Sentences with phrase «with editing experience»

Not exact matches

Video writing interns work closely with video editors, but they do not need to have video - editing experience.

Constance Brinkley - Badgett is a financial journalist with more than 20 years experience editing and writing for a variety of publications.

Of course, many writers, after experiencing the editing process, learn to simply adjust their writing with the first draft to measure up to Christian bookstore standards.

I've been editing an interview that I had with him about his experience with the prep; I'll be posting that this weekend while I'm busy spray tanning & being a cheerleader!

But I'm going to care less about the format, the glossy veneer, the oneupmanship that's so common, and care more about the practice, the experience of getting those words to flow more freely, and getting comfortable again with sharing those words online rather than obsessively editing myself.

I currently write about health, plant - based nutrition, food, lifestyle, and women's health issues at a variety of online outlets and have experience with writing, editing, public communications, and news journalism.

Dweayin bring with him 5 years of writing and editing experience and a zest for life that can not be quantified.

The Inspiration Edit also shares the experiences of a Mother with Adrenal Insufficiency

In Episode 115 of Edit Your Life, Asha and I share our experiences with our own kids, who range in age from 6 - 18.

Candidates with demonstrated experience with graphic design, video editing, and / or HTML are preferred.

In my experience, most editors with strong science backgrounds prefer developmental editing.

I am starting to job - hunt again now and hope to be able to continue in editing, and particularly to gain experience in journal publishing, with the dream, in the long - term, of a job in some aspect of cancer control with WHO.

Desperate for funding in a world that fundamentally opposes the procedure, Xeno - Edit makes a conniving deal with a wealthy donor: They will film a television series documenting the first recipients» transplantation experiences.

June pointed out to RAC that his team already has experience with gene editing.

«With extensive experience at both large and small agriculture and industrial biotech companies, she is uniquely positioned to help Caribou capitalize on the potential opportunities for CRISPR - Cas gene editing to develop improved crops and bio-based products.»

Hannah a New York City journalist with five years of writing, editing, video, blogging and researching experience; her stories have appeared in The Wall Street Journal, The Guardian, Audubon Magazine, The Associated Press, The Fresno Bee, The Sacramento Bee, Huffington Post, The San Francisco Chronicle and The Houston Chronicle

Hannah Furfaro is a New York City journalist with five years of writing, editing, video, blogging and researching experience; her stories have appeared in The Wall Street Journal, The Guardian, Audubon Magazine, The Associated Press, The Fresno Bee, The Sacramento Bee, Huffington Post, The San Francisco Chronicle and The Houston Chronicle.

«Snow Leopards,» Part of New Series, «Biodiversity of the World Conservation From Genes to Landscapes» was edited by Dr. Tom McCarthy and Dr. David Mallon, recognised snow leopard experts with more than 50 years of collective experience in research and conservation of the species.

She writes about her experiences and lessons along the way on her blog She's written two plant - based children's books and is currently editing her memoir; «The Vegan with a Leather Purse.»

Mallory, an ACE - certified personal trainer, joins the Daily Burn edit team with nearly six years of experience covering health, fitness and nutrition.

I currently write about health, plant - based nutrition, food, lifestyle, and women's health issues at a variety of online outlets and have experience with writing, editing, public communications, and news journalism.

Edit: Some readers have been experiencing issues with excessive dryness or crumbling of these bars.

Thanks to Brenda DeSmit in Canada, on facebook, for posting this (I've edited it for length): I must post my experience with Green Smoothie Girl & her 12 Steps to Whole Foods program.

Mallory, an ACE - certified personal trainer, joins the Daily Burn edit team with nearly six years of experience covering...

As the weather has definitely gotten a lot chillier lately I've been spending a lot of time shopping for the pieces that are gonna see me through the next few months, and I thought a cool way to share my favourites with you would be to do a series of «edit» type posts, showing you the best pieces I've found in a number of different categories to make your A / W shopping experience a little bit easier for you.

I just don't have any experience filming or editing lol so that's what's kinda deterred me a bit with it!

I find more and more that with practice, an ever - more - experienced eye, and with the help of my lovable photographer (my fiancé HB) I will edit photos and call to [houston] in the other room, «This is the best one ever!

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

The 10th film to be released on Blu - ray Disc with a Dolby Atmos - encoded soundtrack, and having won an Academy Award for Best Sound Editing, this film provides a great home theater viewing experience.

Lane, far from merely collecting, compiling, and sharing these videos, is, by the very framework of her observational editing, watching and experiencing them as if in real time, along with the viewer.

