the subject to take an Oscar.

While Greene and Sheil's docu - drama explores ideas around the ethics and meanings of «playing» with the real death of a real woman, Christine is more directly biographical in its construction and linear in its narrative.

The Honeymoon Killers (Criterion, Blu - ray, DVD), Leonard Kastle's alienating B&W story of a dim Latin gigolo (Tony Lo Bianco) and a frumpy, unfulfilled overweight ex-nurse (Shirley Stoler) who team - up to romance and murder a series of lonely women is based on a true story, but his jarring docu - style, with its mix of black humor and blood chilling horror, is anything but a realistic portrait.

A thirteen - and - a-half minute documentary called «Jet Li is «The One»» is a fawning thing detailing how Jet is indeed the coolest cat in the alley (and probably deserving of a better vehicle), while another docu called «Multiverses Create «The One»» (also 13 + minutes) imparts some intriguing fight choreography information whilst presenting behind - the - scenes footage and an interview with fight master Corey Yuen.

The format for this otherwise rote docu is interesting as Gordon appears as a talking head superimposed over archival footage, recalling his early days in the movies before 2001: A Space Odyssey and his involvement as artistic director with the Organic Theater Company in Madison, WI (later, Chicago), at the spearhead of David Mamet's board - pounding revolution.

After working in film criticism and commencing his filmography in the docu form, Massoud Bakhshi saw his feature debut land a spot at the Cannes Film Festival's Directors» Fortnight with 2012's A Respectable Family.

Into the Inferno Werner Herzog's latest docu (along with Clive Oppenheimer) about the glory and power of active volcanoes has already received rave reviews out of Telluride.

With various quality levels, an endless amount of fascinating subjects / subject matters and additionally support from several governing docu - friendly institutions means that when the Sundance Institute offers funding and lab access to a given docu title it doesn't necessarily grant an automatic berth into the festival portion which is fine when there are so many other venues to launch.

The half - hour docu - series pilot includes Alan Cumming and Brett Gelman in a short film, as well as a documentary by Jonathan Demme about biologist Tyrone Hayes, and an interview with Marina Abramovic.

Mad Max: Fury Road (George Miller, 2015)-- the year's most realistic docu - fiction; the film's verisimilitude with our own predicament is almost too accurate to bear.

There's more than a whiff of the Coen Brothers in this telling from director Craig Gillespie («Lars and the Real Girl»), who takes a docu - drama approach to the Harding story, weaving in - character interviews with the key figures into the narrative.

Director Gillespie frames «I, Tonya» with a series of snippets from docu - style interviews with Harding and Gillooly (Sebastian Stan, very good) in the present day, with Tonya still defiant and proclaiming her innocence in the Kerrigan attack, and Gillooly gamely (and lamely) trying to justify his behavior.

Kobe Bryant, already a seven - time basketball champ, reacted to his first - ever Oscar nomination (for the animated docu - short Dear Basketball) with shock, while Hugh Jackman took some time to thank his Greatest Showman collaborators.

Zhao's intimate docu - drama follows a young rodeo rider as he suffers setback after punishing setback, all captured with a piercing insight and empathy.