Sentences with phrase «with dogtooth»

It attracts lots and lots of fish and is often swarming with dogtooth tuna, and big schools of barracudas and surgeonfish.

«Killing of a Sacred Deer» Director Yorgos Lanthimos, who came to fame with Dogtooth and last year blessed the world with his highly original and blackly comic The Lobster, is getting prolific.

Before he enlisted Colin Farrell to consider lobsters and kill sacred deer, Lanthimos basically reinvented Greek cinema with Dogtooth.

This jacket in particular typifies the businessman look of the nineties: road shouldered and heavily designer influenced with a fanciful dip into patterns of the past; Glen plaid proving especially popular, along with dogtooth check.

Not exact matches

Mid heels have been updated with Perspex panels and dogtooth designs, and chunky demi wedges have been given bold ankle straps and buckle details.

Featuring a monochrome dogtooth print, velvet material and a split hem, team it with a simple knot front tee and strappy heels.

Cut from a soft, virgin wool blend, the «Inna» sweater is woven with a textured jacquard dogtooth design, and features a ribbed crew neck, long sleeves and ribbed trims for a casual finish.

Having said all of that, I am also perfectly fine with someone simply saying they just don't care and don't want to be bothered with a film like Dogtooth.

It's a no - winners landscape in the hands of director Yorgos Lanthimos (sharing screenwriting credit with Efthimis Filippou), whose earlier arthouse offerings, like «Alps» and the Academy Award - nominated «Dogtooth,» dove deeply into similar pools of human sadness.

«Dogtooth» involved a family sequestered by a perverse father, and «Alps» explored grief with a bizarre story of amateur actors who rent themselves to families as surrogates for the recently deceased.

As his English - language debut and first time working with Hollywood actors, The Lobster marks the beginning of a new chapter for Yorgos, whose previous films (My Best Friend, Kinetta, the Academy Award — nominated Dogtooth, and Alps) were each made in Greece on an extremely modest budget with a crew made up of Yorgos's friends.

The Killing Of A Sacred Deer doesn't have as sharp an allegorical edge as his best work — it's no Dogtooth in that respect — but it does find the director honing his command of unnerving atmosphere to a razor point, enhanced by a camera that glides menacingly down hospital corridors and gazes from above with the severity of a merciless god.

He first cocked heads with 2009's Dogtooth and brought the same level of weirdness and dry, uncomfortable humor in 2015's The Lobster.

Dogtooth and The Lobster made for uncomfortable viewing, but Yorgos Lanthimos mined new depths of nastiness with his anti-bourgeois horror The Killing of a Sacred Deer.

Melting the butter sauce is Greek director Yorgos Lanthimos (Dogtooth), whose home - grown surrealism makes the leap into English with panache.

It might be indebted in many aspects to «Dogtooth,» with which it shares both thematic and stylistic links, but it's arguably more fully achieved than even that film — the helmer's win of the Silver Lion for Best Director might not have been popular in the room, but to our mind, it's well - deserved.

The wave began at Cannes in 2009 with Yorgos Lanthimos, «Dogtooth,» and has continued with his follow - up «Alps» and Athina Rachel Tsangari «s «Attenberg,» among others.

Audiences have come to expect the bizarre from director Yorgos Lanthimos, who broke out in 2009 with the wonderful and unsettling Dogtooth, and The Lobster definitely doesn't disappoint on that front.

Throwing a solid Hollywood cast into a surreal arthouse satire, acclaimed Greek filmmaker Yorgos Lanthimos (Dogtooth) makes his English - language debut with a bang.

Lanthimos gave us the wonderful DOGTOOTH, and with a cast of this caliber, we can only hope for another great film.

The English - language debut of Greece's Yorgos Lanthimos (Dogtooth), this absurdist dystopian comedy offers up a near future in which all single people are required to find a partner within 45 days or be transformed into an animal of their choice, with extensions for those who hunt down and tranquilize rogue «loners» who live in the woods and listen to electronic music.

Tomorrow: Yorgos Lanthimos, whose Dogtooth placed at # 25 on The Dissolve's list of the decade's best films so far, returns to Cannes — in Competition this time — with The Lobster, about which I know absolutely nothing.

[Variety] • Larry Rohter chats with «Dogtooth» director (and unlikely Oscar nominee) Yorgos Lanthimos.

Yorgos Lanthimos is the director who reinvigorated Greek cinema with his dark, absurdist films Dogtooth and Alps.

Cannes favorite Yorgos Lanthimos («Dogtooth,» «Alps») is headed back to the festival with «The Lobster,» a dystopian romance starring Colin Farrell and Rachel Weisz.

Building on the tradition he had established in films like Alps and Dogtooth, he there brought his obsession with societies built on arcane systems of governance to glorious fruition in a mesmerizing tale anchored by a deliriously deadpan performance from Colin Farrell (Seven Psychopaths).

