A terrific early Piet Mondrian of three haystacks, their lumpish forms glowering
with eerie light, hangs on dealer Jean - Luc Baroni's stand, a modest corrective to all the excessive paint in works by Baselitz and Julian Schnabel.
The marlin was the color of the ocean at twenty fathoms, an iridescent blue,
with eerie light smoldering within its silky flesh as if its electrons had become unstable by the cold friction of the sea.
The finished daguerreotype is a jeweled, one - of - a-kind object, no bigger than a hand mirror and shimmering
with an eerie light.
Not exact matches
The northern and southern
lights have dazzled sky watchers for millennia
with their
eerie, greenish glows.
Stage sequences where she's washed in stark, noir - ish grey
with eerie red lamps
lighting the background will arrest you — one of many moments we want to return to, revel in, and experience more of.
The simplicity of Cundey's
lighting - necessitated somewhat by budgetary limits, yet inspirational nonetheless - blends natural / existing
lighting with stylized atmospheric effects, yet the results maintain a balance of rich colours and / or saturated hues, and
eerie deep blacks and somber blues.
But I eventually settled on an
eerie image, the camera tracking
with Leonardo DiCaprio's Frank Wheeler after a day of infidelity, through the darkness to reveal his family,
lit by birthday cake candlight to wish him a happy birthday.
With stark colors, dim
lighting, and effective movement of the camera, the filmmakers evoke a a sufficient atmosphere that's ominous,
eerie, and sinister.
Granik, who made her debut in 2004
with the addiction saga Down to the Bone (the titles of her first two features give the amusing impression that she has taken the term «body of work» very literally), skillfully sustains the atmosphere, climaxing
with a viscerally
eerie light - of - the - moon boat scene that more resembles the work of the French festival - circuit lightning rod Philippe Grandrieux than a thuddingly well - intentioned American life - on - the - margins narrative like Frozen River.
All the tales in Carroll's debut graphic novel are fairly standard ghost stories, but it is her
eerie illustrations — popping
with bold color on black, glossy pages — that masterfully build terrifying tension and a keep - the -
lights - on atmosphere.
We talked about how cool the rocks were, how you could see all kinds of faces in their curves and crags
with the
light all
eerie and bright like this.
The composition all worked so
eerie and wonderfully
with the van, fresh snow, building, and
lighting, that I literally parked my car in the middle of the road and grabbed my camera for the shot.
With two nights spent in the captivating Lofoten Islands, there is an even better chance to view the Northern
Lights - especially in January when the
eerie polar nights mean that the sun barely rises above the horizon.
Within the tunnel under the arch, the discarded doll from earlier floated into the inky dark, illuminated somehow by red
light, towards emerging figures at the other end of the tunnel - more soldiers, themselves glowing
with the same
eerie red
light.
I used to turn down all the
lights and play the game non-stop and also scared myself to death
with the incredible
eerie environments and the jump scare creatures I encountered throughout my multiple playthroughs of the game, however the last RE game left me
with a sort of bitter after taste simply because I personally felt the horror element and the desperation was replaced
with a more user friendly shooter element which I personally felt the game didn't need as it was known to be more of a survival horror game than a first person shooter.
And the station itself, Sevastopol, is a great example of lo - fi sci - fi,
with chunky retro - futuristic tech and
eerie flickering
lights.
The feel of Gone Home is superb as VHS tapes, old consoles and TV shows many of us are fond of litter the environment
with flickering
lights and a ransacked house setting an
eerie tone to the overall game.
While far from
eerie, this is a great one to play at night
with all the
lights turned off.
Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws
light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters
with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose
eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.
Here, she does exactly the same thing, but without the
eerie effects she achieved there
with fluctuating
light bulbs and flickering tellies.
An
eerie smile turns to a grimace, the pixelated face pulsating
with digital
light.
And it is this energy and the subjects» individuated tones of experience, which flood the canvases
with their
light hues and subtle colors or their
eerie dark backgrounds.
The wooden shed, painted
with black bitumen, emanates an
eerie acid - yellow glow from the white strip -
lighting inside it reflecting off the painted walls of its interior.
Blending 19th century Italian Realism
with contemporary photorealism and Renaissance art techniques, Matteo's cinematic perspectives and
eerie light effects suggest the presence of previous inhabitants and their former lives.
Composed from 16 mm film footage of the family possessions in her childhood home, Objection is equally concerned
with the physical objects of the home, the memories attached to them, the sounds of family that never appear onscreen and the uncanny,
eerie nature of the
light - flares and mechanical abstractions inherent to the medium.
Like much of her work, these
eerie scenes are shrouded in fog, devoid of figures,
with only street
lights, headlamps, and the glowing windows of distant villages to pierce the gloom.
Using dramatic
lighting influenced by her involvement in the theater, she paints
with strong yellows and warms hues, which she combines
with distorted and oddly angled images to create visions of
eerie suspense, as in a depiction of a prone figure, whose face is unrevealed.
Collaborating
with friends and fellow inhabitants of the Paris suburbs he hails from, the artist created carefully staged tableaux vivants — borrowing compositional and
lighting cues from paintings by the likes of Caravaggio, Delacroix, and Géricault — that captured
eerie moments of undisclosed tension.
Halley began to use colors and materials
with specific connotations, such as fluorescent Day - Glo paint, mimcking the
eerie glow artificial
lighting and reflective clothing and signs, as well as Roll - a-Tex, a texture additive used as surfacing in suburban buildings.
The show is made up of massive larges - scale paintings that embody the artists» style and vision, ranging from the bright and colorful works of Tim Biskup
with his
light - hearted, whimsical characters, to the work of Mark Dean Veca who paints a dark and
eerie version of Mickey Mouse, distorted by wrinkles and folds.
Luc Tuymans (b. 1958, Mortsel) is a Belgian artist who is internationally known for his paintings that engage equally
with questions of history and its representation as
with quotidian subject matter cast in unfamiliar and
eerie light.
Through sculptures that are activated by
light and shadow, Noble and Webster imbue their works
with eerie messages of mortality, sex, violence, mythology, hybridity and transformation, oftentimes from a self - portraiture standpoint.
Strange noises and / or voices, flickering
lights or appliances,
eerie sensations, ghost sightings, and levitating objects are other occurrences that are likely to put a buyer off from going through
with a deal.