Sentences with phrase «with emotional space»

Working with couples who are familiar with this emotional space requires creating a safe holding environment within the therapy room.

Not only have minimalism provided physical space for me, it has provided me with emotional space I couldn't have imagined before.»

Not exact matches

Talking to, listening to, and engaging with your ideal consumer will be essential in determining a compelling emotional space in which your brand can differentiate itself.

Liz Elam, founder of Link Coworking in Austin and an organizer of the upcoming Global Coworking Uncoference Conference, who also wrote the CNBC piece, expanded on the networking benefits of spaces like hers when we got in touch, noting that interactions with fellow coworking members often go beyond what we traditionally think of as networking to encompass emotional «support.»

Conducted by GCUC, and Emergent Research, the survey of nearly 700 co-workers from across North America dug into the emotional benefits of working communally, coming up with some pretty impressive statistics about the impact of shared spaces, including:

After an emotional encounter with a woman confined to a nursing home, Dupin decided to develop a novel, if not controversial, alternative to sending our loved ones to living facilities that are often over-crowded and under - staffed: the MEDCottage — a small, self - contained living space that can be placed in the backyard.

In an emotional encounter with Christakis's husband, a Yale faculty member who argued that a university should provide a context for discussion and civil, reasoned debate, one student shouted, «It is not about creating an intellectual space!

The spaces of theological education, filled with persons who are different and seeking justice, are already «dialogical» places where lives meet and where bodies interact on physical, emotional and linguistic levels.

With its unique concept of emotional architecture, Gilles & Boissier has developed a dramatic interior that takes guests on a journey through a sequence of emotionally - charged spaces, centered on the V - shaped bar, the focal point of the room.

During labor I meet you in your home, birthing center or hospital and I provide many soothing techniques (counter-pressure, comforting touch, coached breathing and emotional support with continuous encouragement) while holding space for informed decision making by you.

Child abuse, neglect, and excessively harsh treatment of children are associated with both internalizing and externalizing behaviour problems and later violent behaviour, 3,4,12 but again, the impact of child maltreatment on severe antisocial behaviour appears to be greatest in the presence of genetic vulnerability.13 Family dependence on welfare, large families with closely spaced births, and single parenthood are all associated with compromised social and emotional development in children.5, 6

Instead of telling women what they should do and are doing wrong without really listening to them, what would happen if we provided a safe space to just be, offering support without arrogantly assuming we know exactly what choices each woman should make in her individual circumstances with her available financial, emotional, and relational resources?

He initiated studies on the impact of music alone or music coupled with an enriched environment (a space filled with toys) on the emotional responses of rats and associated changes in their brains.

* Pre-registration required Create space in your body, breath and mind as you move, stretch and relax in a warm friendly environment designed to strengthen your emotional, spiritual and physical connection with baby.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

He has rapidly emerged as simply one of the most exciting filmmakers working today, over the space of a mere three harrowing, excoriating but unquestionably brilliant films that tackle adult subjects with unflinching humanism, even as they utterly refuse to compromise in their depictions of emotional and physical brutality — qualities that make him peculiarly suited to tackling something as potentially explosive as a slavery drama.

Resnaisian editing brings us into their relationship without preamble, and the images drop us into the spaces between them, seeing each with the other, creating fragmentary sequences of formal and emotional weight.

With apologies to Alfonso Cuarón's film, which I enjoyed, the buzzier effort may be an enveloping visual tour - de-force, but the one (wo) man - against - the - universe endurance saga in space lacks in character development and genuinely convincing emotional stakes.

It's just a medium shot with a reasonable depth of field, but its simplicity allows the viewer into the physical and emotional space of the character.

With appreciable sensitivity and intellectual curiosity, the director Joshua Marston turns public and private spaces — a sanctuary where a congregation sits angrily divided, an office where a pastor collapses in anguished prayer — into zones of spiritual and emotional confusion.

Moore hires Seyfried at a hotel bar where she has seen her emerge with a client from her office window across the street (there is a lot of watching from a distance), but Egoyan plays the transaction like a seduction in itself, and continues the ambiguous emotional space with the assignment: Moore wants her to tell every erotic detail.

Pablo Larraín's cinematic intelligence is amply supported by Noah Oppenheim's screenplay, but it is composer Mica Levi's score, with its great wedges of sound, that best establishes the film's emotional space.

Joachim Trier discusses his new film Louder Than Bombs: how he experimented with film form to show us the subjectivity of memory, the importance of two - shots and closeups in the film, and how he used physical spaces to convey emotional meaning.

«With no sound in space, the music was integral to underscore the emotional journey.

But even with the obvious homages to proggy sci - fi classic «2001: A Space Odyssey,» the film has an emotional weight and kick.

