Sentences with phrase «with earlier installations»

A major solo exhibition of American artist Bruce Nauman's artwork, the first in France in over 15 years, through a comprehensive exhibition where the artist chose to exhibit a series of recent artworks never shown in France, along with some earlier installations, created from a various array of media, artworks representative of his career.

For the occasion, Nauman has accurately selected works not previously seen in France, along with earlier installations composed of a broad assortment of media and means of expression, an approach that has always marked Nauman's work.

For this new work, he prints a kaleidoscopic composition on the surface of an origami sculpture, installing it atop a mirrored surface that, as with his earlier installation, transforms the light in the gallery space.

Not exact matches

As part of a collective called USCO — the Company of Us — Stern started combining beat poetry with multimedia installations in the early 1960s.

But early reviews of the eighth and final installation of the Harry Potter series are in, and the word is that director David Yates and his cast have managed a task with near impossible expectations, to the tune of a 96 percent on Rotten Tomatoes.

A natural use of the turbocharger — and its earliest known use for any internal combustion engine, starting with experimental installations in the 1920s — is with aircraft engines.

XL Hybrids, Inc., developer of a low - cost hybrid electric powertrain designed specifically for class 1 to 3 commercial fleet use (earlier post), signed a non-exclusive installation partnership and distribution agreement with Leggett & Platt Commercial Vehicle Products (CVP), one of... Read more →

It seems that it's still at an early stage with installations needing quite a bit of technical input from Google.

This means you don't have to deal with installation, equipment, or early termination fees.

The law is currently in effect with signage planned for installation on sidewalks and other outdoor areas in early 2018.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

Spring came early with David Hockney's innovative collection of iPad prints, charcoal drawings and a video installation.

From his earliest works, Mellors has explored themes tied to contemporary society, from mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irony.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

In one of his dioramalike installations last year at New York's Luxembourg & Dayan gallery, which was based on a novel he'd written, a naked male doll lay on a bed, stabbed with a hook; his show at the Ramekin Crucible gallery on the Lower East Side a few months earlier had included live, baby tigers in cages.

However, now that our second installation, More Discoveries: Inaugural Exhibition, Part II is complete (it opens tonight with a reception at 5:30 pm), I'm glad we made the decision to makes these changes so early in our opening year.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two - dimensional work with holograms.

MOCA Jacksonville patrons enjoyed an early peek at Synthesize: Art + Music with a performance in conjunction with artist Rashaad Newsome's video installation in addition to cocktails, hors d'oeuvres, music, and socializing during the preview.

But that video, along with an earlier one, has been upstaged by a bizarre surrounding installation that transforms Cohan's white - box space into a funky Chinatown shop or bus - company waiting room with metal chairs, broken A.T.M.s and a shabby facade.

McCall's reemergence is marked by revisiting and further developing what began as his «solid light» films made in the early 1970s: installations of hazy, darkened rooms with slow - moving beams -LSB-.....]

Lynn Hershman Leeson, Lorna, 1979 - 84, earliest interactive laser disc, created with original software, this installation includes a recreation of objects in Lorna's room in the TV: including a remote, television set, wallet, watch and furniture all in «video colours», plus two storyboard prints.

Curveball is the third exhibition in a trilogy of installations that reflect Schliebener's preoccupation with the early construction of gender phenomenology.

He came on to the international scene in the early 2000s with Looking for Love, a series of installations that consisted of walls covered in images of fashion editorials and advertisements.

Featuring his multimedia, cinematic installations, with playful animation and tricksy, theatrical filming evocative of early cinema, Kentridge's work tackles themes ranging from revolution and colonialism to loneliness and comic tragedy.

Presented by the Whitney Museum of American Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this month.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

Judy Pfaff (a wall and floor scatter piece that counters Reed's constraint with a kind of dissociative formalism — every time I see a photo of one of Pfaff's forever vanished early installations, I have to catch my breath)

The artist's installation, conceived in conjunction with Swedish designer Louise Kugelberg, reverses the order in which visitors typically navigate the galleries and also includes a visually arresting, salon - style hanging of smaller, early abstractions made during the mid-1940s.

It made many of her early installations controversial with her peers, but by the same token it has been a decidedly influential aspect of Hiller's work for younger artists.

The retrospective covers five decades of work beginning with Merz's early experiments with «poor» materials and ending with her late - career, large - scale installations.

Emin's work is uninhibited in the way it absorbs and reflects her personal life - whether in seminal installations such as Everyone I Have Slept With 1963 - 1995 and My Bed, her early performances and videos such as Why I Never Became a Dancer, or her writings (which include a memoir, Strangeland, and a period as a newspaper columnist.

Co-organized by the Dallas Museum of Art with Minneapolis's Walker Art Center, the American artist's first comprehensive U.S. survey tracks his development through early installations made of hundreds of drawings on paper napkins and disassembled silk flowers pinned to the wall through the more elaborate installations large mirror mosaics of recent years.

Related reviews look at the earlier exhibition by Kirk with that real - estate office, at cluttered installations, and at the art of everyday materials.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.

In addition to providing a comprehensive account of Bradford's career to date, with an emphasis on his work as a painter, this exhibition will foreground new works, including an environmental installation with sound entitled Pinocchio Is on Fire, which examines key moments in the history of the black community in Los Angeles from the early 1980s to the present.

Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.

By the early 1980s, Nauman replaced text - driven installations and model pieces with important, aggressive neon light works and sculptures, evolving his use of language correspondingly.

An early focus on drawing, evident in murals and installations, evolved into large, narrative paintings clustered with bodies — and heads.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

Images: Installation view of Early Awnings: Henning Bohl with Sergei Tcherepnin at Blaffer Art Museum.

The earliest piece, I Am Sitting in a Room (1969), is a slide - and - sound installation created with composer Alvin Lucier, where duplication of analogue, audio recordings, and Polaroid photographs compromise media integrity.

Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.

Nonas is credited with being the first artist Heiss invited to the «Forty» exhibition, and was a driving force in the early years of PS1, when professional riggers were not to be expected, and artists working with heavy materials depended on each other for assistance with installation.

The exhibition (21 October 2017 — 1 January 2018) will provide visitors with the opportunity to experience six of Kusama's infinity rooms alongside large - scale installations and key paintings, sculptures and works on paper from the early 1950s to the present.

Filled with dazzling reproductions of Deschenes's installations and lush work, this book includes her key bodies of works, from early color studies to recent hybrid photo - sculptural installations that playfully interact with their environment.

The show features the US premiere of Isaac Julien's installation Ten Thousand Waves along with films and photographs from the earlier series Paradise Omeros, Baltimore and Vagabondia.

Phenomenology, for example, is there from the very beginning: those first geometric explorations of colour and form reveal the same engagement with the viewer's sensorial experiences of space and matter as the early «penetrables» — walk - in spaces constructed from monochrome painted boards — and the expanded participatory installations, which Oiticica continued making until the very end of his life.

Rather, it arises from chance encounters — in the gallery with the viewer, during its installation before that, or earlier still, during its making.