Combine the fluidity of the editing with Mica Levi «s score, and the film feels more like an experience to behold more than a story you watch play out.

Edited with a frantic energy, the film cuts back and forth with almost cartoonish verve from Don's real - life experiences to explicit scenes of pornography that are humorous in their gratuity, but also serve to highlight the character's obsession, revealing the constant feed of sex playing inside his mind.

Special Features: a package of deleted scenes are the usual superfluous collection of edits which never made it to the movie proper, with the exception of the aforementioned duo of cuts which would've added immeasurably to the viewing experience.

(Update) Having now viewed the film in both 24 fps and 48 fps I can say that the minor issue with cgi not blending with the its environment fully is virtually non existent in the 24 fps edit and despite the motion blur when the camera moves at pace it is an much more satisfying and enjoyable experience.

Co-creators and executive producers Abbi Jacobson and Ilana Glazer are back with season four of Broad City, which has become a hilarious showcase for female friendships in addition to being a place that's hosted a number of kick - ass female cameos, including Alia Shawkat, Cynthia Nixon, Kelly Ripa, Patricia Clarkson, Rachel Dratch, Tracee Ellis Ross and Hillary Clinton, «The extraordinary experience of not only working with two stupidly funny people — it's not even right how funny they are — but on top of that, they are women and they also write and produce and edit and do all of that stuff on their show.

Not only does that reading explain the fervent use of voice - over, never more present here, recounting and musing on each experience with that hushed, inimitable whisper, but it also explains the unique aesthetic of Malick's films: his desire to capture fragmented but ideal forms of corporeal, natural and architectural beauty, rendered so by Emmanuel Lubezki's superlative cinematography and some elliptical, compelling editing.

He cites Paul Greengrass's two installments in the Bourne series — Supremacy (2004) and Ultimatum (2007)-- as bold embodiments of a post-classical filmmaking style that is as much about the story of Jason Bourne as it is the fight - or - flight experience of the protagonist in dizzying car chases, foot chases, and fist fights shot with hand - held close - ups and edited at breakneck speed.

Boring as hell, seemingly edited with a machete and chewing gum, weighted by a screenplay that makes Titanic's read like Edward Albee, Godzilla is the worst cinematic experience I've had in years.

Bonus materials include: Twist by Polanski (a documentary from director Roman Polanski's point of view), Kidding With Oliver Twist (the young stars share their experience while filming Oliver Twist) and The Best of Twist (a look at the sets, costumes, photography, editing and music of the film).

However, The American contrasts this detachment with its subjective use of sound and editing where the film will cut to what Jack notices or emphasise a dramatic noise to give the audience a sense of the tense, suspicious and always on - guard view of the world that Jack experiences.

Obviously met with aggressive razor blades in the editing room, this movie has many pieces that don't quite fit, along with questions that make the experience difficult to buy into.

This becomes clearer whenever the film arrives at an extended conversation between Beatty's Hughes and Lily Collins» or Alden Ehrenreich's starry - eyed dreamers, with the director favoring a more relaxed editing scheme that sees his less experienced employees waving off his eccentricities in a way others can't.

Editing is such an emotional roller coaster to begin with, but to have veteran filmmakers as creative advisors with you every step of the way and offering immediate reactions heightened the experience.

Blu - ray / DVD Combo Pack Extras: Lava; Riley's First Date; audio commentary with the director, co-director and producer; Paths to Pixar: The Women of Inside Out; Mixed Emotions; Story or the Story; Mapping the Mind; Our Dads the Filmmakers; Into the Unknown: The Sound of Inside Out; The Misunderstood Art of Animation Film Editing; deleted scenes with intros and outros; Mind Candy; Selected Score; Remember trailer, Japan trailer; and Experience trailer.

With a background in literature, some academic editing experience, and limited exposure as a teacher of English as a foreign language, Sherman was thrust into teaching high school English without any formal training whatsoever.

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptabilityexperience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptabilityexperience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

The 65 - page guide was written and edited by a team of college students and other volunteers with a blend of experience.

We both model and give our students opportunities to experience such participation through readings, peer editing of unit plans, coplanning and coteaching exercises, Looking at Student Work circles (Little, Gearhart, & Curry, 2003), encouraging strong relationships with mentor teachers, and our own collaborative teaching.

The interactive whiteboard was used occasionally to record ideas during small group discussions, but members of the focus group, admittedly, found typing and editing comments on that whiteboard difficult due to their lack of experiences with the environment prior to this study.

She is a publishing professional with 20 years of experience in writing, editing and desktop publishing.