Key recommendations for government in the report that won API support were: for play to be embedded within a Whole Child Strategy under the aegis of a Cabinet Minister for Children responsible for cross ‑ departmental roll out and co-ordination; for government to require local authorities to prepare children and young people's plans including strategies to address overweight and obesity with its physical, mental and emotional consequences; for funding for play to be ring - fenced within local authority budgets; to address barriers to outdoor play for children of all ages and abilities; to extend the Sport England Primary Spaces and Sport Premium programmes to all schools with a broader scope to incorporate a wide variety of physical literacy activities including play; to communicate through public information campaigns to parents and families the value of active outdoor play, including risk or benefit assessment; and to improve public sector procurement practice for public play provision.

Through a mosaic of schoolwide strategies and practices focused on social - emotional learning, Symonds Elementary provides students with a safe, supportive space and ensures that they're ready and available for deeper learning.

Finding a wellness - accountability buddy — a peer who agrees to support and keep you accountable to your wellness goals — or using a professional learning community as a space to check in with other teachers are also ways to get that support, offers Alex Shevrin, a former school leader and teacher at Centerpoint School, a trauma - informed high school in Vermont that institutes school - wide practices aimed at addressing students» underlying emotional needs.

Demand that school leaders invest in really supporting students by providing social and emotional support, like access to school psychologists and restorative justice counselors, and spaces where students can work through problems instead of calling law enforcement to deal with discipline issues.

Integrating creative expression with social emotional learning allows us to crete a safe and supportive space where we can express our authentic selves.

Highlights of the visit, included a tour of the Satellite Center which offers ten career pathways for juniors and seniors; a visit to R. K. Smith Middle School where CPR — Circle of Power and Respect — is a part of Developmental Design, a social / emotional curriculum, that is offered in all of the district's middle and elementary schools; and a look at the former commercial space transformed into the Professional Learning Center, complete with professional development classrooms, a technology lab, and a technology installation center.

«It seems that once again Audi has managed to successfully combine conflicting traits — blending emotional design with a car that is functional in terms of space, even offering a very large rear tailgate for ease of access.

In a nurturing, supportive environment, you will be guided intensive, loving process to release emotional pain and then fill the newly created space in your heart with love and self - nurturing behaviors.

Largely influenced by the late Mexican architect Luis Barragán, whose vibrant work was considered not modernist but Emotional Architecture, Casebere plays with space, color, and light yet again, but this time in a way that is blissfully cheerful and serene.

Aided by consultants including composer and pianist Jason Moran, the participatory installation transforms «sonic and visual memories and histories of the city into a metaphorical, virtual bayou, an ever - evolving kaleidoscope of impressions that interact with visitor movements in space, producing a vibrant emotional experience that stimulates memory and imagination.»

Vija Celmins at Matthew Marks Gallery, West Hollywood Reviewed by Christopher Michno In a world increasingly short of attention, Vija Celmins has for more than four decades been depicting a narrowly delimited set of subjects with a degree of emotional distance that has offered expansive space for reflective thought.

Matisse's new understanding of the figure and drawing with line, color and space, and the rediscovery of Vincent Van Gogh's emotional expressionism influenced generations of painters to come.

We were both affected by the way those sounds functioned in the Rothko Chapel, but we were also very aware of how the physical presence of the paintings alters one's emotional interaction with anything that goes on in that space.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Tied together by an unbroken horizon, the landscapes offer a humbling look into the vastness of the lake and draw the viewer toward an emotional engagement with light, color and space, as well as questions of human significance.

The text in Emin's bluntly emotional monoprint - and - pen work That's How You Make Me Feel (2012), above, begins, «That's how you make me feel, like a black mass of nothingness, an ugly space felled with my own sadness...»

Yet if the origins of Hofmann's grasp of space - making and his sense of the emotional potency of color can be connected with his experience of the French avant garde, his unmistakable palette and equally unmistakable ways of handling paint forcibly remind us that he was a Northern European, specifically a German.

The work is tuned in situ, with Richards reacting to the acoustic contingencies of the space, creating a cinematic and multi-sensory experience — an arrangement of vivid emotional cues to be navigated subjectively.

Strangely intimate, Griffith's abstractions have negotiated a space of both ideas and feelings that are inflected with an emotional empathy and with gestures that are capable of being simultaneously pensive and assertive.

Caravaggio's chiaroscuro, Rubens» saturated colour and sweeping lines, and Poussin's narrativised landscape space all interfere with static geometric hierarchies to lead a viewer through the emotional experience of a story.

Intertwining history with reality, nations with cultures, collective memories with private memories, the rich imagery in his work could not survive in a vacuum - of abstract space, but is able to reconstruct and renew itself within the emotional and imaginative construct of private memories.

She initially works closely with Gio Ponti and Lucio Fontana, mentors who teach her the art of space and light in a conceptual and emotional style that will inspire her to define her own artistic philosophy.

The exhibition proposes a contaminated webbed space of echoes and flows that underlines the emotional and haptic layers of our identity, commenting on our everyday engagement with a highly mediated environment.

An intuitive painter, Joseph has few contemporary affinities, among them are Rothko and Barnet Newman, whom he uniquely credits with evoking an emotional space within their work.

Two ambitious bodies of work from the past year exploring the artist's fascination with communication, emotional containment and inhabited spaces comprise the exhibition.