Yorgos Lanthimos» name has become synonymous with contemporary absurdism; the films that have made him one of the most lauded filmmakers in recent years - Dogtooth, Alps, and The Lobster - have mixed stories of families and relationships in the most strange of circumstances, combining black comedy, violence, and the crisis of identity.

Lanthimos returns to Dogtooth - style form with The Killing of a Sacred Deer.

Another familiar and beloved face is that of Yorgos Lanthimos (The Lobster, Dogtooth) with his already much heralded latest endeavor, The Killing Of A Sacred Deer.

Messing with a topic we usually consider sacred, the family - Dogtooth's characters create an alternative reality in the film, and in their insular world commit some of the ultimate taboos.

Violent, sexually explicit and disturbing, Dogtooth tells the story of a family that lives in isolation, and is definitely not a film to sit down and watch with family members.

Dogtooth is the known film here, with festival and Oscar success behind it since its unveiling at Cannes in May 2009.

The director of the Cannes hits «Dogtooth» and «The Lobster» brings a new movie, «The Killing of a Sacred Deer,» with a plot described as «a surgeon forms a familial bond with a sinister teenage boy with disastrous results.»

«Alps «As extraordinary a film as Georgos Lanthimos «debut «Dogtooth» was, there was something about its Fritzl - ish premise that seemed like it was riding the zeitgeist (even if it marched firmly to the beat of its own drum), and I wondered how the director would fare with something that felt less ripped from the headlines.

Yorgos Lanthimos is in his element with «Alps,» his previous work, «Dogtooth» («Kynodontas»)» taking root with a crazy father's creating an insane world for his teen family, prohibiting their leaving the estate and teaching them only what he believes is important.

If you've seen Yorgos Lanthimos» other films, like «Dogtooth» or «The Lobster,» ** you enter «The Killing of a Sacred Deer» braced for uncomfortable hilarity with touches of deadpan violence.

The first English - language feature from Greek filmmaker Yorgos Lanthimos (Dogtooth), and co-written with his regular collaborator Efthymis Filippou, The Lobster is very funny, occasionally brutal, and completely bizarre.

Just last week we posted the domestic trailer for Greek surrealist satire, Dogtooth, and now I find the art department over at Kino - Lorber is taking a page from the Funny Games remake with a stunning one - sheet that would certainly turn heads in a multiplex display case.

Greek filmmaker Yorgos Lanthimos burst onto the International film scene in 2009 with the disturbing, Oscar - nominated family drama Dogtooth.

This quirky, allegorical premise is presented by the Greek filmmaker Yorgos Lanthimos - the blazingly brilliant director of the 2010 foreign language Oscar nominee Dogtooth, making his English language debut - with the utmost matter - of - factness.

Best Film Not in the English Language Carlos Dogtooth The Girl With The Dragon Tattoo Mother A Prophet

As unforgettable as it is unshakable, the fifth film from Greek filmmaker Yorgos Lanthimos (Dogtooth, The Lobster), The Killing of a Sacred Deer, is an unsettling and transgressive domestic odyssey that astounds with its unrelenting menace and imaginative fluency.

The filmmaker who hit with the equally strange comedy, Dogtooth, returns to bring yet another dry and somewhat surreal comedy that may just have you cringing in your seat as much as it has you rolling.

Tsangari is also known as producer of Yorgos Lanthimos's films (Kinetta, Dogtooth, Alps), which have tended to deal with similar themes.

You knew Yorgos Lanthimos, the Greek expat in London who made «Dogtooth,» was going to be up to something interesting with his first English - language film.

Director: Yorgos Lanthimos Starring: Stavros Psyllakis, Aris Servetalis, Johhny Vekris, Ariane Labed, Aggeliki Papoulia Running Time: 93 minutes Certificate: 15 Following up 2009's eccentric Oscar - nominated DOGTOOTH with ALPS...

Vogt working hand - in - hand on three films with one of Norway's most successful directors, Joachim Trier (Reprise, Oslo August 31st, Louder than Bombs), and Bakatakis working with one of Greece's great filmmakers, the Academy Award nominated Yorgos Lanthimos (Dogtooth).

Sure, it doesn't feature a woman being repeatedly beaten with a VHS tape of «Rocky» — which, spoiler, happens in Yorgos Lanthimos ««Dogtooth» — but you can't always get what you want.

Disappointingly, Yorgos Lanthimos» latest isn't nearly as densely packed with ideas as The Lobster or Dogtooth were — but the bone dry humour of the film comes close to making up for that.

I'm curious about Yorgos Lanthimos's second film Alps, even though I haven't seen Dogtooth — with both Alps and Attenberg playing the festival, I may get a double - dose of Greek cinema.